Creating an Editing/Revising Plan

I try to keep my blog informative and fun but sometimes I definitely want to write more towards fellow writers or even to those who are considering taking up writing.  Whichever you are (and maybe you’re neither but still like to come by and read my beautiful words), I hope today’s post will be beneficial.

If I had to estimate, I would say 40 percent of my writing experience is creating new content.  The other 60 percent is editing and revising.  I can often come up with new ideas quickly and hash out that first rough draft quickly with all the burrs and nicks.  In my experience, editing and revising are essential steps in the process of polishing a story to be ready to read.  Big rule for writers: Don’t let anyone read your rough draft.  Just don’t.  I know you’re excited to share your recent story and want someone else to love it as much as you.  Unlikely.  Just being honest.

In reality, your rough draft is not going to be good.  It may have parts that work really well but there will be wordiness and clunky dialogue more often than not.  Unfortunately…this goes beyond the rough draft.  For the love of all things sweet and shiny, I am seeing horrible mistakes in my fourth revision of my book!  Sometimes, it takes a few attempts to really chisel, sand, and polish before your story is ready to be read by another person.

I’ve been thinking about a system for myself and my own writing when it comes to editing and revising.  What would work best as I go through the process of making it worth reading and not come away having to answer a hundred questions of why this is that or what does that mean?  After a few questions like this, you start to question whether or not you acted prematurely in your earlier years.  So, I’ll preface this plan by saying I have not followed this yet.  This is merely my plan going forward with future books I write.  (Note: This is prone to change as I go through the process.)

Start: The rough draft is the beginning–the blank canvas.  That’s blank pages being filled in with whatever the writer’s mind is creating.  Notes and little ideas of setting and characters are implemented here depending on your level of preparation.  If you outline, then it’s easier but if you prefer the “go and flow” method, then the rough draft will have a definite coarse feel to it.

1st Edit/Revision: This should be done after you’ve finished the whole story.  Beginning and end have to be in place (write down any notes of things you want to change and plan to add, adjust, or delete after the story is done).  Resist the urge to go back and make corrections to page 10 when you are on page 230.  Until then, those changes you thought of while writing the rough draft should not be implemented.  Look for any grammatical errors as well.  Do not skip these.

2nd Edit/Revision: By this time, you know the story very well.  You could probably recite the whole thing to someone.  On this pass, I start looking at details.  Look for descriptions (characters, world, culture, themes, etc.) and make sure these are consistent throughout the story.  You are layering now.

3rd Edit/Revision: Step back and don’t look at or work on the story for at least a month.  If you are on a deadline, then I recommend some look-ahead planning.  When you come back to your story, you will see things you don’t like and will want to change.  Have at it!  One thing you may notice is wordiness.  Be willing to cut where it needs to be.  Rearrange some sentences if you need to.  Make it flow!

4th Edit/Revision: Read out loud.  I’ll be honest here.  I have not done this to a great degree but as I progress forward in my own writing, I have a plan to start reading my stories out loud to myself (not another soul in earshot!).  Why do this?  Because you will notice things.  Word flow will read bloated or stuffy.  You want flow.  Whether read in your head or out loud to a room full of listeners, you want your words to be silky smooth.

5th Edit/Revision: (I know, I know.  Almost there.)  Now, you might be tired of your story.  In fact, you are going to have doubts about it.  Before you convince yourself it’s not worth the paper it’s printed on, take a breath and relax.  You’ve put in the work and it should be ready to be read by others.  Find readers.  I would recommend friends and family who will be honest with you (not always easy to do but you should have some).  Make sure to tell them they need to be honest.  They do you no favors if they tell you you’re writing is the second coming of Tolkien, Dickens, or Milton (it likely won’t be).

Finally, take whatever feedback you get and apply those changes where you deem necessary.  Sometimes, you won’t always agree with the suggestions and that’s okay.  Preferences in readers is not gospel.  Don’t let it be.

There it is.  This is my editing and revising plan for myself.  There are other details but seeing as how this is a long blog post, I’ll leave it there.  Writing requires patience, effort, discipline, and the will to finish.  Being creative is not enough.  I did not know this when I first started and discovered it along the way.

Call to Action:  If you’re a writer or want to write, I’d suggest tucking this post away for reference.  There are plenty of other writers out there with different methods and probably even wrote books on the topic.  Find what works for you and stick with it.  Make changes along the way if you need to.  If you’re another writer and stumbled over here and have different methods, please share!  I’m always looking for ways to improve.

Writing Likable Characters

posted in: Fantasy, Storytelling, Writing | 0
As I’ve stated many times, characters drive a story.  How well the characters are written can bring life to the world and the narrative.  Elements like setting, themes, plot twists, magic systems (for fantasy), etc. are all great but cannot effectively drive a story.  Readers become attached to the characters in the world in which they’re reading but if the reader struggles to care about the characters, it has to be asked if they even care what happens by the end (assuming they even reach the end)?

I’m going to take two examples of two “main” characters and delve into their likeability.  For me as a reader, I’m immediately judging whether or not I care about the character whose journey I am following.  Their personality is being revealed to me slowly, peeling away until I see the inner workings.  What are their motivations, passions, desires, fears, weaknesses, shortcomings, etc.  If I can relate in anyway, then I am definitely hooked early on.  If not, then I am reading in search of qualities I can gravitate towards and maybe empathize with.  If the character has obvious faults (selfish, conceited, proud), then I am reading in hopes that they find redemption and become a changed person whom I’m happy to see the maturation and growth of.

I’ll start with Quentin Coldwater of Lev Grossman’s book, “The Magicians”.  Quentin is a young man, looking to graduate high school and make the next step in his educational career.  He discovers that he has been selected to take a test that would–if passed–enroll him into a secret school for young magicians to learn magic and excel in the “arts”.  It’s not a unique story in itself and Quentin is somewhat the typical main protagonist.  There’s just one problem…he’s a bit of a jerk.

Now, he has not come from a loving family; his parents are often out of the country and having no real relationship with him and that seems to be the cause for much of his attitude towards others and the struggle he has to form relationships.  In this, Quentin makes friends but he really does struggle to have healthy relationships.  Most of this is the basis for his selfishness and insecurities.  Where he does excel as a character is his believability.  I know people like him.  I’ve seen them over the years and treat others as he does, followed by having to face the consequences of his choices and more often his mistakes.

I personally struggled to like Quentin throughout the first book and series (though I did finish it and even now cannot remember if his final moments mattered to me).  He has some redeeming qualities over the course of his story but his angst and “woe is me” attitude (all brought on himself by the way) drove me crazy at times.  So often I just wanted to speak to him and tell him he’s acting like a petulant child and needs to be better at life and treat others with respect and value.  (Of course, I could not do this and therefore read on, shaking my head in continual annoyance.)

Next, let’s take Tyrion Lannister of the “A Song of Ice and Fire” series by George R.R. Martin or “Game of Thrones” for TV watchers.  To put it simply, he is quite the character.  There is depth to him that is revealed in such a way that you’re continually finding yourself liking him more and more despite some of his less than admirable qualities.  He’s a lecher and drunk but loyal to his friends and family despite the latter continually regarding him (sometimes quite openly) as being only of value because he bears the family name.  You sympathize with him because you recognize his ability to possess passion for others who have endured horrible hardships.  He abhors cruelty and is not prone to hurting others (cough, cough), often believing he can use his status, knowledge, and wisdom to get the upper hand.

Tyrion goes on a whirlwind of a journey that sees him rise and fall but always remaining who he is.  Specifics would lend way to spoilers so I’ll stray from those but as a storyteller and fan of a good story, Tyrion is one of the best out there in my opinion.

The more I read, the more I recognize these characters like Tyrion who I find enjoyable and surprising despite what I might personally regard as vices in their lives.  Do the virtues outweigh those vices?  In Tyrion, I actually do think this.  He has a propensity for getting out of difficult and sometimes life-threatening situations without comprising his established character.  His sometimes heartless reactions to situations make sense and not out of left field for someone of his capability.

As a writer, I am continually thinking about my characters more than the grand plot.  Do I want to make them likeable?  Yes, but I also want them to feel real to the reader.  They cannot be perfect in every way otherwise where’s the risk and danger?  Even if the reader has a sense that some character(s) won’t die, there still needs to be this burden of wonder that something bad or even horrible can happen to them either by way of outside forces or as a result of their choice whether that choice was honorable or not.

One thing I like to ask beta readers is whether or not the characters were complex, relatable, etc. or the opposite.  Getting that feedback helps me as a writer.  As I revise, I take the time to examine every thought, word, and action of the characters to make sure they are not simply doing something for the sake of the plot.  Rather, everything they do should be based on their reaction and/or response to what is happening around them.  Writing likable characters is forever an exploration and process of becoming a better writer.

Call to Action: Are there any examples of unlikable characters you’ve read?  Or maybe ones you did like in the beginning of a book and then did not by the end?

Managing Yourself: A Simple Principle

posted in: Fantasy, Life, Writing | 0

NOTE: In light of the events in Charlottesville today, I wanted to say I wrote this blog post weeks ago.  I want to make sure that none of the language used in the my writing could be mistaken for today’s events.  I will speak to the events here and say I am appalled at the racist hate displayed and in no way condone it.  I also am surprised by some of the responses on social media as well.  To think such things do not exist shows a lack of paying attention to the space in which our country has assembled.  I am not surprised and do not condone such actions but also am not scared or worried because a small number of hateful people decide to rally.  The small number of participants should remind us all that there are far more who do not stand with the hateful.  Those of us who choose to love our fellow men no matter color, culture, political side, and/or religious beliefs far outnumber the few who embrace hate in their hearts.

As strange as it is and this being my blog, everything stated is my own opinion and based on my experiences, convictions, beliefs, and research into various topics.  I know, you read that first sentence and think, “Oh boy, where’s this going?”  I try to keep this blog grounded in writing and whatever influences I have in my journey.

However, I have noticed something in recent months that has me somewhat concerned but not apprehensive in my pursuit for traditional publishing.  Just some thoughts I’ve been wanting to share.

Twitter is quite the social media tool/outlet to connect with all kinds of people from all kinds of walks of life.  I’ve been able to follow, interact, and have discussions with unpublished and published authors, editors, agents, and others in the book industry.  This has been a fun experience for me and allows me to ask questions, find resources, and even form acquaintance-like relationships.

In spite of all this, though, I also come up against some things that flash warning signs.  Now, I’m approaching this carefully because I don’t want to offend or stir anything.  If this blog post leads to anything, I hope its respectful dialogue.  I have no interest in debating or converting for any purpose.  I want to share some concerns.

If you are unaware (I seriously don’t know how that could be) but there are a lot of dividing lines right now in the US.  Politics, religion, and even sports produce some really nasty things “said” about and to people who may not share the same views.  Now, I could unfollow those who have these different views from me but I honestly like to read what people are saying so I understand where they’re coming from.

My chief concern though when it comes to the writing industry is will I be ignored or attacked if I don’t share the same views so openly expressed?

I do not get political or even religious on social media.  I follow many people who I share different views than and read things every day I do not agree with.  However, I have and hold to a position that I cannot manage anyone but myself.  It’s not easy but it’s a great discipline to have.  Others are very open about their anger and sometimes hate of other people and this makes me wonder if I will be “denied” opportunities if I disagree with those who hold the keys.  I think it’s a legitimate concern for me to have but at the same time I trust that my writing and storytelling abilities will supersede any disagreements.

If I could offer any kind of advice (totally up to you if you want to follow it or not; you won’t offend me if you don’t or call me a name), it would be that I think people need to be careful of vitriol espoused on social media.  Not because you’ll offend someone but because people like me will wonder, “Can I have any kind of relationship with this person if they find out I don’t share the same views as them?”

The writing community is a unique place in that there’s usually a lot of support and few “rivalries”.  When writers announce their successes, I see way more support and congratulations than the opposite.  There may be jealousy but that drives a lot of writers to believe they can be the next one to sign that book deal contract.

However, and I’ve seen this a lot in recent weeks, there are writers and agents that are extremely hostile and sometimes plain disgusting with what they say in response to something outside of writing that they are upset over.  I get it.  There are things that drive me up the wall and boil my blood as well but I don’t think it’s worth my time or effort to say anything on a social platform (part of me doesn’t think anyone cares anyway).

Obviously, I am not saying this sort of behavior should be stopped.  Far from it actually.  Speak and be heard but I know there are consequences for saying things.  For me, I never want to jeopardize future relationships because of a quick response born out of anger or offense.  As I stated before, I can only manage myself and I want to always be mindful of how my words affect not only others but myself in the grand scheme of things.

Call to Action: Now I don’t know if my concerns are legitimate or not but I’ll probably share stories once I get deeper into the agent/publishing levels.  Until then, sign up for the newsletter!  (Yes, you’ll see this push throughout the month.)

2nd 2017 Newsletter Coming Soon!

posted in: Newsletter, Review, Writing | 0
Shameless plug time.  The second newsletter of the year will be sent out the 31st of August.  If you haven’t signed up, I hope you will.  Like last time, it will follow the same format sharing where I’m at in the progress of the Ravanguard series, book reviews, and best of all: a short story from the Shoals to the Hallowed series.

Just to reiterate, if you’re caught up on the Shoals to the Hallowed flash fiction posts at the end of each month, this short story will take place in the same timeline.  It will feature the Wielder, Delya Glassene, who was introduced in the “Binding Sleight” flash fiction post back in February.  As I write the short story, I am excited to say that it will give some context to the world and main plot points.  I’ve enjoyed writing these stories and plan to continue to do so for all of you.

If you know others who might like the series, then feel free to share the previous posts.  It won’t take long to catch up and there’s plenty of time to sign up and receive all the content so you don’t miss any of the story.  I make no promises to release the short stories from the newsletter any time soon.  I’d like to keep and maintain some exclusivity.

So, if I’ve intrigued you at all, hopefully you will sign up when prompted on the website.  You can also go to the contact form and request to be added to the newsletter list there.

Another quick little tease for you.  I will be announcing a big thing I’ll be doing with the blog for the month of October.  Let’s just say it will be strange but an awesome thing for me to write about for that month that will require preparation but full of good stuff.

If you did not receive the first newsletter but signed up, please let me know and I’ll get that out to you.  As always, thanks for dropping by and reading!

Call to Action: For anyone who has received the first newsletter, feel free to leave a comment here if you have any feedback.

Wordiness:  Too Many Too Few

As I revise, I am becoming more aware of the things I do wrong as a writer.  Some of this is chalked up to my first draftiness (ah, fun word play) but as I work on my fifth revision, I have to consider my growth and maturing as a writer.  Today, let’s talk about my being too wordy.

First drafts (in my experience) are serious word vomit sessions where I seem to just pour it on and on because I’m still telling myself the story.  That’s what first drafts are: the writer telling the story to themselves first.  Each subsequent draft of the story should be less of this.  Those drafts need to be approached with the attitude of, “Now I know what the story is so I need to whittle it down for others.”  When I use the word “whittle”, I do not mean to dumb it down.  Far from it, since I believe when revising, the story should be sharpened.  Each sentence should be put to the whetstone until there’s a fine edge.  No burrs or dullness.

For myself, I am revising my book to the point where I am making sure redundancy and over-description are being removed.  I am looking weak verbs like: are, was, is, etc.  Why say someone is running when saying they ran or rushed is stronger?  I am looking for word flow.  As I mentioned in my previous post about word count, I can honestly say my book is not lacking in the word count department, but to cut away the fat is necessary.

C.S. Lewis said, “Don’t say it was delightful; make us say delightful when we’ve read the description. You see, all those words (horrifying, wonderful, hideous, exquisite) are only like saying to your readers, ‘Please will you do the job for me.’”  This and other quotes about writing and being a functional wordsmith continue to linger in my mind.  Writers should strive to evoke and stir the emotions of the readers, remembering to show them what is happening in the story.

Call to Action: Newsletter plug time!  If you haven’t signed up for my newsletter, definitely do so.  Not only will it have exclusive info about myself since the last newsletter and some book reviews, but you will also get the Shoals to the Hallowed short story that will close some gaps and provide context to the flash fiction series.

Stretching and Testing: Exploring Other Genres

posted in: Fantasy, Storytelling, Writing | 2
While at this time in my life as a writer I am focusing on fantasy, I often wonder what it would be like to sit down and try to write a story (at whatever length) that moves away from my preferred genre.  I dabbled in this in the past with short stories for classes and while they were definitely not fantasy, I always approached them with the desire to explore different characters who had secrets or qualities that were not revealed until the very end (I may have to dig these up and consider revising).

I blame this blog post of a rabbit trail of creativity on my attempt at reading non-fantasy books.  As I’ve stated before, I am looking for different kinds of books to read to help stretch my writing muscles.  So far, I delved into biographies and a few contemporary fiction novels.  I’ve enjoyed these books for various reasons but I can’t help but wonder, “If I were to write a satirical novel or maybe something considered horror, what kind of story would I write?”

So often, I see motivational and inspirational quotes, encouraging writers to write what they love.  I wholeheartedly agree with this but I can’t help but think there’s value in trying new things.  Obviously, my time is taken up by my devotion to my fantasy series but what’s to stop me from taking a few hours and try to write something that takes place in the late 20th century or more recent?  Nothing really to be honest.  It could serve as a simple creative exercise and there are benefits to that practice.

At this time, I think if I played with any kind of new idea, I’d have to keep it to a short story word count.  If I were to stretch myself too thin, I think I could easily become overwhelmed and that could affect my writing commitments.  This would not be good for myself in the end.  So, a short story would have to be limit.

I think writers can sometimes become distracted by fresh ideas, neglecting current stories that are further along.  I kind of attribute it to being like a new pair of shoes.  You love them when you buy them, wear them everyday, and tell yourself you don’t need another pair for years.  Then, you’re browsing online or at a store and boom!  You spot another pair of shoes that convince you immediately your current shoes are worn down too much to be worn much longer.  I would encourage all writers to watch out for this situation.  You are the best judge of your stories but do not trash something that you cherish just for the sake of something new and fresh.

Call to Action:  Does anyone have a good recommendation for a book of short stories?  I think I need to read more to get a better feel for their length and convention.

Keeping Track: Importance of a Glossary

posted in: Fantasy, Writing | 0

Since I’ve started to focus on revising “So Speaks the Gallows”, my blog posts seem to be centered around that process and things I’m encountering along the way.  That should narrow into specific topics from time to time or at least I hope it does.  Obviously, some specifics will be avoided or omitted for the sake of keeping details under wraps but hopefully the main points of what I’m blogging about will come through.

I know I’ve mentioned it before but my wife has repeatedly expressed amazement and awe (the latter is more my word than hers, lol) that I am able to construct a diverse and enriched detailed world that I’ve spent a great deal of time developing and getting just right.  World building has its merits along with adventurous intrigue, but I would be remiss to say its a simple exercise of the creative mind to keep track of everything.

As much as I love world building, a greater aspect of doing so is recording and keeping a detailed file of everything specific to my fantasy world.  Now, when it comes to the main characters, some supporting characters, and their descriptions, I could throw those out easily.  Even places, cultural details, magic-related items, etc., I can describe those in length and thoroughly.  However, there are smaller aspects I cannot for the life of me always remember.

What was the name of that village/town by that small river where my main character interacted briefly with a traveler whose name I can’t remember and they drank wine from a vineyard and ate a type of cheese whose names allude me…  You get the picture.  Not everything can be stowed away and plucked to the forefront of my memory.

Detailed notes are best kept in a separate file I’ve titled Master Glossary.  It’s this file that has saved me lots of time when researching and going back looking for a bit of information I’ve forgotten.  I would encourage all fantasy writers to do this but somehow I believe they already do.  If they didn’t in the beginning, they definitely did once they had a couple of beta readers point out embarrassing mistakes.

I mention this for today’s blog post because I’ve been trying to polish up my Master Glossary as I’ve gone about revising SStG.  Unfortunately, and I know this set me back some hours, I haven’t even begun to include the many characters, places, and things I’ve written for the other novellas and books rough drafts yet.  That will be quite the undertaking but necessary.

I know for a fact that agents could be very interested in book one but if my world building and tracking of this world is messy and unkempt, they could have reservations about trusting in my ability to see the story continued and wrapped up.  A glossary and detailed note taking is essential to my tightening the writing and making sure consistency is found throughout the narrative.

Call to Action:  Hmm, I don’t have a post-related CTA today to be honest.  I’ve toyed with a few things and came up empty.  So let’s go the charitable route.  If you have the chance, look to help a family member, friend, or even a stranger today.  Even if it’s offering to pay for someone’s coffee, consider doing so.  The world is ugly at times but we can still be courteous and decent despite the atrocities.

Steady Pace: Writing Action Sequences

I’ve recently worked on a long action sequence in “So Speaks the Gallows” and the effort made me think it was a good time to blog about writing action.  This is based on my own experience and in no way a “must follow” instructional.  Just some thoughts, ideas, and practices I’ve found myself able to explore over time.

Writing action scenes is not an easy endeavor to say the least.  When thinking epic fantasy, the images of epic battles similar to what can be found in the Lord of the Rings movies comes to mind.  Visualizing these sequences for the screen has its own set of difficulties (see the Appendices of the movies for further detail).  For novel writing though, it’s a bit different.  The action has to be described in a way that holds and maintains the reader’s attention without inundating them with any confusing language or unnecessary details.

This is a difficult part of writing.  I did not understand this in the beginning and actually prefer smaller scenes of action than large scale warfare.  There are writers that do both very well.  Brandon Sanderson (via the notes and direction of Robert Jordan) was able to do this in the final book of the Wheel of Time series, A Memory of Light, which is a massive final battle that has so many moving parts and elements that it’s amazing to read.

For myself, action sequences need to be treated in a way that moves and does not stall.  Characters are engaged in often life and death situations and have to act in order to survive.  Their choices should reflect this and if they make a mistake, then there should be consequences.  For myself, I don’t like it when the “heroes” are untouchable.  Emotions should be tugged on throughout action sequences both in the characters and the reader.

Something I try to keep in mind while writing action is forward progress and the toll taken on the characters.  Long fights where neither side gets tired is unrealistic (unless we are dealing with superheroes and/or ridiculous fights in the Matrix).  Two guys with swords fighting to the death are not likely to last more than a few minutes.  The best training in the world does not mean the body does not lose energy and grow tired.  And if and when one side suffers an injury, that has an affect on the body as well.  Loss of blood forces the body react in a way to compensate for the wound.  This is something I personally pay attention to while writing any kind of fighting scene.

Let there be a cost.  This is sort of my mantra whenever things turn violent in anything I’m writing.  Violence is a means of entertainment we find in all mediums but we are far removed from any ideology that the good guys never lose.  It’s difficult for me to write an action sequence and write the deaths of characters I know very well after so many years with them but they are not and cannot be untouchable.  There is a difference between killing characters off for shock affect and characters dying because they were bested and/or caught in the crossfire.  This is difficult to pull off and while I could justify the killing of a character (whatever their role in the story), some readers could easily say they feel cheated by the death, arguing it was unnecessary.  It’s up to me to make it justifiable in the end.

Action should pull on the reader in several different ways.  It takes years to practice and become good at it.  My recent revision of the long sequence I mentioned previously revealed a lot about myself when I first wrote it.  Too often, I ran into paragraphs that simply did nothing to push the action forward.  These stilted moments were amateur to say the least and I am pleased with the revision.  There’s a flow–a pace–to writing these scenes and while I continue to test myself and improve, I believe I’m closer to applying my writing style and voice to these difficult scenes.

Call to Action:  So, we recently watched the movie “Baby Driver”.  I whole-heartedly recommend viewing this fine film.  Not only is it fun and original, but it does something for action sequences that is not only entertaining but strikes the creative chord (pun intended).  How?  The director, Edgar Wright, syncs the soundtrack of the film to the action.  Trust me, you’ll love it.

Sunday Levity: What Not to Say to Writers

posted in: Sunday Levity, Writing | 2

Sorry about the smaller pic but I thought this was a great list and definitely worthy of the Sunday Levity post.

I have heard these many a times but I’ll go over my favorites and give my best sarcastic answers.

2. Must be nice not having a real job.

It really is!  I just wake up each morning at whatever time I feel like, make some coffee, watch some Netflix, eat lunch, and then if I feel like it, hash out a couple thousand words and send them off to my agent.  Then, I eat dinner and watch more Netflix and finally go to bed whenever I feel like it.  The best part is, I just let the money role in from royalties as I’m counting sheep.  Ah, the good life.

7. Can I be a character in one of your stories?

Oh, but you already are!  Trust me, you’ll be happy once you see yourself but I have to warn you, I’m not responsible for the things that happen to you.

10. You’re writing a book?  Tell me everything.

Well, you see, there’s this guy and he does this thing and this other thing happens and this guy, you know, the one I mentioned before.  Well, you see, he has to do this one thing, but that turns into this other thing, and then he finds out he did it all wrong.  So, well, you see, he has to go back and correct his mistake just he can get to the end and find true happiness.

LOL.  Honestly, I’m not this snarky in real life and probably wouldn’t answer these questions that way but I cannot help writing sarcasm.  Scathing and biting are the most colorful in the sarcasm tones.  Have a great Sunday everyone!

Word Count: Does It Matter?

posted in: Fantasy, Storytelling, Writing | 6
Often, writer’s (especially with their first book attempts) just write, trying to finish the book.  That’s the primary goal with dreams of publication on the horizon.  What happens (and this is my experience) is that writers begin to do research and find information on length of the book and how that may or may not affect the book being bought and published for the general public.

When I was younger, this terrified me because I realized that my first book was very large.  Mind you, I’ve decided to love and write epic fantasy because I like a good storytelling challenge.  Now, if you do any kind of quick searches for epic fantasy novel word count, you will find what is quite the endeavor.  Anywhere from 175K to 225K words seems an appropriate average.  This translates to several hundreds of pages both in hardback and paperback, which is quite the commitment for a reader.  It’s even more so for a publisher though who is putting up the money to pay for a wide release of what they hope will be a bestseller.

Publishers are in the book game to make money.  That has to be realized.  Agents are in the book game to make money as well.  They are looking for writers who write something they believe they can sell for a book deal to a major publisher so that the book will hit the shelves at Barnes and Noble and the virtual shelves at Amazon.  Writers are in the game to write.  Sure some look to make money but I’m of the opinion best selling writers have both the skill to write a great story that other people are willing to pay for to read, but also the ability to tell the story in a way only they can.  We’ve got it in us to put the words on the pages.

In the beginning, I wanted to write, get published, and make money.  Not much of a confession since I was 18 and had no idea what else to do with my life at that time.  Now, 32, I want to write and get published.  If I make money in doing so then that’s just an added bonus.  What does this have to do with word count, you might ask?  A lot actually because I cannot sacrifice my story for the sake of believing it can only be published by a major publisher if I get it under 125K words because that might be what the publisher prefers.

From a cost/profit position, I get it.  It’s not easy to sell a new epic fantasy book that stretches several hundred pages and expect a profit all the time.  It happens but there’s a lot that goes into the effort of the agent and publisher to get that money.

For me, I cannot get hung up on length when it comes to my book.  Is it long, yes.  Admittedly so, it is long.  But that is because it is epic fantasy.  It’s the nature of the beast.  My goal is to write, edit, revise, and polish it to the best of my abilities.  Not only that, but it needs to be the best it can be in order for an agent to believe it enough to invest their career, reputation, and time into it.  It’s no easy task but doable and I believe in my writing and storytelling abilities to reach this goal despite the word count.

To all other writers who may venture to read this blog post (are you out there?  I’m not quite sure to be honest), I would encourage you to tell the story from beginning to end as you see fit.  Be prepared to have to cut and revise if your beta readers make suggestions.  Be prepared to spend more time revising sections if an agent believes it will benefit the book, which will lead it to being sold.  If there’s a section that you disagree needs to be cut/revised for whatever reason, make an appeal and state your reason why.  Trust in yourself.

Call to Action: I’m curious to know if book readers turn away from books based on length.  Do you have a preference?

Recommended: The Last of Us

I’m not the biggest gamer nor would I consider myself well-informed on the great selection of games out there nowadays.  That’s not to say I haven’t wasted many a days staring at a screen and directing an avatar through a dangerous, violent adventure pursuing the ultimate goal or an achievement/trophy.  I won’t be going into a lot of detail about my experience with video games today but I do want to shine some light on a particular game that has impacted me the most in my 20+ years of playing video games across many consoles.

The Last of Us is in my opinion the best narrative of a story in video game form (based on what I’ve experienced; there could be others).  I won’t be getting into gameplay or mechanics of the game itself because I know some readers will not be familiar with that aspect (so let’s keep it general).  However, I think everyone can admire and stand with me when it comes to enjoying a well-told story.  The Last of Us does this.

The game follows Joel–one of our main protagonists–in a future that is decimated by a disease that affects people’s brains and bodies, leading to eventual violent tendencies.  He’s a survivor, suffering demons from the first days of the outbreak.  This leads to his eventual goal for the game.  His task is to escort a young girl, Ellie, to a location across the country where she can be safe from would-be antagonists who seek to do her harm.

Without going into spoilers (just in case any readers have yet to play the game and are planning to), it’s not the most embracing of relationships as Joel is worn down by the world and carries the pain of losing his own daughter years prior.  Ellie is a girl who was born into a broken world and her wonder about the world lost leads her to ask Joel lots of questions and be what a teenager might be in those circumstances: curious.

From setting to setting, the game pits Joel and Ellie against enemies in various forms and they have to do whatever they can to survive and find safety.  Woven throughout this drama and the intense gameplay, you as the player are privileged to be part of the relationship that grows between them.  Joel is a father without a daughter and Ellie quickly becomes the potential surrogate despite his wanting to be done with the mission at hand, struggling to bond with what he thinks might be stolen away from him yet again.

My love for this game comes from the dynamic between the two characters.  I have a soft spot when it comes to stories that involve a parental figure and a child who rely on each other and come out changed for the better in the end (see my review of Logan).  By the end, both Joel and Ellie are different, experiences real growth.  I can admit, but there’s a point in the game that is so emotional that I definitely teared up a little.

A minor narrative detail throughout the game is when the game slows down and Joel and Ellie are going from one place to another (or from conflict to conflict).  Here is where the casual conversations take place.  Ellie will see something or you can direct Joel to look at something in the environment and Ellie will react, asking questions that explore her thoughts, Joel’s thoughts, and end with the two talking as if the world has not gone toes up.  It’s a small detail strung throughout the game but adds a layer no other game has taken advantage of to my knowledge before it.  It’s a genius character element!

Yes, The Last of Us is a video game and while a great many lack in great storytelling, this one sets the standard.  It was funny, I found out a friend of mine recently started the game and I told him I would come and watch him play to witness his experience with the game.  It’s something I cannot go through for the first time again but I love that others can.  Even if they do not feel the same way as I do about it, to me it’s worth experiencing just as much as I think some films or TV shows should be experienced.  It’s storytelling done right and I will always be drawn to those examples.

Call to Action: It’s not a simple, “Oh you should go out, buy a Playstation and the game, and play!”  No, that’s not feasible.  Instead, I’ve attached a non-spoiler review video for your viewing pleasure.  There’s some in-game language and violence in the video so you’ve been warned.

Flash Fiction: “Trust in the Dust”

Red and orange dirt rose in the air, forming a cloud of fire gently falling to the wet cream-colored canvas tapestry laid on the stained floor.  The motes showered along the surface in a pattern unlike any other.  It was the practice of a dust seer, using the fine granule sands found in desolate parts of the Navastle Desert.

Teelee stared in wonder as she kept pressed into the corner of the dust seer’s hut.  Her older brother stood alongside the old seer whose white robes had long since collected flecks of the fire sand, making the man a story unto himself.  She tried not to stare at the seer’s robes whenever she tagged along with her brother but struggled, which often earning the ire of the seer, whose name was Shotra the Twig on account of his slim, bony stature.

“What do you see, boy?” the seer asked.  Along with his robe, his leathery hands and arms were just as stained.  His long nose curved down and slightly to the side.  All hair that remained were wisps of white strands collected at the base of his skull.  Sweat shined along his pate and taut face from the sunlight piercing through the gaps of the boarded walls of the hut.

Teelee’s brother, Dag, bent down as the dust settled in the shades of fire along the tapestry.  His cheap shirt and trousers collected the fire dust as well but their mother’s incessant washing faded the stained material.  He hummed something of uncertainty, trying his hardest to continue on as Shotra the Twig’s apprentice.  If he failed at this apprenticeship, he would have to find another which likely meant having to join the other boys his age water seeking.

“Come now!” Shotra the Twig barked.  “What does the dust say?”

“What’s a Shoal?” Teelee asked.  She had not realized she moved away from her corner, unseen by either her brother or the seer, and toward the canvas as words on the tapestry became clear to her.

Shotra the Twig twisted around to castigate her but stopped short.  He turned back to look on the tapestry himself.  Not speaking directly at her, he said, “What do you see, girl?”

She hesitated, finding Dag staring a blaze of flames at her but the dust seer looked on the verge of grabbing her.  “Disruptions,” the word was strange on her tongue, not entirely sure of its meaning.

“Disruptions in the Shoals.  Violations.  Welders–”

“Wielders,” Shotra the Twig corrected.

Teelee did not know the word or context but trusted him.  None made sense to her; the words laid there on the tapestry, swirled and jagged, but clear and concise.  “Wielders violate the constructs of the Shoals.”  She smiled but her brother, whose eyes filled with tears, made the emotion of excitement die away.

Shotra the Twig turned to look down on her, ignoring her brother who pouted openly.  “Hallowed be praised…  Boy, leave.  Girl, you will stay.”  He readied the tapestry, pouring water across the cream surface for another reading.

Teelee sniffed and sneezed into her hands, excited but terrified of the anger growing in her brother’s eyes.  He would find a way to hurt her; she knew it, but she could not resist reading the dust.

Dag left and Teelee watched as the new batch of fire sand rose in the air by Shotra the Twig’s exaggerated motion, a fresh jubilant air about him.  Her eyes watched the dust floated down, streaks of fire settling, forming words.  Some were the same as before and some were new.

Layers Upon Layers: Revising Tips

I’ll get to the topic of this blog post shortly but I wanted to speak a little to the Shoals to the Hallowed flash fiction pieces posted at the end of each month.  To clarify, these are not connected to the Ravanguard series and have remained a writing exercise/foundational laying of the future series.  I apologize to anyone who wishes there was more.  I’m exploring the best way to give you more, which leads to a thought I had but will require an adjustment of sorts to the newsletter cycle.

In a previous post, I had created the main protagonist of the next Ravanguard-related short story for the second newsletter slated to be released at the end of August.  I think I will put that on hold for now (apologies to those who contributed to the character building exercise we shared).  I will come back to it but I think I’d like to use the newsletter as a means for writing a short story for the Shoals to the Hallowed.  You, the subscribers, will receive more context into the world and it will hopefully connect some dots as well.

Also, my previous plan to have 12 POVs is now being cut to 6 so that means in July, we will be returning to one of the characters you’ve all previously been introduced to.  I may even try to squeeze in two flash fiction posts from time to time but it all depends on my schedule.  Thank you for reading and continuing to support me.

<>

Onto the post!

The more I do it, the more I think a first rough draft of a story is simply pushing from beginning to end.  There’s so much that can happen along the way and the writer can plan and outline and still come away after that last page is finished and be surprised by some twists and turns.  I actually enjoy starting a story and not knowing where it will end.  It allows for growth and space.  When I’m surprised by something that happens, I know the reader will be too.

I could easily go on and on but I wanted to bring to light revising tips I’ve accumulated over the years.  There is no true rule or standard for revising.  It’s simply polishing the rough edges of the manuscript.

One thing I look for as I revise the flow of words.  Is there one?  Or does the paragraph or dialogue read congested or even constipated (bad imagery I know).  There’s a rhythm to language that can and should be utilized in storytelling.  Sometimes, it can be rough but that usually falls in line with a particular character, mood, or tone set before.  Sometimes (in my experience), this requires some adding or removing of words or even rewriting the paragraph or dialogue altogether.  Either way, it’s about not putting the reader in a place where it’s difficult to keep reading.

Another thing I look for when I revise is detail.  Is there too much or too little?  This is a bit of a chess game between me and the page to be honest.  It’s not a simple, “Oh, I forgot to say what color that woman’s dress is.”  No, it has more to do with whether or not the scenery/character/conflict is lacking in any way.

I’ll often find that I use words improperly that I mean to have a specific connotation in relation to the colors or sounds in the scene.  Appealing to the senses is essential as a writer.  We want the reader to be immersed in the action taking place in front of them.  If I fail to provide a detail even as minuscule as the sound of footsteps approaching or the creak of a door when someone unexpected enters a room, I’m denying the reader an experience.

These are just a few of the things I look for and are mindful of when revising.  It’s difficult but when I look back at the early scenes/chapters I wrote for “So Speaks the Gallows”, I have to remember that much of the world and characters were not fully fleshed out at that time.  I wrote the first chapters almost ten years ago now.  So much has happened since then and I’ve grown as a writer, able to look at how I write now to those first rough drafts of chapters and it’s truly gratifying to know I’ve grown and not been stagnant.

Call to Action: I haven’t said it in awhile but you should sign up for the newsletter when prompted on the website.  Maybe the promise of a Shoals to the Hallowed short story will be more enticing to some who have resisted so far.

Urgency for Agency: Search for an Agent

Plans change.  Most often, they change because a previous thought or idea can be influenced by new information.

I recently listened to a Q&A with a literary agent and there were some preconceived ideas I had about the process for publishing for myself that were shattered.  This has opened my eyes and my mind to make some changes.  I’ve sat with it for a few weeks now and I’m willing to say I’ve been approaching my goal the wrong way.

While not going into the deeper specifics, I’ll simply say that I had previously planned to self-publish the first novella of the Ravanguard series and use that as a means for attracting an agent.  In my mind, this was a great idea that showed initiative and forethought.  While I think this is partly true, I think after some processing and reflection, my approach was also in due part based in fear that my writing would not be good enough to attract an agent based on the writing of book 1.

This is the kind of fear every writer deals with.  My wife is gracious enough to help convince me that it’s a fear that I do not and should not worry about.  I agree.  I believe in my writing and the story I have to tell.  I’ve simply suffered a flat tire in the journey but thankfully, the spare is on and I’m on track again.

So, my plan has shifted.  I will not pursue self-publishing “Dim the Veil”.  It still serves as a companion to the series and is canon and will likely be published in the future but book 1 of the Ravanguard series, “So Speaks the Gallows”, is the top priority from her on out.  This is the vehicle for the series and I mean to see it as the selling point for gaining an agent.

Currently, I have been moving through book 1 with a friend, who has graciously offered his time, to fine comb through the book.  Seeing as how this book is over 450 pages, it has been a long process.  However, I’ve decided to refocus my revision efforts based on the feedback and discussions and I will make this final polish before searching for an agent.

Finding an agent is a process in itself.  It requires patience.  I will likely receive rejection letters but I do believe the right agent is out there for me and it will be a person I can partner with for the future.  They don’t make money unless they successfully sell the book to a publisher.  I learned a great deal through the Q&A session I listened to and will likely listen to it a few more times just to make sure I’m fit with the knowledge needed to move forward.

My wife has actually encouraged me to look for an agent for a few years now and I fought it in an attempt to convince her my plan was the right way to go.  It’s never fun to eat crow but everything is better with BBQ sauce (hickory and sweet, not spicy).  It’s an adjustment and those are never easy to realign to but I believe now that this is the route I need to take.

While I am revising book 1, I will also be preparing my query letters for agents and making sure those are top notch as well.  It’s an art in itself.  There are some rules that stretch across the board but a lot of agents have some differences in how they want to be queried.  The list of agents is growing and I have hope that he or she who decides to invest in me is in that list.

Call to Action: Despite these changes, I will continue on as I have been.  The next newsletter is still set for an August release.  Sign up if you haven’t.  Definitely expect a bigger update on book 1 and searching for an agent at that time.  I’m going to limit how much I discuss it here on the blog (if I can).

Wonder Woman: Thoughts and Impact

posted in: Fantasy, Film/TV, Review, Writing | 2

I’m juggling and shifting my blog post schedule around to bring you all my take on the film, Wonder Woman, which Leesie and I went and saw this last weekend.

This is not a review but rather an initial impact on me as a writer and storyteller.  Have no fear, there will be no spoilers shared here!

I went into the movie expecting it to be good based on reviews I’ve come across.  I have not been the biggest fan of the DC comics movies so far (I enjoyed the first halves of Man of Steel and Suicide Squad) but I have held out hope that the trailer I saw for Wonder Woman would hold up for the entire film.

We watched the movie and my first comment to Leesie afterward was, “I am amazed that it took until 2017 for us to get a movie like that.”  Now, what I meant was, “Holy crap!  Why have we not had a movie centered on a woman super hero?!”  Seriously, I loved the film.  It had so much good in it that I’m still processing everything to this day.

What’s more is I truly loved hearing Leesie’s take on it.  In case you all don’t know, I’m a straight white male and that has…interesting connotations in today’s society (let’s leave that ditty for another day though).  My wife’s opinion means a lot to me as a storyteller and I often expose her to movies or shows that impact me as a writer and I want her take on it.  This doesn’t always go over well though because she doesn’t see what I see but that’s not really a bad thing.  I’m just a nerd who gets inspired by things not everyone else does lol.  So, not a knock on her, I just really like to hear her reaction.

But for Wonder Woman, I absolutely wanted to hear her reaction.  To listen to her talk about how it evoked emotion in her to witness a woman who was both powerful and compassionate lead the charge (not a spoiler since it’s in the trailers but that “no man’s land” scene was one of the best I’ve ever seen) tore at me.  As a man, and I like to think I value women pretty well (all thanks to my mom), I don’t know what it’s like to be a woman.  I don’t know how women feel or think.  I don’t know what their experiences are in the workplace and other social constructs.  I just don’t but I love that I can talk to my wife and listen to her talk about these things that are inspiring to her and for different reasons than they are for me.

One other aspect she brought up to me (after reviewing this blog post) was the fact that Diana did not devalue the men she encountered (for the first time mind you) but came alongside them, learning about them as people and valuing what they had to bring to the table.  This idea of co-value is what seems to be missing in a lot of the discussion between men and women’s roles in society.  We are different.  Biologically and mentally there are differences but in action we can carry out the same goals.  I am always thinking about this as a writer and even putting it up against other stories in any medium of media.

Already, my mind is going back to the female characters of my stories.  I’ve never wanted to write ones that feel inferior for the sake of a plot device.  I truly don’t want to tell the story of a damsel in distress who can only be saved by the knight in shining armor.  It’s been done to death and it’s not an interesting story to tell (at least not to me).

As I write and revise the first book of the Ravanguard series, I’m reassessing my main female protagonist’s scenes in which I explore her thoughts and actions in the conflicts she faces.  Yes, she has help from both male and female counterparts but I truly desire to write her stronger than I previously had.  Will she make mistakes?  Yes, because that’s believable and makes her grow as a character but I don’t have to write her into corners or the tallest, darkest tower with way to escape lest their be some chiseled Fabio chump to scale that tower to free her.

Wonder Woman was an amazing film to experience and I highly recommend it to everyone.  I came away extremely impressed with the direction of the film by director, Patty Jenkins (keep an eye on her as a director) and Gal Gadot’s performance as Diana aka Wonder Woman.  Gadot was mesmerizing and embodied a hero with a clear vision of purpose and power.  Ignore the naysayers and pompous twits who feel the need to gripe over sensitivity issues (most of these are results of their own biases).  Form your own opinion and let that be enough.

Call to Action: Go see it.  In fact, if you’ve already seen it, go see it again.  I don’t often watch movies twice in theaters but I would absolutely jump at the chance to see Wonder Woman again.

Pressure Tester: Meeting the Content Quota

posted in: Fantasy, Flash Fiction, Life, Writing | 0

I took the Memorial Day weekend as an opportunity to conduct a little experiment.  Since I started this blog and launched my website, I knew I needed to up my game and produce content.  I knew I needed to have more of a presence on social media (Twitter primarily because of its format, features, and links to other writers).  What I didn’t know though was the amount of time this required of me.

I’ve done enough research to understand how marketing myself as a writer on the interwebz is important as I pursue my dream of publishing my stories.  The blog was a great opportunity for me to write and share.  The benefits have been great (I’ve already shared that to some extent and won’t regurgitate it at the moment).  I’ve tweeted and interacted with other writers as opportunities allowed.  Overall, the experience has been good but… To put it bluntly, I’ve run into a bit of a wall.

Let me explain (No, there is too much.  Let me sum up).  Being that active on Twitter has been time consuming.  I got into a habit where I always had a tab open to Twitter and would continually keep an eye on my feed.  I wouldn’t tweet something every hour on the hour but I tried to so throughout the day because all the research I did told me I had to be a continuous presence in addition to adding content.  Other than tweeting, my blog posts every other day have been the majority of my content.

A little vulnerability I’d like to share with everyone: it has been a bit a let down but only because I think my expectations were too high.  I get way more spam comments (all of these I have to go through and mark as spam behind the scenes of my website) and I see no real evidence that I am gaining consistent followers.  This could be for a number of reasons (everyone’s got a blog nowadays, especially writers, so I get that there are a lot of options) and the one I keep coming back to is I’m still at the beginning stages of this season of being “present”.

This is not to say I do not appreciate the comments I do receive from real people.  I love being able to read them and respond.  If I don’t respond, I apologize.  I am trying to be better about it.

Even on Twitter, I’ve come to this hovering number of followers and wonder what I’m doing wrong.  Am I tweeting the wrong things?  Am I hash tagging wrong?  Am I focusing too much on writing and not other interests I have?  If I tweeted more about sports, music, food, etc. would I risk losing the followers I do have?  These are questions I continually wrestle with and have yet to find an answer.

Please don’t take this blog post as a rant or complaint.  It’s not.  I’m processing my actions and the steps I’ve taken over the last five months of going all in.  I trust that I am very much in the early stages of this leg of the race and need to merely slow to a steady pace whereas I was sprinting and have started to hit the wall (I carbo-loaded on the Twitters).

In my mind, the experiment during the last holiday weekend was to see what it “felt” like to unplug.  I decided to step away and not have my laptop in front of me with a Twitter tab open the entire three days.  It was difficult at first because there’s this odd sense that I will miss something by not staying connected.  But then, I have to ask myself, why do I feel the need to stay connected at that level?  It was ultimately draining and I suffered from something I truly don’t want to fall under the pressure of and that’s always being connected through social media.  I can easily let my posting habits become more organic than forcing myself and putting myself on a strict schedule.

If not, then I will burn myself out.  I’ve done so in other areas and through different seasons.  Trying to constantly put out content and interact through social media is too much for me.  I have so many other interests and priorities that I don’t want to let slip away.  These “others” are what fuel me and give me joy.  Constantly tweeting and trying to come up with content that would attract readers and followers is exhausting and it’s not how I want to live my life.  What I want is to write and share the stories I have in me with the world.  Writers have done that for centuries before we ever got to this place of instant-connectivity.

This is not to say technology and our current culture of content intake is bad but I think I need to take a step back and refocus.  I can do both but I cannot sacrifice my relationships, writing, and interests for the sake of building my brand when I’m not quite there.  At least not at the rate I have been trying to.  It’s too much weight and I’ve been putting it all on my shoulders.  I think once I have “Dim the Veil” ready for release or leading up to the release, I need to step back.

Call to Action: No, I’m not going to encourage you to step away from your devices today, lol.  We get that from all over now.  While I do think it’s healthy, I want to encourage everyone to simply consider what they’re putting out there.  What’s your involvement?  What content are you pouring out?  Is it about sharing your life and being encouraging or dumping your trash for the world to see?  We should strive to be better than the negative ninnies out there.  Let’s be better.  Let’s be uplifting, honoring others wherever they are at in their journey.

Pulp Diction: Writing Dialogue

posted in: Fantasy, Writing | 0

I cannot tell you how to write dialogue.  There are some standard rules and basic principles attached but in the long history of writer’s writing dialogue for their characters, there is a spectrum of style and usage.  This is not an instructive attempt by me or “how to” post.  Instead, it’s more about how I have come to learn to write it.

A story without dialogue is…well, let’s just say not impossible to write but in my mind difficult and not really necessary especially in fiction.  Readers dive into fiction to experience the lives of the characters in the narrative.  The best way to do that is through the dialogue (external and internal) and actions of the characters.  I cannot for the life of me think any modern story would be a fun read if dialogue were removed.

(Actually, something tells me Tolkien could have done this but the Hobbit and the Lord of the Rings would have been a fantasy history rather than an epic.  See the multiple appendices for Middle Earth for reference.)

When I started out, my dialogue writing was less than stellar (as it should have been by an eighteen year old with no experience).  It has taken years for me to learn the discipline to do so.  And I’m far from being what I’d like to be when it comes to dialogue.  I think my current venture into writing the film treatment/screenplay for my movie idea will help since dialogue plays a huge role in the telling of the story (no interior monologues included and all visual storytelling methods are used).

It’s easy for me to say all my characters in the beginning of my writing journey sounded the same (that’s just an easy way to describe it).  What I mean by this is, I did not understand how to write the “voices” of different characters very well but that’s because I did not have the practice or skills of diving deep into the characterization of each speaking person.  In my mind, this was not an important element.  Back then, I just wanted to write and create new worlds.  Start at the beginning and work my way to the end to see what I come up with.  The voices of characters was sort of tossed in the side bin labeled “consider adding later”.

Characters who do speak in the story have to be differentiated by a number of things.  Where were they born?  What were their experiences growing up?  What was the culture like in which they lived?  What is the extent of their education?  What religion, if any, did they practice?  What are their dreams?  What are their fears?  Did they suffer from any abuse or disabilities?  All of these factors shape people into who they are!

Now, you can go over those questions and easily say, “A writer has to know all of those for each speaking character in order to write dialogue?!  That’s crazy!”  Yes.  Yes, they do and yes it is.  Maybe this is why non-writers are so mystified (I embellish a bit by using that word) that writers (especially fantasy writers) can create so much and hold of it in their heads and write full epic stories from start to finish.  We’re not wizards ourselves, I assure you (or are we?).  What we possess is a strength in creativity that is just different.  I can easily admit I’m mystified (I do mean to use that word in this case for myself) at the creativity and ability of artists who paint, sculpt, sketch, compose, etc.  It’s something I envy and wish I could do!

When I start writing the main point of view character and begin to have them speak, I learn so much about them.  I wish I could explain it in a way that is academically profound but the truth is, I learn who they are as I write the words coming out of their mouths.  How they speak to others is just as enlightening!  Developing a relationship between them and family, friends, strangers, and/or enemies is part of the magic.  It’s writing interactions between my characters that gives me the most joy.  I could not write scenes upon scenes where dialogue is absent.  Some writers can and I applaud them but I need to write dialogue for the sake of keeping my characters and their journeys progressing forward.

Differentiation between characters and giving them their own voice in the story is difficult and takes practice but it can be done well and in a way that stands out to the readers.  This is important and I stress that to anyone who wants to write or has recently tackled the art of storytelling.  I cannot tell you how to master this but I can tell you it’s worth mastering.  There are plenty of resources out there that can help and I encourage looking for them, studying them, and putting those methods to use.  Stories should be vibrant in their descriptions and in their use of dialogue.

Call to Action: Listen to people and how they talk.  Pick a few you know and really keen in on the differences from you and from those you know well.  It’s amazing the little nuances people have in the way they speak that makes them an individual.

The Benefits of Writing Flash Fiction

My experiment of writing flash fiction since January has been one of invaluable joy.  While it started out as a way to flex the writing muscles and provide additional/different content through the blog, it has turned into something that I believe will thrust me into a sea of possibilities in the future.

I hope you all have enjoyed the flash fiction posts at the end of each month.  The next is fast approaching and I truly enjoy writing these little glimpses into the Shoals to the Hallowed world.  (Side note: My goal is to provide several viewpoints–a new one each month–and then continue on in those viewpoints by next year.  So that means you’ll have twelve distinct viewpoints introduced this year and next year, I’ll be continuing from those twelve.)

My never delving into flash fiction was a result of not really having a platform to explore and release those kinds of stories.  The blog opened the way for me and I’m glad I took those steps.  The benefits have helped me in many regards but I want to focus on one single benefit for this blog post.

Flash fiction forces the writer to value each and every word, choosing only the ones that matter most for the current story told.  What I mean by this is, I try not to exceed 550 words in a flash fiction story.  Some that I have written over the last few months have been too long and I had to whittle those down.  Parameters aren’t always a bad thing when telling a story.

This practice forced me to pick and choose, editing finely, so that the story could be told in full without what I like to call “fluff”.  This makes the story in its glimpse form edged and to the point.  Too often when writing in larger word counts, the propensity for fluff leaks through.  I chalk this up to the desire to add detail in a first draft more for the sake of the writer, setting reminders for themselves, more so than for the readers to need at that time.

As you can probably imagine, I notice the fluff as I go through the revision process with the longer works like book 1 of the Ravanguard series.  Both good and difficult at times, I definitely struggle with knowing what is sometimes fluff and what is important to the details of the narrative (that’s the continued process of becoming a better writer).

The flash fiction stories serve multiple purposes for myself as I continue to write and gain experience.  You all are involved in the experimental process I’ve set in front of me.  I know there are other lessons I’ve learned but being able to take notice of detail in word count forces my hands (ha!) to be patient and considerate whereas in past cases I’ve acted very loose in how I frame the narrative and each scene within.

Call to Action: It may be years down the road, but I do plan on compiling all the flash fiction stories for the Shoals to the Hallowed.  I’ve even started planning and thinking about the bigger picture for the series though it may be many many years down the road.  I’m curious to know what people think so far.  Let me know because I’m interested in getting feedback.  Thanks!

The Bolder the Better

posted in: Fantasy, Writing | 3

There’s this desire within me to be bold as a writer.  I have to ask myself what that looks like and after some reflection and processing (that will take place as a I write this blog post), I’ve come to a few conclusions.

Bold doesn’t necessarily mean crass or of high opinion to the point where I am obstinate.  Let’s say courage instead.  I think there’s a measure of courage needed to be the writer I want to be.  When I first started (here’s a bit of transparency), I thought I had to be a type of writer and write to a certain audience who shared the same religious views as I did.  Yikes!  (I’ve come a long way since then.)

This is not a bash to my beliefs (my convictions and beliefs are very much my own and I hold to them still but I have no interest in forcing them onto others).  No, rather, I realize now that I was a young, very green writer who did not know how to write without inserting this part of my life into the story.  As I look back, this is not in my opinion bold or the example of courage.

My train of thinking has definitely shifted since then.  A writer’s courage does not necessarily look like inserting ideals and doctrines of belief (whether they be religious, political, or cultural) within the narrative of the story.  No, in my mind, courage is knowing your beliefs but willing to explore the alternative options or opinions that others might have.

For example (I think I could write several more blog posts on this topic), I believe in a single God who created and loves humanity and wants a relationship with His creation.  Very basic description.  Yet, in the Ravanguard series, I have multiple religions (quite different from each other in some instances) that are important to the development and growth of my characters.  I cannot (in good conscious) write a character who has a belief in a monotheistic deity similar to my own and treat them in any superior manner over another major character who believes in a polytheistic system of religion.  Neither can I try to have one character convert another to deliver some subconscious agenda!  If I do so, I’ve made the story something (or at least the interaction of those two characters) that I don’t wish it to be.

I hope that makes sense and my words are coming out clear.  It would not be bold for me to treat my writing (this particular fantasy series especially) as a means of forcing my personal convictions down the throats of my readers.  There’s a different kind of book one could write if that was the intention.  Rest assured, my friends, this is not my heart in reality or in fiction.

For me to be a bold writer, I have to be willing to explore ideas (through characters and cultures) that don’t line up with who I am and what I believe.  This should not be a scary endeavor but a vulnerable and mature one that in my mind makes me a better writer in the long run.

Call to Action: As I was writing this blog, I thought about the current model that Pixar is utilizing in their movies.  My wife and I watched Moana and man we loved the movie and its exploration of that culture.  It was different from what we believe in terms of religion but the beauty in it could not be denied.  I think its worth celebrating these different cultures and in no way wrong to want to learn more about them.  Honor looks like loving others no matter their differences.  I encourage everyone to do this!

Flash Fiction: “The Bloody Dove”

Chasiel stopped and stepped backwards to look down the narrow street deep in the Weavers Ward in the city of Khamda.  Night cast shadows all about the mottled-stone corridor but she could see the two men easily enough.

Smoke from her exhale curled around her face, pipe bowl glowing as she sucked in soon after.  A hum of sound in her throat followed.

The men faced each other, one slapping at the other in obvious intimidation fashion.  Chasiel would never think to intervene in such a common scene in the gloomy wards of Khamda but the slapping man’s attire drew her attention upon recognition.

Smoke continued to drift from her mouth and caress her face as she approached the abuser and his victim.  The sweet scent of the sigda leaf filled her nostrils.

“Help!” the bloody-faced man cried, hands raised to protect his face from further injury.  Common by his appearance, he did wear at his waist one of the leather kits used by runners to keep writing supplies on hand and ready at a moments notice.

With a twist, the other man turned to see who approached, as Chasiel did not change her footing to a quieter step.  Dark hair and beard hid his features but the three intersecting silver rings sewed into the sleeves of his jerkin marked him a mercenary belonging to the Silver Way Band.  “What’s this–”

His question could not be finished as Chasiel lashed out with a combination of punches to his lower back, aiming for the kidneys, and finishing with a grab and throw technique she had recently learned from Fenroe who would receive a well-deserved “thank you” the next time they saw each other.

The bruised runner trembled in shock at witnessing his attacker being bested by a woman no doubt.  Once he came to his senses, he began to sputter thanks.

Chasiel waved him off.  “Give me whatever contract he had been offered.”

The man winced.  “What?”

She blew smoke in his face, ignoring his coughing.  “The contract.  Give it here.”  She snapped her fingers at him.  The humming sound in her throat followed and the runner’s eyes widened before dropping to her throat where he finally noticed her choker and the pendant that rested cold against her skin.

“Damned whore,” the Silver Way mercenary growled as he rose to his feet, still in pain but reaching for a dagger at his waist.

Chasiel reacted in kind, pipe stem pinched between her teeth, as her hands shot for the hooked blades sheathed behind her back.

Dead men screamed, grunted, and/or pissed themselves when the clutches of the Hallowed seized their soul.  Men of the infamous Silver Way were no different.  Blood flew from her slashes and pooled on the old cobbles at her feet.

“The Bloody Dove,” the runner whispered.

Chasiel nodded.  “I’ll have that contract.  Then you can go.”  Placed in her outstretched hand, she unrolled the thin paper and read, finding the details both interesting and enticing.  “Hallowed be Praised,” she said through smoke and leaving the runner alone with the dead.

Assimilating Adulthood

posted in: Writing | 2

I blame today’s blog post entirely on my listening to too many biography audiobooks.  That’s the excuse for this somewhat offbeat exploratory topic.

My listening to these audiobooks leads me to often think (and sometimes answer questions aloud in my car while I’m driving to and from work as if I’m being interviewed) about the chapters I would include in a biography or memoir if ever I were to write one.  I’m not convinced I’ve done enough to warrant such a work.

So this is what I will call a pseudo-chapter if I were to write one (big “if”).

Adulthood.  How the heck do you know when you’ve entered into it?!  I seriously don’t know.  I’m thirty-two years old and I don’t feel (sometimes I barely consider myself) an adult.  I thought maybe after high school I’d feel like one.  Nope.  Or after college.  Nada.  Well when I get married, I’ll definitely feel and know I’m an adult.  Strike three!

How am I supposed to constitute being an adult?  Job, stress level increase, pay bills, etc.  None of those things have set in motion and finalized with a searing seal my understanding and loathing apprehension of taking on the persona of adulthood.  Still waiting.

Kids!  Yep, that will absolutely do the trick!  But what if it doesn’t?  What if I just feel like a kid with a kid?  Do you see my dilemma?  Is it a dilemma or am I just asking an age-old question that cannot be universally answered like 2+2?

Then, I also need to ask, “Well, Adam, why do you still not view yourself as an adult?”  Great question!  I think I’d answer because I don’t feel like I’m not able to do the things I love in life.  That’s not to say I viewed adults as being older people who were joyless drones counting down the days until they could dirt nap into eternity to make up for sleep lost.  Not at all but that seems to be a cliché for the ages (get it).

Hear me out.  Maybe I just answered my own question on accident (this happens a lot when I engage in active processing through writing).  What if adulthood is just an abstract thought/idea we (our society) use to placate children and youth with in order to usher in some kind of off-brand nonsense of responsibility?  (Did I use placate correctly in that sentence?  I think so.)

What if it’s not about feeling like an adult?  What if it’s more about not losing the love of life and the things that make you happy?  Responsibility is a byproduct of maturity, not adulthood, so I’m not saying the “R” word should be avoided.  I’m a big proponent, in fact.  If I was stripped of being able to write because of (fill in the blank), then I could guarantee my dronedom taking affect.  So maybe in all this, I’m simply stating that adulthood is a state of joylessness.  Best to be avoided for the sake of your sanity.

Do the things you love.  If work, relationships, circumstances, or anything of the same ilk have you dreading waking up, maybe we need to reassess.  How many of us care enough about our lives to make drastic changes in order to feel at peace?  This is in no way an easy decision to make let alone come to but I wonder if monikers like adulthood are a crippling bondage chain forced upon us?  Kind of like how Valentine’s Day is meant to remind us to be romantic and considerate of our significant other (hint: this should not be the case).

Call to Action: Am I alone in this?  Do any of my peers think/feel the same way?  Do any of you actually feel the opposite and view yourselves as an adult and have a definition and/or revelation you want to share?

Suffer Long for Patience Paid

posted in: Writing | 0
If there’s anything that is both beneficial and frustrating at the same time for a writer, it is the practice of patience.  My own experience has been a bit of a roller coaster of rises and falls.  Hopefully, this can bring some comfort to other writers and/or creatives while at the same time help me push through my own bit of frustration (it’s just one of those days).  But, there is a payoff to it all.

When I started out writing, I was the fat kid at the buffet line–wide-eyed and salivating.  My mind was full of new ideas that needed to be put down on “paper”.  But first I needed to consume all that I could to help me learn to write well.  It was beneficial in so many ways but I vividly remember thinking I wouldn’t have to wait long to have my name out there in the world (jaded to the max!).  There was patience back then in the sense that I had to not only come up with all the elements necessary to tell the story but write and write and then finally, write some more.  Editing never crossed my mind.  I had friends and family read what I wrote and good on them for not laughing in my face and shattering my dreams.  To think I was ready back then after my first go just wasn’t feasible.

Over the years, I definitely learned patience.  You don’t write two failed novels that don’t meet what I now consider to be a standard of quality and excellence and think I’ve succeeded.  I measure my success in this current season by believing I finally learned the skills necessary to write a quality novel/series.  My patience to write the bad until I found the better story in my imagination came at a high cost.  I think a lot of writers just starting out do come into the game jaded, believing they’ve got the next big thing on their hands.  It might be that way for some but the majority (myself included) have to slog through the mud of years of bad writing to reach the end of the track, building the muscles necessary to push through and come out on the other side of the bank.

I’m thankful for my journey.  I used to compare mine to others and think I had to switch things up in my life in order to find success by the same route.  I hope I can convince other writers that it’s far more beneficial to your character (not your characters) and legacy to blaze your own trail to find success.  I’m not convinced there is true joy and satisfaction in your writing if you don’t exercise the patience required.  If I have to wait another twenty or thirty years before my stories are published and released to the world, then I know it will be worth it.  That’s true patience!

Call to Action: I recommend checking out the bios of writers you enjoy reading.  I don’t mean the small blurbs at the back of their books but look for interviews where the writer actually gives a detailed story of their journey.  It’s fascinating how different one is from the other.

There’s Nothing Romantic About War or Writing

posted in: Fantasy, Writing | 0

Something that I think is misconstrued about being a writer is that it is a glorious affair in which the heavens rejoice over poignantly illuminated prose writing.  As if all existence can be summed up and shared with the world in a way that would eradicate hunger, sow peace between rival nations, and/or make immortality attainable.  This couldn’t be farther from the truth.

Writing is romanticized much like war was during the times of the Greeks in epic fashion.  For example, Ernest Hemingway said, “There is nothing to writing. All you do is sit down at a typewriter and bleed.”  This is probably one of the most romanticized ways of describing writing if ever there was one.  I’ve done it from time to time too.  Neither writing nor war are romantic.  I’ll be speaking to the former here (I don’t think anyone is disillusioned when it comes to the horrors of war in this century).

Here’s the truth.  Writing is both easy and hard depending on the day.  I’m not sure it is romanticized like it was in past eras when books and plays were all the rage for entertainment.  I kind of wonder if there is maybe a growing eagerness in the younger generations to write because there’s a belief that it’s a lost art (though it’s not) or that it has been raised on a pedestal in society to be another way to have your voice be heard and recognized among the masses.  (Just some random thoughts I’ve had.)

What I want to convey today is that for me, writing is difficult–but also easy.  Life does not sit back and say, “Tell you what, I’ll pause for a bit–take a siesta–and let you have a few hours to attack that scene you’ve been thinking about for the last two weeks.”  Ha!  I wish that were the case except I don’t.  My writing itch would be like one of those medical monitors that tracks heart rates.  Up and down, up and down.  That incessant beeping must stop!

Take this last week.  I started working on the film treatment for the movie idea I’ve had clattering about in my mind.  I’ve worked on it and felt good about it (so far…) but I’ve struggled to keep consistently working on the revision of book 1 of the Ravanguard series.  I would love for my desire to work on both to be of equal fervor but that’s been a bust.  And often is to be honest.  The creative juices go tepid from time to time and I’ve had to learn to be okay with it.  Sometimes I grumble and sit in solitude but I roll with it.

All this is to say that writing is fluid and should be recognized as such.  Maybe there are writers out there that can be disciplined to monk-like standards and write whenever they want and produce exactly the content they want but they are few and far between.  The biggest challenge for the rest of us (whether you write blogs, articles, poems, short stories, novels, screenplays, technical manuals, etc.) is to find a balance, give ourselves grace when it’s needed, and by Jove, continue to have fun!

Call to Action: Find that happy medium when it comes to feeling overwhelmed by things.  Take a walk, garden, cook, watch a movie, play music or even just sit back and read.  These pastimes should be integrated into life.  I know a lot of people who are not writers but would love to write something.  I always encourage it to be done but definitely don’t let yourself be overwhelmed by the thought that it is too big a goal.  It’s really not.  You sit down and bleed on the paper.  Ha!

Thoughts Not Shared

posted in: Uncategorized, Writing | 2

Something I often wonder is if I should dare blog about more topical issues based on the current climate of our society here in the States.  I go back and forth on this for a number of reasons.  Does my opinion (because that’s what it is) matter?  Would I add anything of value to the conversation?  Is it a conversation or just a screaming match?  You get it, right?  It doesn’t take much effort to look through the porthole and find the rocks being thrown (verbally and physically these days) when it comes to opposing views.So let’s just talk more about storytelling!!!  Just kidding.  I wouldn’t tease you just for the sake of peaking interest.

For myself, I should state that I am not oblivious to the happenings outside of my bubble here in California, deep in the Mojave Desert.  I have taken an interest recently and at the beginning (I admit, I stayed clear of social issues/politics for several years simply because my interests lay elsewhere) I was left sort of at a loss.  I realized I knew very little about what was going on.  You’d think as a writer, I’d be more in tune with the world.  You thought wrong!  I’ve been more curious about other time periods to be honest (as a fantasy writer, you tend to focus more on that period called “Medieval”).

This post is not meant to convince anyone of anything.  Go back to one of my first posts back in January.  I believe wholeheartedly in the value of someone else’s opinions, thoughts, convictions, etc.  I’m not a salesman.  I gain nothing for trying to convert (it’s you who gains everything!  Kidding.  My smugness knows no bounds).  For myself, I’m simply trying to understand the world better and make sure I’m educated on history.  It’s the best resource we have to progressing and not committing the same mistakes.  Let’s not be a society that returns to its own vomit (gross but appropriate).

I’m of the opinion that people have value and that should not be based on ability.  Abilities can be lost or dwindle and therefore that means value can be lost.  Things without value are discarded and forgotten.  We should avoid this when it comes to people.  The greatest atrocities in history were committed because the value of others was diminished.  People are intrinsically valuable for the sake of their being alive.  Without going on a philosophical tangent, I’ll simply say that life is limited within the confines of time and what all people want is to find, experience, and maintain joy and to be loved.  I think those two basic needs can be sufficient for the purposes of this post.

As you’ve no doubt noticed, I haven’t and won’t likely dive into any hot button issues in these types of blog posts.  I’m not convinced it’s necessary for the time being.  I will offer my thoughts and you can either decide to read or not read them.  If you decide you disagree and feel the need to scream and yell, then it’ll fall on deaf ears because I control the comments.  If you write a blog, you can do the same thing for yourself.  If ever there is the chance for conversation (respectful and honoring each others views), then what will be welcomed.

There’s a vast need for discussions that are not based on anger.  Disagreement should be welcome.  There’s value in hearing and understanding someone else’s views.  That is not to say the more extreme views (anything that diminishes the value of another person) should be widely scrutinized.  Hate is an element of evil and that’s not what I’m talking about.  Opposing views can and should be invited into communities.

Call to Action: Find the gold in those you disagree with.  Obviously, you can’t do this with randoms on the interwebz.  Trolls are aplenty in the comment sections of YouTube and other websites.  However, everyone has people within the walls of their social circles (or at least you should) that has opposing views to your own.  If you know you can have a true conversation, then I would encourage you to do so.  You’ll learn some things from them and possibly yourself.  Happy living!!!

To the Screen

posted in: Film/TV, Writing | 2

As I’ve stated before, I’m a big fan of films.  Movies and television shows are a pastime I truly enjoy.  Whether visual spectacles or great characters, I continually gravitate towards that medium to experience storytelling.  I actually think I get a bit jaded because of this.  There are movies that are not necessarily good or praised by critics but I love because there’s a story element that grips me.  If you look at my Blu-Ray wall, you would definitely wonder why movies are there to which I enthusiastically explain why I love it.One of my desires as a writer is to write screenplays.  Now, it might be just for fun at this stage in my life but I do think I have stories that could be told and translated to the screen.  I often think about this and the embers are usually stoked once I’ve watched movies I have a special affinity for (anything by Cameron Crowe is often the instigator).

If I wrote a screenplay (something I may start working on just because I need one more thing added to my writing buffet), it would explore people in such a way that I identify with.  People love, hurt, and have dreams that satisfy their joys and desires.  In this, I would want to explore flawed characters who need to learn or have a revelation about themselves or others to find healing, peace, success, etc.

We can blame my recent viewing of Cameron Crowe’s “Elizabethtown” on today’s blog post.  I know it’s not his most acclaimed film but there is something about it that draws me in and makes me want to tell a story both visually and with the accompany of music.  I often joke that Crowe is my patronus (a little word play Harry Potter humor thrown at you).  He tells the stories I think need to be told.

I actually do have an idea for a movie that I’ve been rolling around in my mind for a little over a year but it needs a lot of work.  I have the resources to write a script but I don’t have a process for developing the story yet.  I’ve thought about doing it in novel/novella form first so that I know how it will go from beginning to end but I’m not quite sure if that’s the right method for me at the moment.  Maybe…  I don’t know.

If anything, the idea for this story that could potentially be developed into a screenplay just reinforces my desire to tell stories and explore new characters, settings, themes, etc.  There’s no way I could go day to day and remain sane without writing.  Even blogging has helped me keep up my imagination because I’m always thinking, “What should I write about next?”  I think exploring this movie idea may be something worth investing my time in.  More stories!

Call to Action: I’ll throw a couple of movie recommendations at you that are not Cameron Crowe films.  To name a few that I absolutely love and recommend you watching are: Little Miss Sunshine, The Hollars, This is Where I Leave You, and The Way Way Back.  Each of these inspire me to explore what I want to write as a potential screenwriter.

True to Self

posted in: Fantasy, Writing | 3

Something that I continually come up against each day (I’m sure you do too if we’re being honest) is staying true to self.  This extends beyond my writing.  Everything I’ve given since starting this blog has been my genuine voice.  Thoughts are legit, lessons learned are still gripped tightly, and humor is straight from my wacky brain and how I view the world.  I admit, I hold some things back but for the most part, I keep it level.

I know I’m not alone in this because I see so many people everyday whether in my day to day or on social media expressing these practices of self.  Sometimes, you can tell people are still not all the way there but inching closer to understanding who they are, what they believe, and what their purpose is.  One thing I’m forever grateful for is my own journey in this regard.  To look back at my life just ten years ago, I get a little embarrassed knowing what I did and said to others and even what I thought about myself.

You can’t go back but you can learn from mistakes.  It’s only by these mistakes that I am able to shake my head and thank God I’m not there anymore.

(At this time, you’re probably saying, “Oh, it’s one of these blog posts.”  Yes, it is.  I dare you to keep reading!)

How this relates to writing is simply you have to write what you know and like.  I’ve tried writing stories set in another genre but not even I can push through the struggle.  Now, I don’t think I will forever write fantasy (I truly hope not) because then I’d be limiting myself.  My hope is that I can get these stories that are fresh and inside me out and off to the world, making way for others that might stray to different audiences.  A great example is Stephen King.  Love or hate him, he actually has stories that are not horror/thriller.  Shawshank Redemption and The Green Mile are both his and wonderful stories!

If I wanted to have success in the literary world (or just a better chance at it), then I’d chase whatever fad is happening at the moment.  I tend to joke that I may do that just to see if I can get published faster but I’d feel too bad for selling out.  (No vampire meets werewolf gets locked in a game to the death dystopian future will be found in my books.  Ha!)

Again, in order for me to be able to push outside the boundaries (and comforts) of writing fantasy, it will require me to expand myself in new ways.  I don’t know what that looks like at this time or even how it will come about (probably naturally since that’s how most major changes in my life take place).  My climb out of the places of immaturity and naivety in my early twenties took quite a while (they do say boys take longer to become men and there’s definitely truth to that).

Perhaps a lot of people struggle with or are not willing to admit to their shortcomings or falls in youth but I love that I can share that journey.  I’ve had the opportunity to do so a few times with others and it’s therapeutic to be genuine and honest about that part of my life.  Even now, I have this sense of peace being a bit vulnerable and transparent with all of you.  I write and I consider myself a writer but if I cannot be true to myself in that aspect of my life, how could I expect to anywhere else?

Call to Action: If I did write the vampire meets werewolf after getting locked in a game to the death dystopian future story, I’d call it “Fang Games”.  Uh oh… I might have a fun little tongue-in-cheek story prompt I should throw out there to the interwebz.  By the way, if you are one who wastes time on Pinterest (I say that light-heartedly of course), then follow my writing board where you will no doubt be entertained by my pins of what I enjoy and find inspiring to my writing.  Find here: https://www.pinterest.com/adamhenderson49/my-writing-board/

More Than a Writing

posted in: Writing | 0

I’m writing a lot.  And I mean a lot.  I’ve been thinking about this for a few weeks now as I move into the fifth month of this blogging venture (I always hear a pirate’s voice in my head when I type that word…).  While it has been a challenge and beneficial to my writing muscles (buffing out!), I am not one of those writers who works well at scheduling a “writing time” every day.  I thought I’d kind of use today’s blog post to explain how I remain sane and not burnt out.

Some writers have put themselves on a strict schedule in order to keep writing and finish what they set out to do.  I commend this discipline and think it is of great benefit to finish whatever story you start.  Kudos amigos!  I, however, am in a bit of a different canoe than these folks.  I have finished novellas and books and have added short stories and flash fiction pieces to my mantle.  I’m very proud of this but I’m discovering that I work best by scheduling my writing with some slack.

I strongly recommend writers (this applies elsewhere too) to find a hobby or two that is not related to the art and/or creative outlet they partake in.  I definitely used to play video games as a hobby or pastime but that has since become difficult for me for reasons I cannot nail down quite yet (if I do engage in the old Playstation and/or Xbox break, I can only play for an hour at most otherwise, I feel I’ve wasted too much time of my time).  For me, I’ve found that playing music not only helps me be creative (drumming especially allows me to be creative) but keeps me entertained just as much as videogames.  Also, and not many people know this about me but I’m a sports fan and a collector of sportscards and have been for most of my life.  It’s a hobby I enjoy and allows me to take breaks when necessary, being part of a distinct online community.

This is all not to say I don’t have a schedule for writing.  I do but it’s fluid.  I work on blog posts every day, writing or revising, and planning ahead but I also work on upcoming flash fiction, short stories, and the Ravanguard novellas and novels.  I like to have this wheel of projects to choose from because I don’t feel bogged down.  However, if I was working on the first novella or novel of the Ravanguard series, then I’d be focused completely on that.  I’m further along in the process, so I don’t feel the rush or need to devote all of my effort on that one project.

Sanity is key.  I believe in pace when writing and I believe in letting yourself have other interests otherwise you will get burned out.  I’m not convinced that if I did it differently that I’d be the same writer I am today.  To each their own but my own is a way of marathon runner.  I applaud sprinters but I wave as they pass me by.

Call to Action: Let me take a moment to talk about the newsletter sent out.  I hope everyone who has signed up enjoyed it.  I’ve received a little feedback so far and appreciate the kind words.  If you signed up but did not receive it, please let me know.  There’s always a chance I messed up the list and I want to make sure everyone who signed up gets what was promised.

The Disposition of Exposition

If there’s anything in writing fiction that needs to be done well and balanced throughout the arc of the story, it is exposition.  The inserting of background information for the sake of explaining characters, history, setting, culture, etc. is tricky for first time writers.  As with many literary devices, this is especially difficult in fantasy.

In works of fiction set in the real world, in real places, during real eras, most of us can draw from our education and/or experiences to fill in the gaps.  If I’m reading a book set in the United States during the 90s and certain people, places, music, and events are mentioned, it is very likely I’m able to draw from my time growing up in the 90s (I was born in ’84, so I’m well-aware of the decade).  Yes, I was a freshman in high school by the end of the 90s but as the years go by, I know more about the global conflicts, major historical events, sporting events, etc. (lots of etcetera’s in this blog post, right?).  I think you all get my point.

Fiction set during this era doesn’t need a lot of exposition.  If you grew up or were starting a career or nearing retirement during the 90s, then you knew the culture.  If you are reading a book (let’s say a John Grisham novel set in this time), I guarantee you don’t need much background explained on a national level.  If we are talking about Grisham’s “The Runaway Jury” then we are looking at Mississippi in the 90s.  Exposition here would focus on the setting the story takes place in and the region and those cultural nuances that would be prevalent.  That’s very little to expound upon to the readers because one would be able to presume the majority of readers in the US would be familiar with the time period, social issues, etc.

Now, let’s jump to fantasy.

In fantasy, you are being introduced to an entirely new world with its own history, society/culture, foods, religions, conflicts, and more!  One thing I’ve run into when speaking with people who are not the biggest fans of fantasy is that they struggle to immerse themselves in a world that they are so unfamiliar with, filled with ideas and things that are not explained in detail.  I get this.  So much in a fantasy world needs to be revealed in order to understand the roles and complexities of the world the plot takes place.  However, we as fantasy writers (I being one of them) run into a problem if we try explaining every new thing that is unlike something in the real world.  We slow down the action of the narrative if we do this.

The problem in doing so takes the reader out of the story and they are forced to read paragraphs of information that almost acts as a pause button.  I’ve seen fantasy writers tackle this problem of exposition a few different ways.  The first is a glossary or primer (I’m a fan of this method) that usually can be found at the back of the book where people, groups, events, etc. can be explained and defined.  The second way (I’m not a fan of this) is adding footnotes at the bottom of the page.  I have struggled reading books using this method because I always feel I have to drop my eyes to the bottom of the page when I come across that footnote letter or number within the prose.  It’s very inconvenient.  I’m curious to know how many readers prefer either method or could care less.

My preferred method in my own writing when dealing with exposition is looking for ways to explain background information either through the dialogue or inner thoughts of the characters.  The problem with this method however is that the reader has to wait for it and be on the lookout.  For example, in the “Shoals to the Hallowed” flash fiction series I post at the end of each month (I hope you all are enjoying them and my promise to create a primer is still in the works) I am giving you all very little information about the world due to lack of writing space.  Flash fiction in its desired format limits the amount of words I can provide, so my goal (and this is a bit of an exercise for me) is to give you hints of things, reinforce them from time to time in each new story, and allow you to make important connections.

It is my feeling and belief that if I just explained the Wielders and the Shoals they are able to access and harness the power of, I would be denying you the joy of the small windows of story provided.  Now, maybe that’s my own ignorance and you all are just like, “What the heck is going on here?!  Just tell me!”  If you are, there’s your call to action, hahaha!

Seriously, though, I understand the struggle to not have exposition in new, unknown fantasy worlds.  I truly do and my hope is that I can give you the answers in ways that do not slow the story or act as a distraction.  It’s my belief (and preference to be honest) to learn as I read and trust that the writer will explain things naturally without inundating me with info dumps every other page.  I’d like to think I’m not alone in that.

Call to Action: Show of hands.  Who’s completely lost in the “Shoals to the Hallowed” flash fiction stories and would like a future post or a working primer to be added to the website so some things can be explained?

Recommended: Breaking Bad

posted in: Film/TV, Review, Writing | 4

Vince Gilligan’s “Breaking Bad” is by far one of my favorite television shows ever.  But not for the reasons people might think.  So, let’s jump into it.  I should note that this is not an effort to convince people to watch the show.  It is wonderfully written, acted, and produced in so many ways but it also deals with some very difficult subject matter.  I’m simply explaining why I enjoy such show.

For those who are unfamiliar or only slightly so with the show, I will try to provide a basic rundown.  It follows the transformation of chemistry high school teacher Walter White to the notorious meth cook, Heisenberg, who is diagnosed with lung cancer and sees the end of the tunnel, which would leave his pregnant wife, unborn daughter, and teenage son without much once he’s gone.  Working a car wash job in addition to his teaching gig, Walter is put up against a horrible situation and is desperate to not only pay for treatment but leave his family with more than debt and hospital bills.

By chance, his brother-in-law, a DEA agent, shows a video at Walt’s birthday party where the DEA has busted a meth lab where the evidence gathered reveals a stash of cash to which Walt instantly wonders about.  It’s this event that eventually leads to Walt’s being on a ride along with his brother-in-law to bust another meth lab where he sees one of his former students, Jesse Pinkman, avoiding arrest.  Yada yada, Walt and Jesse join together to go into business and embark on a whirlwind of danger that affects them all in sorts of ways that have them constantly making choices that would keep them safe and out of jail.  Unfortunately, they do not come out unscathed all the time and suffer both physically and relationally throughout.  Whether its the DEA or rival drug lords, Walt and Jesse have to trust each other and their wits to keep ahead of the danger.

Suffice it to say, this show is never dull (even the bottle episodes are great).  It explores characters and the transformation of said characters in ways most shows avoid or don’t know how to execute.  Obviously, no spoilers here but you will often be conflicted, not knowing who to cheer for from season to season.

The reason I love this show and recommend it purely from a storytelling aspect is that Vince Gilligan and his writing team are famous for stating that they purposely wrote Walt and Jesse into corners just so they (the writers) could find a way out for the pair.  Storytelling is the best part of the series while the characters are a close second.  (Aaron Paul’s performance as Jesse is amazing.  He is my favorite character throughout the show.)

Again, this is not an easy show to watch.  It deals with very real subject matter from family drama to the high cost of drug usage.  I do not take these things lightly and never want to insinuate that.  I have spoken with friends who have actually dealt with others in this regard and it’s sobering to hear the stories.  I am not disillusioned by this to say the least.

In my mind, compelling stories are best when they deal with true and difficult aspects of life.  Sure, a lot of the scenarios of “Breaking Bad” are embellished for the small screen to be dramatic and hold our viewership but in reality, life is not easy and we face difficult decisions every day.  I pray it not so for everyone but things happen and livelihoods are put to the test.  Walter White’s livelihood and that of his family are tested so much so that you truly wonder if his choices were worth it in the end.  He makes his choices in order to see his family taken care after he is diagnosed with cancer.  However, his dive into the criminal underbelly costs him a great deal and affects his personality in ways that make you wonder about his overall psyche.

There’s a quality of storytelling here that provokes me as a writer to not just be the gardener but push more towards being the architect when planning and writing my books.  Honestly, I’m drawn to great writing and it’s hard for me to stay away or ignore it when it’s in the form of a show like “Breaking Bad”.

Call to Action: If you’re willing, check out the pilot episode of the show.  If you get through it and are kind of interested to see where it will go, I’d recommend trying another episode and so on.

Update Time!

Some quick updates.  Nothing received on the book art front yet but I know that will be coming in due time.  I heard from my friend who is helping me and things are moving forward.  There is no rush at this point simply because I think for now I’ve decided against either starting a gofundme or kickstarter option to put together the money for the “Dim the Veil” edit.

Without going into the details, I’ll just say that unless I can offer more than a “free” copy of the ebook of the novella, I don’t feel like I can justify asking people to donate or invest more than the cost of the novella itself.  Going with either of those crowd funding options would have (in my mind) required me to offer a gift/reward of equal value.  At this time, if someone decided to donate $10-20, there is nothing I can think of practically to offer in equal exchange for that amount of money.  Not at this point at least.

The downside of this is that I will not be able to get the novella edited and released in the timeframe I had originally hoped.  It will take time for me to put together the amount required to pay for both the line and copy edit.  At this point, I could not in good conscious release the novella without taking that step.  Quality is so important to me as a writer.

I’m thankful I encountered this realization and do not look at this as a defeat or setback in any sense.  I’ve been doing this long enough to know that while I’m a writer and storyteller, I am not (I wish it weren’t so) a professional fiction editor.  I’ve invested time and resources in getting better at self-editing but there is a skill set that I don’t necessarily possess in comparison to the editor, Victoria, I’ve since worked with.

I do plan on getting better though, having asked Victoria for feedback on any repetitive mistakes she may have noticed in the short story provided in the newsletter (I hope those of you who signed up and received it enjoyed the story!).  I have her redlines and comments and I will make it a priority to study and understand the corrections and changes so that I can fix any bad habits I’ve developed over the years (it happens…).

One other positive is that I will be working on the short story for the second newsletter, which will be released at the end of August for all of you!  Yay!  I will have Victoria edit that short story as well and it’s format will be different than the last.  My hope is that I can continue to offer up quality content and still learn to write more better (I did that on purpose, ha!).

Call to Action: While I won’t be starting a crowd funding option to save towards the “Dim the Veil” edit, I will be looking for an alternative way just so I can set aside money and be able to track my progress.  If for any reason you do want to invest in me and my writing, I will not turn away the compassion.  Contact me on my website and we will discuss the details.  This will be beneficial to anyone in the long run.  You will get exclusives and when I am able to, gifts worth the amount you gave.  I thank you all of you for continuing to come here and read what I have to say.  It means the world to me!

Flash Fiction: “Separate From the Sorrows”

 

Gasping breath invaded his stinging lungs, feet slipping on the glass-formed ground where the Shoalway opened for him to exit the harsh environment of his Shoal, Qorum.  Always, the elements of the other realm challenged his body and mind–still in ways the scholars and Wielders did not fully understand.

His wounds required attention.  Cuts stung, slashes needed sutures and burns demanded salves.  The Wielder, Damrin Graeves, surveyed his body wherever the pain emitted from, revealed by the rips and singed parts of his once fine clothing.  The fight had been unexpected.  His hands shook, fingers clenched into hard fists.  Tears streamed from his eyes down his cheeks, stinging throughout their trails.  Not from the pain–no–but from the betrayal he had just survived.

There in the abandoned courtyard of stone and overgrowth in the dead city of Hasselor, Kesree baited him repeatedly like a man mad with deceptive intent.  His vile words, lined with poison, echoed in Damrin’s mind.  His friend…one of many years since they first encountered one another in the Wielder’s Congress.  How had it all unraveled like frayed rope?

Damrin dug his fingers into the dirt of the field outside the capital city of Talloe of the Hold, Teras.  Birds sang beautifully around him, mocking his heartbreak.  Kesree had managed to slip away to his Shoal but he could not have lived.  The wounds he had suffered were far worse–fatal to the body.  Passing through the Shoalway to wherever he ended up in the world was a desperate risk.  The Shoals did not coddle or pity the Wielders able to bridge the world by their power.

Losing his dear friend would leave a wound that would never heal but the confrontation between them was a slow-moving agony.  The betrayal drove his thoughts to consider the turn of events.  If Wielders were turning against one another, then war was surely churned up in the garden of peace.  He had to seek out allies, but knew the chance of further deception was likely.  He needed his mind and body to be healed completely, forcing himself to be ready in an instant.

A small opening to his Shoalway appeared before him, earth melting to glass underneath.  He gazed into the portal, able to look through the haze of power to an atmosphere of peril.  Even a small opening was large enough to let out some of the most dangerous threats that dwelled within Qorum.  But he needed it open.  Only then could he draw out the current of power, healing his wounds.

Developing Characters

Short of being able to properly and coherently write sentences, characters are by-far the most important aspects of your story.  I’ve wrote on this to some length over the last few months and wanted to get into some specifics.  This will be a post about developing characters and I’m going to do it in a way that I hope makes things fun for you the reader.  How?  Well, as I write, I’m going to develop a brand new character for you!  (This character will be in a future short story–maybe in the next newsletter!)

Have at it!

Alright, there are “aspects” I want to consider first and you’ll just have to roll with me as I do this.  I want to create a character who is distinct.  What does that look like?  Well, I need to decide a few things that will be both somewhat general and differential when it comes to others.  (Just as a heads-up, all of these characteristics we’ll be developing are subject to change but I am going to try to keep everything the same so that when you come across the character in the short story, you will feel like you know them!)

Back to the distinctity (yeah, I know, not a word but it is fun to write and say!).

Let’s say the character’s name is Avroes Toal.  That’s a random name if ever I came up with one but let’s roll with it as we move on.  What will make him distinct.  Let’s say he is younger but has early signs of graying hair, making him self-conscious with the ladies.  One lovely lady in particular (this is a bit of a plot element so we’ll leave that alone for now).  Who is this man named, Avroes?  If he’s self-conscious about his hair, how else would that affect his personality?  I imagine him as being a bit of an over-compensator.  He looks for opportunities to prove he’s not older than he is and therefore has adopted more childish or immature ways.  This also affects his relationships both personally and professionally.

How are we doing?  Are you staying with me?  Good!  Onwards!

So, Avroes Toal is a young man (mid-twenties) who has prematurely graying hair and over-compensates this by acting out in ways to prove he is young and not old.  We’ll stray away from specifics because we don’t want to get too close to plot points.  Let’s also throw in some other details to round him out.  He likes the outdoors and would prefer pursuing a profession that allows him to see the world (cliché a bit, I know), but let’s say he wants this because his father and grandfather were both men perfectly fine with living their lives as scholars, devoted to studying and page-turning.  This is not Avroes the Gray (poor guy has a nickname he hates too!)

He’s a man looking forward and beyond the confines of a study or library, wanting nothing more than to see the world and prove he is not like his father and grandfather who have paved the way for him to have a good-paying occupation that will allow him to marry, have children and carry on the Toal legacy of ink stains and paper cuts.

Also, he hates heights and the library he would have to spend all of his days in is at the highest story of a building with many stairs and no banisters.  He seizes up anytime he actually has to approach a tall staircase, afraid his footing will give way and he’ll stumble to his death.  In fact, let’s say his grandfather fell and died and his father fell and lived but became crippled by the horrible circumstance (a little too tear-jerking for you? Misery is drama, ha!) and Avroes has to take care of his father.  Even better dramatic tension!  It’s so sweet, it drips.

There are many more (is that correct grammar?) things we can do to round out who Avroes Toal is and maybe that can be explored in the short story (guaranteed it will) but this is just to show my process for creating a character somewhat on the fly.  Who are they, what do they do/want/hate/love/etc.?

Call to Action:  Anything we can add?  Seriously, throw out a detail!  It doesn’t have to be too precise and can be a bit vague.  What’s his favorite color, food, idiosyncratic ticks, bad habits, etc.?  I’ll be able to add that into the short story and you’ll be able to say you had a part in it!

No Naturals Here

posted in: Fantasy, Writing | 0

While I don’t necessarily like long road trip drives, I do enjoy them so long as I am with someone who’s enjoyable to talk to.  My wife is one of these wonderful kinds of driving companions.  We truly do find the hours a great time and opportunity to talk and discuss a bevy of topics.  Some of course are private (you won’t get access to those) but we do talk about music, writing, and art a lot of the time.  We’re creatives and are able to explore are our likes and dislikes pretty easily, encouraging each other along the way on the highway of asphalt and lines.

Something she said during our most recent drive home was that she boasts about me being a writer (a nerd writer to be precise, lol) and that led to her talking about how impressed she is that I can do what I do and she feels nervous writing anything and letting me read it.  I do the thing where I tell her she doesn’t need to be nervous and that she’s a good writer herself (she really is) but that led me to think about something I’ve encountered a few times: perception of writing abilities.

Let me be brutally honest and a bit transparent for a few seconds.  I really am not a natural talent.  If I was, I wouldn’t have two shelved novels that no one is allowed to see.  I’m not sure if there’s a misconception out there about writers as a whole or something else.  Our ilk is one often labeled with fine descriptions of neuroses, depression, inebriation, etc.  You know, those darn clichés.  Yes, I like sipping whiskey and I own a pipe but I’ve never used it (not yet and probably not ever).

In my experience and what I’ve been able to glean over the years is that if ever there was a “natural” when it came to writing, the closest specimen might have to be ole Bill Shakes-the-speare.  Even then, there are many who believe the persona of WS was fabricated and that his great plays and sonnets were in fact written by another’s hand and mind.  Could be, I don’t know.

My point is that writers are just like any other who is or becomes proficient in their craft.  They work at it.  Practice and exercising the appropriate muscles are a requirement in order to find any semblance of success.

I think where there’s any natural talent is just in the imagination gears of the minds of writers.  For me, to be able to create a vast world (fantasy definitely lends to being able to create more and bend some rules) filled with characters, nations, cities, cultures, flora, fauna, magic systems, and all the other little nuances that make the world come alive is purely by imagination.  I did all this as a little kid playing with action figures way before I was able to put words to paper.

Where others may be intimidated to show me or other writers their own writing, just realize I would be completely wrecked to try to play drums or bass with a bunch of professional musicians.  I would be a knot of nerves so tangled together that it would take way too long to undue.

Everything worth doing well takes time, experience, mistakes and maybe a hundred other things to get it right.

Call to Action: Just to continue with the topic, I would encourage you to keep at whatever you love to do when it comes to your creative outlet.  It’s absolutely worth it once you reach a level of proficiency.

Nothing to Write

posted in: Writing | 0

As I write this blog post, I am sitting in the dining area of the house we are staying at in Redding, Ca while at a leadership conference at Bethel Church.  This is the first chance I’ve really been able to write anything since we arrived and have been busy each day attending sessions and panels.  Going to these events and eating and resting while we have breaks between really hasn’t allowed for time to sit and write.  So, when I get the chance, I try to take full advantage.  Like now!

And…I’ve got nothing…

Ha!  Isn’t that the worst!  You all dropped by thinking, “Oh, I’ve got some time to see what Adam wrote today.”  Then you drop by and see this nonsense.  I’d apologize but I can’t.  You see, sometimes, writers have nothing new to say.

No, I’m not suffering through writer’s block or lacking inspiration.  No, to be honest, my brain has been in full process mode as my wife and I learn about leadership.  I guess that doesn’t mean it won’t translate to something in my writing.  It’s the opposite.  I have leaders in my writing but I don’t quite have the words to present you with this great thought-out expose on leaders in my writing.

Instead, I’ll just say that it’s really interesting to attend a conference like this and begin to process your life and the things you do in that context.  We do act as leaders in some aspects of our lives but we are also surrounded by them at work and church.  I honestly am more interested in how to be a better leader myself rather than compare others to whatever principles are being taught.  Everyone is on their own journey and I’d like to work on myself, not comparing or judging.

Now, if you actually come to me and ask my opinion of you as a leader, then I’ll give you a truthful assessment and hope you receive what I say and take it for what it is: just an opinion.  I could be wrong (but there’s more than likely some truth to what I’m saying, lol).  And, I’d hope others are willing to tell me where I stand out and where I lack in a leadership role.

Sorry about this being a little different blog post but I like to think people are curious to see and read some other things.  Not everyone is a writer, so I definitely understand that a lot of what I write might not be relevant.  My hope is that I can offer up some more general things for you all to read in the future.

Call to Action: We’re less than a week away from the newsletter!!!  Expect it on the 30th.  You can sign up when prompted on my website or use the contact form.

No Dragons, Dwarves/Elves, or Dreams/Prophecies: Access Denied

posted in: Fantasy, Writing | 0
Something I continually encounter when telling people I’m a writer and they ask, “What do you write?”, is I have this sense that they have preconceived ideas when I answer, “Fantasy”.  I can see it in their eyes.  “Oh, so dragons, elves and magic.”  Not a question but a definite statement.  To which I silently in my head respond, “I should have said fiction…”

I don’t blame people for this assumption.  I get it.  All you have to do is look at the main cultural references we have in our society.  Lords of the Rings, Chronicles of Narnia, Harry Potter, and most recent, Game of Thrones.  These big ones have set the stage and have planted the seeds one would expect from fantasy.  (Wizards, dragons, and elves, oh my!)

Unfortunately, I do not have the means or assignment to correct people on how vast and wide the fantasy genre has come since Tolkien laid the modern foundation.  I wish I could have that job, trust me! (King of Correction!  Hear me!)  Alas, I do not have that honorable title, but thankfully, I have a blog and I can voice my knowledge and experience in the genre to better help people who may not be big nerds like myself.

Three tropes or elements you will not find in my writing: dragons, dwarves/elves, or dreams/prophecies.

I’m going to dissect each of these somewhat quickly.  These are not tropes like my previous blog posts on magic but rather ones I have intentionally avoided because I choose not to employ their function in any of my stories.  None of these are intrinsically overdone in the genre and I often enjoy them when done in a new way in the books I read.

Magical creatures and or races in the traditional sense simply do not play any significant role in the worlds I’ve created.  If you’ve read any of the series I recommended in my fantasy reader’s guide post, then you know that I have a preference for worlds and stories that read more “human” in nature.  This does not mean there are not other kinds of races in these books (Stephen Eriksons Malazan series is chalk full of different races that are awesomely imagined) but there’s a bit more creativity and imagination involved.  For myself, I’ve created races that seem familiar to the reader but in the end are their own.

I’m actually not big on books or stories involving dragons as major characters and/or plot elements.  There are plenty out there but I’ve truly never been a fan.  Smaug in my mind is one of the best examples of a dragon in fantasy.  Robert Jordan does not use dragons but actually calls his savior-of-the-world main character, The Dragon, which I really liked because it called to the fantasy element instead of including it in the Wheel of Time series.

Dreams and prophecies are elements I have avoided on purpose.  I could easily throw these into the narrative of the Ravanguard series but I consciously did not because I did not like the idea of using them as a crutch, which I think some series utilize to that advantage.  These are seemingly always used as a means of foreshadowing and installing the hero as the savior to all mankind (again, a bit overdone in the genre).  I prefer to use foreshadowing without these because I find that it’s more difficult and a challenge.

George R.R. Martin actually does this very well despite his use of dreams and prophecies.  He explores foreshadowing by use of language and visuals, which is what I have tried to emulate in my own way.  In fact, if I were ever to use dreams or prophecies as a literary device, I’d probably try to do it in a way that has not been done before.

For anyone who is looking forward to reading my stories, I hope this is helpful and lays out what to expect or in this case “not expect”.  Fantasy is not restricted to these few common/popular elements.  If that’s what you like, there’s plenty of options out there!  Trust me.  The vast coffer that is the fantasy genre overflows with different worlds and subgenres that have their own mix of devoted fans.  Sometimes, I wish there was another way to describe what I write but my use of limited technology, magic and swords kind of puts me in the barrel.  That’s probably why enjoy the genre so much: it’s not constricted but goes as far as the writer’s imagination can stretch.

Call to Action: I admit, there is one series of books that involve dragons that I am interested in reading.  Naomi Novik’s Temeraire series is an alternate history fantasy that has dragons in the Napoleonic Wars.  That just sounds like a fun read.  If you’ve read it, let me know what you think!  If not, then it may be worth exploring.

Doubt and Fear

Being that April 10th was National Encourage a Young Writer Day, I have continued to think about my time when I first started writing and some of the negative thoughts I often had, believing I might not have what it takes to write something worth sharing to the world.  Some transparency is coming at you today (jab, jab, upper cut!).

What I struggled with the most early on was this belief that I could not come up with anything original.  Mind you, I was focused on epic fantasy from the start and if I were to look back on my first attempts at a story, a lot of what I wrote could easily have been clones of some other element in the books I was reading back then.  In retrospect, this makes sense to me now.  It also makes sense why I had to write two “bad” novels before I found my way to the projects I’m currently working on and excited about.

Doubt in myself was an all too familiar face I stared at or found looking my way as I would sit down and do my best while typing away.  That’s what I did: my best.  I think for young writers, they need to make mistakes and struggle along the way before they find their footing.  I have experienced this kind of grind and forming of ability in another area.  Playing drums.  Those first years had their very own level of difficulties and growing pains.  The same can be said of writing.

There were some years that I barely wrote at all because of this struggle.  I was going to school and working but as I’ve said, writing has to be made a priority in order to find success.  I’ve battled with bouts of depression and none were so bad as when I was living in Seattle going to school.  I could easily say it was because of the weather (a little cliché but there is some weight to that but strictly from a lack of vitamin c).  To be honest, I just didn’t like myself and what I was doing with my life.  I was there for school at a legit university and I struggled to find motivation to go to class just about every day.  I ate poorly, gained a lot of weight and barely slept because of horrible restless leg syndrome.  Not fun.

In all this, I kept trying to write despite not really knowing why I was writing.  I think at that time I was editing my second book, which has since been shelved and only returned to when I need a good laugh.  Trust me, it’s not good.  It was too much like trying to be something you’d find in a Final Fantasy game and honestly, it just wasn’t genuine.  I restricted myself too much because I didn’t trust in my abilities and mirrored a lot of characters and world elements to these popular games.

However, in all this I tried to find motivation and inspiration where I could.  This ended up taking the form of finding writing quotes and putting them on my bedroom wall so I could see them all the time.  One quote in particular has to this day stayed with me and really is one of the seeds that kept me going (blowing on those embers otherwise buried in ash).

“Even in literature and art, no man who bothers about originality will ever be original: whereas if you simply try to tell the truth (without caring twopence how often it has been told before) you will, nine times out of ten, become original without ever having noticed it.” C.S. Lewis

This quote from the great C.S. Lewis gave me one simple direction to set my course towards.  Truth.  Now, this does not mean I all of a sudden had an epiphany and began to change my bad habits and fix what I was doing as a young writer. Would that it were so simple (Hail Caesar!)  My wife will laugh at that one.  Bernaners.  No, I had a new adventure to take!  What is truth?  I won’t go into that long tale at this time, but I did embark on that journey and it took a few more years before I eventually began the Ravanguard series.

To finish all this up in a neatly tied bow, young writers, I implore you to not be chained down by doubt or fear.  Embrace the bad writing because then you’ll have an example of the bad to return to and know you have eventually found success.  If good writing is simply telling the truth from your perspective, then search for truth and let that be your compass (cue the cheesy after-school special music!).

Call to Action: We’re only a few days from the newsletter being sent out!  Woohoo!!!!  I have sent the Ravanguard short story, “The Vain King and Taboo Coin,” to my editor contact and it is polished up for your enjoyment.  Sign up so you can read it!

Fun with Foreshadowing

posted in: Fantasy, Writing | 1

Let me start by saying I love the literary device of foreshadowing and as I revise and edit, I have thought about it more and more.  Some writers are big on allusion or theme or even setting.  I commend those who frame their writing with these aspects (really, I do).  For me though, it’s about the foreshadowing threads interwoven in the framework of the plot(s) tapestry.

By definition, foreshadowing is hinting at what is to come.  This can be subtle and apparent depending on the use by the writer.  For example, a writer could use an object noticed or used by a particular early on and then have that object play an important role later on (usually in the final act or climax of the story).  One example I continually see used as an example is if you were to see a gun on a mantle or one placed in a desk drawer. It’s very likely this element could come into play to impact the outcome of the plot.

In my opinion, the two best examples of foreshadowing used effectively in an epic fantasy story can be found in Robert Jordan’s “The Wheel of Time” series and George R.R. Martin’s “A Song of Ice and Fire” series.  I know… I know…  I reference these two a lot in my blog posts and I’ll try to discuss other works in the future but for now, these are the two that I return to whenever I think of the proper and effective use of foreshadowing.

I could use examples here but I won’t because the nature of a foreshadow is to allude to something in the future, which in our current culture is notably called a “spoiler”.  I wish I could!  But I won’t.  All I can do is recommend you read these series.  The best foreshadowing in epic fantasy is usually presented in the first book and does not come to pass until the last and towards the end of the series.  Some big payoffs definitely add to the fanfare of readers.

What has happened with me in the Ravanguard series has been beneficial when it comes to these deep details.  My method for writing the series without stopping has allowed me to see where the story has gone and then as I edit and revise, I can recall a “future” event happening in book 2, 3 or 4 and go back and then see if there’s a place for foreshadowing to work.  There’s one key though: it has to make sense within the prose.  There is a balance and trust me, I do not look for spots to drop in foreshadowing just to be cheeky (well, okay, sometimes I do but those are more for the readers who are paying attention).

I think one could argue my approach to foreshadowing is somewhat cheating but I would argue it’s just fun writing.  Sometimes, these foreshadows are quite clever and subtle and sometimes they’re right on the nose.  Both are fine and my hope is that my readers would simply consider it good storytelling.  There’s a sense of intrigue to be added too because you as the reader (and I do this too whenever I’m reading a new book.  I pay close attention to details, thinking it could be a bit of foreshadowing) are more invested in the these details.  I could never be a speed reader because I fear I would miss what I love most in the writing.

Another fun aspect I’ve run into in my own writing is that I have sometimes stumbled onto a moment of foreshadowing accidentally.  Seriously!  I have been planning the story arc of one of the next books, thought of an idea for a character and been like, “Wait, didn’t this thing happen back in book 1?”.  I’ll go and check and boom!  Slap my feet and call me Chip, I inadvertently set up a foreshadowing moment!  Now, it’s probably coincidence but I actually attribute it to my advanced internal, subconscious understanding of the world and characters.  Almost as if I know it all before I should.  (I know, you’re not buying it.)  Truthfully, though, the readers will discover in due time that I have foreshadowed some things that I hope brings delight and maybe a little shock.

Any literary device used is meant to add to the enjoyment of the reading experience.  When used properly and not in abundance to the point of distraction, these practices are worth getting better at.  I definitely encourage looking for these in the books you read.  Train yourself to look for it and see if it pays off.  Happy reading!

Call to Action: See below a video of foreshadowing in popular movies.  Obviously, there are possible spoilers so here are the movies in the top ten list:

 

Medieval Gardening Tips

Remember in my very first blog post back on January 1st?  When I said, “…I’ll be revealing more about who I am with each blog post.  Topics will include writing, books, comics, movies, video games, music, food, weather, medieval gardening tips…”  (See, I did say it.)  You probably thought I was just being sarcastic.  Well, I was but also being a little tongue in cheek with an aftertaste of meta.

The following quote comes from author, George R.R. Martin:

“I think there are two types of writers, the architects and the gardeners. The architects plan everything ahead of time, like an architect building a house. They know how many rooms are going to be in the house, what kind of roof they’re going to have, where the wires are going to run, what kind of plumbing there’s going to be. They have the whole thing designed and blueprinted out before they even nail the first board up. The gardeners dig a hole, drop in a seed and water it. They kind of know what seed it is, they know if planted a fantasy seed or mystery seed or whatever. But as the plant comes up and they water it, they don’t know how many branches it’s going to have, they find out as it grows. And I’m much more a gardener than an architect.”

I’ve written a prior post on outlining and the value of doing so in the short and long run of your writing.  I’m more of a rough outliner now than I was when I first started the Ravanguard series.  It came out of writing a minor scene found in the first book and I liked it so much, I decided to expand on the idea, developing characters and ideas until I had a general sense of where to start.

However, as I’ve been revising a lot these last couple of weeks, I’ve come back to this idea of being an architect or gardener, which is a term I heard a few years back when listening to one of my preferred Game of Thrones podcasts.  The phrase was discussed a bit and I looked for Martin’s quote.  Back to the present and I very much consider myself a gardener despite my attempts at thinking ahead and outlining subsequent books in the Ravanguard series.

I’m currently revising chapters 6-10 in “So Speaks the Gallows” (Book 1) and I’m reading through each paragraph, cutting, massaging, polishing, etc. with forethought and understanding I have now that I didn’t have back when I first wrote these chapters.  My point (and I do have one) is that I’m able to approach this revision process with a much-needed advantage I otherwise would not have had if I only tried to outline the future books.

Years ago, I had very rough ideas of where these plot arcs were heading.  Now that may sound a little chancy and reckless (it is actually) but I had enough faith in my writing to steer the story where it needed to go.  So, the gardener writing method was at full play in the beginning but as the years and subsequent books and novellas came into existence, I can now return and trim the dead branches and dig up the weeds, able to have a bit of foresight.

All of this encompasses my writing style.  I am not convinced this is the perfect way to write an epic fantasy series and I bet I could write a counterargument that even I would be convinced of.  But I cannot shake that this is my method.  I’ve worked at this for over a decade and found many things that work and don’t work, still adapting as I edge closer and closer to releasing the first Ravanguard novella to launch the series.

My medieval gardening tips are just that.  If you are a gardener more than an architect, continue to process and write in a way that works best for you.  Be careful of comparing yourself to others.  Writers are quirky folk.  Get too many in a room discussing process and method and you’ll have a real kerfuffle on your hands.

Call to Action: I’ll be pushing my newsletter throughout this month as we move closer to the end.  April 30th is the day you will be receiving the newsletter.  So if you haven’t done so (and I don’t know why.  It’s for free), please sign up when prompted on the website or go to the “Contact” form under the “About Adam” tab above ^^^  Just make sure to include your email address and in the comment section that you’d like to be added to the mailing list.

On This Day: April 10th – National Encourage a Young Writer Day

posted in: On This Day, Writing | 0

#EncourageAYoungWriterDay

Another “National Day” is upon us and as I will focus on this from tim to time for the OTD posts, they will be writer focused.  I’m really excited about this one though.  I still remember much of my emotions, story ideas and thoughts when I first started writing.  There was a new joy that I stumbled into and could not be stopped from advancing into the arena of storytelling.

Being self-taught in many ways (I was decent at English/Literature classes but nowhere near scholar level), there’s a great deal I learned and want to use this post as a lessons learned  for younger writers.  My hope is to provide some things I’ve experienced and come to value over the years.  All of this based on my own experience and I know I’ve touched upon these in previous posts but here’s more emphasis.  When you start off writing, you truly do tread unknown waters.  There are no dangers swimming underneath you, but rather, treasures that can be found if you know exactly where to dive and search.

These are the top words of encouragement I have for young writers in no particular order:

1. Finish what you start

Depending on your level of writing, you will no doubt (it’s more than likely but not definite) write something that’s not very good.  This is not a knock on you or your capacity to be a great storyteller.  Very few have likely had an idea, formulated the characters, settings, themes, etc. and produced a product that is instantly picked up by a publisher and released to the world without much revision or editing.  Has it happened?  Probably but I can’t tell you of any I’ve ever heard of (not unless you’re Bradley Cooper’s character in the movie, Limitless, and in that case, you should ditch the mind-opening drug.  It didn’t end well for him).

I was there.  I wrote my first book, thinking it was the next best thing.  It wasn’t.  I wrote my second book and thought that was better and would surely be my launching point!  It wasn’t.  Lol.  I’ve written my third book and only now am I convinced I’ve written a well-thought out story that only I can tell.  It takes time and patience and you have to be willing to fail a few times before you find success.  So, finish those stories.  Don’t touch them for a few months and return.  If you still feel they are worth your investment, begin editing and revising.

2. Don’t neglect doing your research

This is a big one and requires discipline.  It doesn’t matter what you’re writing.  Fiction or Non-fiction.  Biography or History.  Fantasy or Mystery.  All of these require a some level of research not only to be accurate but most-importantly: believable.  When I started writing my first fantasy book, I researched everything from characterization to culture.  Clothing, agriculture, and architecture.  None of these could be ignored because as I wrote, I ran into these aspects and knew I couldn’t use modern terminology or technology.  The lack of these were an obvious sign to my being an amateur.  Readers want to be immersed in the world but if there are obvious mistakes and/or inaccuracies when it comes to the time period and setting the story takes place in without reasonable explanation, then they will not keep reading.  That’s the opposite of what you want!

3. Read

No, seriously.  Read.  You cannot write well if you do not read.  Why?  Because there’s something that takes place in the brain when you read and consume content professionally edited.  You brain picks up patterns and conventions that you may know from school (elementary to high school English classes only to so much) but are denied later in life without practice and exposure.

One thing I wish I had done more of during my early years of writing is read more.  I probably only read a dozen books a year back then.  This is not enough.  I recently joined Goodreads.com and I recommend you do so to.  They have a yearly reading challenge that you initiate for yourself and are able to update and track your progress.  I only learned of this last year but I challenged myself to read at least 25 books.  I read 36.  That’s huge for me!  This year, I set my challenge to 50 books.  I have no idea if I can do that but that’s the point of a goal.

Also, read genres you wouldn’t otherwise read.  If you’re writing horror, then try reading romance or sci-fi.  Subject yourself to styles you’re not familiar with.  I could read fantasy at any time but it’s a chore to find something more dramatic or set in modern settings.  I’m purposefully doing this more and more because exposure to these other genres helps me break away from that fantasy box.  Non-fiction is a great starting place.  Find books about people or times in history that interest you.  When you understand real people and what motivated them or real historical periods/events, how they were influenced and how they impact the future, this transfers into your own writing.

Call to Action: Do all of these things!  In fact, if you’re not a writer but love to read, you can easily do number 3.

Women and Their Value in Fantasy Literature

posted in: Fantasy, Writing | 2

Today I’m exploring a topic that I’m continually conscious of in my writing and the writing of others in fiction.  How are the role(s) of women in the story, society and culture in which they live portrayed?  I’d also like to stress the value of women and whether or not they are used (I say that word lightly) in a cliché way or not.

Some background first.  I started reading more in high school and the book that hooked me (as I’ve stated in previous posts) was Robert Jordan’s “The Eye of the World” where women play a prominent role in those areas I stated.  What always intrigued me is how Jordan (being a man) was able to write such strong female characters who were all very different and distinct from one another.  As a high school freshman, this was new for me as were most aspects of storytelling.  Years down the road, I’ve come across many bad examples and good examples of women in fantasy.  Jordan did what I consider a very good job of depicting women whereas (I definitely have another well-known fantasy example that I could insert but…screw it) in Terry Goodkind’s Sword of Truth series women are often treated horribly and victims of despicable men.

(Side note: I only read the first book all the way through and part of the second but couldn’t finish the series.  If you’re a fan and you disagree, that’s fine but I’ll continue to stay away from that series.)

For myself, though, I never wanted to write women in a way that was cliché or in a way that would depict them as a means to the end for the masculine hero.  I never wanted to pack any of my characters into a box or tower so to speak to be rescued by a man.  We all know the story cliché (prominently featured in fairy tales) where a princess is the prize for the hero.  I have made it a goal of mine to avoid this at all costs and have changed plot arcs if it looked like this was to be approached.  Now, this doesn’t mean my female characters are never aided or helped by men.  They are but I make sure that is not the sole goal of the men and often have my women characters show they are just as capable of being heroes.

I planned on this post over a month ago but wanted to take a new approach.  I asked a few women close to me in life (all of whom I respect and value a great deal) what they want to see and read in fiction when it comes to women characters whether they’re protagonists, antagonists or supporting characters.  The following responses are great and will serve as references to me as I continue to write.

“Strong female character in fiction: I’d like to see a woman who is realistic. She is strong but insecure.  She is smart and loves learning and acquiring new knowledge and skills.  She is funny but an introvert who only opens up to a select few.  She has a good heart and great intentions, but can be flaky and selfish sometimes.”

“Historically, women who are strong are seen as arrogant, aggressive, or evil.  This is in both pop culture and literature (for example, Cersei in Game of Thrones).  The other end of the spectrum usually involves a very insecure woman who has been oppressed and almost ‘accidentally’ is thrust into a role where they save the world (for example, Vin in Mistborn series or Lirael in Garth Nix’s books).  For me, a strong female character that goes beyond these clichés would be a woman who has faced oppression (lets face it, it has happened and still happens) but instead of becoming self-deprecating, goes on a journey to discover that she isn’t what others have made her believe she is.  A truly strong woman has had doubts and trials, of course, but instead of constantly believing she isn’t worth it or disbelieving that she is the ‘chosen one,’ she recognizes the strength she has and continues to build on her strengths.  She becomes the wise woman who speaks up when needed and is respected as a wise woman.  She has her own hang-ups, for sure, but they aren’t that she is ‘too much,’ aggressive, insecure, or power-hungry.  Her hang-ups are that which we all suffer, to stay strong in the face of temptation, to connect with those we love on an authentic level, and to stand up for what is right in spite of opposition.”

“I want to see more female characters that aren’t the cliche trope of ‘needing’ men to help them. I want to see women that know their strengths and can be self-reliant but are also not afraid to lean on the strengths of the people around them. They are so self confident and secure in themselves that they are able to see the value in others. I’m tired of reading insecure women who feel like they have to hide their weakness and  prove themselves to the world. I want to read about women that let their biggest weakness become their greatest asset.”

I love these!  I’m gonna be honest with all of you.  I don’t know what it’s like to be a woman.  I know!  Shocking.  However, I have no delusional miscues that women are essential to the progress and benefit of society.  To limit or cast them in any role that would be lesser than would be to grant us all a great disservice.

It’s coming but I’m going to dote on my wife a little here.  I have often said that in marriage, every day is about learning for me.  I am constantly aware of who she is and the way she views the world, which is very different from me in many respects.  Her interests and passions travel along lines that I don’t always follow or have a grasp of but I make it a goal to show interest because its what she loves to spend her time doing and learning about.  I’m not always good at this and I often have to process things before I’m able to share in her enthusiasm (thankfully, she forgives me for this delay in response) but my desire is to know her better.  This is the same for the women in my stories.  I want to know them better so that their story is one worth telling.

My wife asked me on one occasion if I based any female characters on her.  I had to chuckle because there’s an adage in writing that says to never base a character on any people you know in real life.  It just doesn’t turn out well.  What I told her is I base all my female characters on women in my life whom I admire.  Their qualities can be found in each of the characters you will read about in my books.  Even the so-called “villains” and that’s not a slight.  Far from it because I don’t write antagonists from a stand point of being solely evil.  The best villains are those that are complete, having desires, fears, experiences, etc. separate from any other character.  Their motivations are based on these factors (see my prior blog post on writing believable villains).

I’ve had several beta readers who are women and I’ve gained a great deal of feedback from them about my women characters that has been beyond beneficial.  I loved being able to read their comments, converse when I had questions and taking their suggestions to heart.  Plus, I learned a butt-load of things about women I did not know and I’m all about learning when it comes to people and what makes them who they are.  Understanding the value in someone breaks away any misgivings or misconceptions and as I do that in real life, I can do it even better in fiction.

Call to Action: This one’s for the guys.  Whether it’s a friend, sister, mother, girlfriend or wife, I recommend talking to them.  Ask them questions.  Don’t be inconsiderate or selfish and seriously talk to them about what they think of things in our society.  Take it from me, you’ll learn something and that’s never bad.

Don’t Start at the Beginning

posted in: Writing | 2

Today I’m focusing on where to start a story.  I think about this often, especially now that I’m working on flash fiction every month.  Due to the length of these stories being anywhere between 300-550 words, I have to approach them in a way that instantly grabs and holds the attention of the reader.If I started one of these flash fiction stories in a place just before the action, giving you only the lead up and then cutting it off…  Well that is precisely a cruel tease by definition.  That’s not my goal though.  My goal is to offer you a gripping glimpse into a space of conflict.  Obviously, the limitations in word count force me to get to the nitty gritty of the story of the main protagonist.

Hence, my approach is to give you, the reader, a short, concise scene of intrigue and information.  I do have the advantage of working within the confines of a series (see Shoals to the Hallowed) where I am progressing a main narrative but by providing small vignettes instead of robust chapters of detail, theme, dialogue, action, and plot.  All of these are given to you of course but not to the degree you might prefer (that’s coming.  Trust me).

Starting a story in the middle of conflict is (in my opinion and that of many others) the best way to grab ahold of the readers by the eyes.  For myself as a reader, I’m not interested in being thrown into a story where it’s a slow build up to the first bit of action.  I often come across advice encouraging writers (especially new ones) to begin at the middle of the first bit of conflict.

Immediate conflict reveals a great deal through the eyes of the main and supporting characters.  How they react and respond to whatever the current trial is, opens the reader to who they will be spending a great deal of pages with.  Go back to some of your recently read books.  Where do they start?  Does that work or would you rather have seen it start before or after?

As a writer, I want to present every story with the promise that if you keep reading, you’ll continually be turning the page because there’s more forward progress coming.  I think there was a time in literature where a slow burn approach worked and paid off but the trend has definitely shifted.  How many stories start with some form of misdeed, violence or realization that instantly affects the life and belief system of the main character?  I’d argue quite a bit.  It’s in these places that we want to begin a story and go until resolution if offered.

Call to Action: We’ve reached April!  That means the newsletter is coming at the end of the month.  As a reminder, this is the first and could evolve over time but you’ll be getting lots of good stuff that I don’t necessarily share or expand upon here on the blog.  At the very least, you will be getting an exclusive Ravanguard short story I wrote especially for the newsletter.  Sign up if you haven’t yet!  You can do so when prompted on the website or jump over to the “Contact” form under the “About Adam” tab above ^^^  Just make sure to include your email address and in the comment section that you’d like to be added to the mailing list.  Thanks again for stopping by and reading!

Dim the Veil Updates


For today’s blog post, I wanted to give some updates on the first Ravanguard novella, “Dim the Veil”, which will act as the launch vehicle for the series and where I’m at in the process moving forward.  Some developments over the past week are worth sharing and I feel like the more I talk about it, the more you all will be intrigued to read it once it’s released.

First, I recently reached out to a professional editor and inquired about their services.  Through some dialogue, I was able to get an idea of what to expect by a sample edit of the first two pages of the novella and I absolutely loved the feedback from the editor.  Their expertise was so impressive that I now know I need to get the novella professionally edited before I release it.  There’s a level of scrutiny involved that I miss despite being a writer and one that I cannot expect from my beta readers (whom I absolutely appreciate in every regard and love getting feedback from).  That’s not a knock but professional editors look for specifics when it comes to sentence structure, grammar, punctuation, narrative consistency, etc.  While a writer does so with a pen, an editor commits to their craft with a blade.  Ink and blood (how’s that for an image?).

Due to the cost of such services, this could potentially push my plan to release the novella later than anticipated.  My plan was to shoot for a summer release but in all reality, I could be looking at a fall/winter release.  I am okay with this because I want the novella and anything I put out there for purchase to be the best it can be.  So, expect updates on this process in the near future.  It’s not cheap, which means I’ll be setting money aside every month until I have enough to take this big leap.  However, I may consider starting a gofundme option but only if I can assure anyone who donates that they will receive some free gifts (I’ll explore this a little bit more and hopefully I can make this an option).

Update number two!  I met with my friend who has offered to create a cover for “Dim the Veil” as part of a school project.  We had a great sit down and he was able to provide a rough mock up of the cover while we met and I’m excited to see what he creates!  That old adage of “you don’t judge a book by its cover” is long dead.  We absolutely judge the quality of a book by what we see.  I do this every time I go into a bookstore.  Eye appeal draws the potential reader in and I want to have the best cover possible.

We are working to create something subtle in design (this is my preference) that captures the essence of the main character and his affiliation to the Ravanguard.  I wonder now if I can come up with something “art” related to offer if I do in fact pursue a gofundme for the professional edit.  Show of hands, who would like me to do this?  In fact, let’s make that the CTA for today’s post.

Call to Action: Who would like me to pursue a gofundme page to get the novella professionally edited?  Those who donate would absolutely be given a free download of the novella when it’s released.  Maybe…even the Prologue to Book 1 as a bonus?  Hmmm, intriguing to say the least.  Let me know by commenting!

Sunday Levity: Word Crimes

posted in: Sunday Levity, Writing | 0

Just another Sunday Levity post today, friends.  I’m a word guy all the way.  The more I learn about writing, the more fun (is that correct usage?) I have taking words and assembling them in a way that entertains and tells a story.  Being a word guy though has its downside.  I struggle with horrible usage and grammar.  We see it a lot these days in our culture and I would love nothing more than to be the word police…but…I cannot.  I told myself years ago I would never be that guy who corrects people (unless you’re Gabe).  Otherwise, it’s not my place, lol.  So, what I do instead is get a little chuckle whenever I come across some truly funny misuses.  Better than that, when I make mistakes (and yes I do it too), I laugh at myself.

So, I’ve attached a little video for you all to enjoy.

Book Art Coming Soon


Some more news to share with everyone today.  I’ll be working with a friend who is off at college and has a project he contacted me about.  This is also my friend who helped me launch the website and blog.  Major thanks are still in order for his help.

The project involves creating art and material for book promotion.  So, we’ll be working together in the coming weeks and hopefully have some things to share and use on the website.  I’ve got lots of ideas and a style I want to pursue that can spread across my writing projects.  Getting art specifically related to the different stories and worlds of the Ravanguard, Evinsaale and Shoals to the Hallowed will be quite the task.

For the book cover, we will be focused on the first novella, “Dim the Veil”.  I’m all about subtlety and minimalism when it comes to book art.  Some of my favorite are below.  This is not to say I’ll be copying these designs but looking for inspiration.  It’s these things I wish I was versed in.  I’m always thinking I should take graphic design classes but I really don’t know if I could add that to my plate and maintain my sanity.

So be on the lookout for these developments.  I’ll also be looking at making some aesthetic changes to the website/blog.  There are some features I’ve come across on other sites that I like and want to make available on my site.

The first newsletter is still set for an end of April release.  If you haven’t signed up, I implore you to do so.  With this new development and book art project coming, it may increase the content released.  I’ll definitely be exploring a newsletter art design as part of our to do.  Bookmarks?  Would anyone be interested in a bookmark gift or a brochure that serves as a primer for any of the series I’m working on?  These are all ideas worth exploring and being able to give out to those of you who sign up.  So make sure to do so!

Your continued support helps keep me going (I’d still write and release my writings no matter what.  Let’s be honest, hahaha) but I do appreciate all the kind words and whenever I get to talk to someone about my stories.  It’s fun to share and I look forward to growing my readership in the coming years.

Call to Action:  Follow me on Twitter @adamhenderson49, Like my author’s page over at Facebook https://www.facebook.com/adamhenderson49/, find me on Goodreads.  Stay connected!

Best Supporting Role

posted in: Fantasy, Writing | 0

For me, rich stories involve a great deal of detail, forethought and most of all believable supporting characters.  Focusing on the latter today, I’m always thinking about the characters I consider to be placed in the “support” role.  Some are bras and some are jock straps (I’ll give you a second to consider that and all the nuances entailed, lol).

Sometimes, these characters can be glossed over, especially if they serve more as place holders than actual aids to the main protagonist(s) of the story.  There are clichés (plucky sidekick or daft henchman) and we can often locate those with ease.  The best, however, are those that actually play such a role that if removed, the story arc would suffer!

Where would Frodo be without Sam?  What about Harry if any of the many supports he had were gone (not counting Hermione or Ron because frankly, they’re more quasi-protagonists than supporting)?  There are countless other examples of this that I could go into but I think you get what I’m throwing at you.

The absolute best advice I’ve come across when it comes to writing and including supporting characters is that in those characters’ minds, they are not secondary. In other words, they have their own history, experiences, virtues and vices that make up their persona.  All of these should be included and evident during their scene(s).  Obviously, you will have stories where there are nameless, stand-ins who serve a broader role, especially if they make up the collective of a population, mob or army but those that actually speak and lend action to the story must be more.

Whenever writing these supporting characters, I always envision them having qualities both in physicality and personality that are unique to them.  For example, I recently started the fourth novella of the Ravanguard series.  The main protagonist is a woman who hires the service of a somewhat ruffian type who swears, loves to gamble, but hates to drink and has an extra pinky on his left hand, which has earned him the nickname of Two-Pink Simm.  That’s the most basic description I can give (you won’t be seeing him in readable form for a few years.  Sorry.  I’m working on it) but it gives you a lot of information.  The question automatically is: Why doesn’t he drink?  What’s the story behind that?  That’s a good question to ask and one that lends depth to him that may or may not be explored.  It’s a wrinkle of character that in my mind needs to be there.

Supporting characters should also be voices of dissent, challenging the main protagonist from time to time when there’s other options not yet explored.  No “yes men”!  What’s their personal agenda?  This is something that should be at the back of our minds when reading and coming across a portion of story where the supporting character says or does something that seems a method of contention.  This doesn’t mean they are a rival/antagonist but an opposing voice.

Let’s consider our own lives.  Do you have a friend (supporting characters are often friends, maybe an acquaintance) that you love and trust but they challenge your words or actions from time to time?  If yes, then keep that person in your life!  If you have one that is the opposite (remember what I said about the jock strap type), then don’t get too attached.  I have a few friends who I know I can be honest with about all kinds of things and know that if they disagree or have another way of approaching a situation, it’s not because they want me to fail.  They want me to succeed but not be hasty or irrational.

True support lends itself in beneficial ways that does not necessarily mean they benefit from the outcome.  I hope this all comes through the way I intend.  Stories are far more envisioned when the people whose point of views we, the readers, are denied but are ones we would love to peer into the minds of!  (This is actually something I struggle with because I would love to write from the POV of some of my supporting characters from time to time.)

Call to Action: Find those supporters in your life and thank them!  Go one step further and buy them a Starbucks gift card (I fully expect a full slew to be sent to me, ha!) and let them know you appreciate them.

Identity: Theme Explored

Write what you know.  That’s what they tell you (I don’t know who they are…still looking to be honest).  For whatever the reason, I’ve struggled to really explain to people what my books are about.  Seriously.  If you asked me in person to tell you what the first Ravanguard book is about, I would struggle to do so without going into vast details in order to make sure you are tracking with me in what I consider a complex tapestry of interwoven major and minor story lines.  In short, I’ve had to narrow it down.  The book is about identity.

I’ve done this recently on a few accounts and simply saying identity helps me focus the vision.  The story follows the viewpoints of the three main characters and their struggle through identity.  All of these are explored through different methods.  One has their identity stripped away and must establish a new one, the second strives to make a name for herself in a predominantly male order, and the third (the youngest) has little knowledge of his family and their history, only to be introduced to secrets that make him realize who he is.

I like to think that you could take any of these three quick descriptions I’ve provided and apply them to a number of stories in all kinds of genres.  That’s the beauty of the theme of identity.  It is not restrictive or limited.

This is all very organic in my writing process.  I did not write these out and go from there.  No, I started with the character and their conflict and the theme of identity grew.  Imagine the smallest of frames–better yet, a bare Christmas tree.  I set it up and throughout the process of writing, editing, re-writing and editing some more, I’ve placed the ornaments, ribbon, tinsel (not just for decoration), etc. in their proper places to give the tree–or characters–identity.  Muscle and skin added to the skeleton once again.

Write what you know.  Well, much of my main point of view characters in everything I write has one underlying theme of identity.  My writing focuses on this because I truly believe individual identity is the key to success.  A character’s journey to discover/re-discover their identity and purpose in life is the quintessential most important conflict in literature (at least I think so).

So, I relate personally because I spent many years unsure of who I was, what my purpose was, etc.  Same old story…  It took time, patience and putting myself around people who saw the gold in me.  This righted much of the upside down thinking I struggled with as a young man.  Once I found what I was looking for, though, I settled within myself to be okay.  Were there things that could still use work?  Of course!

The theme of identity will likely be what I write about the rest of my life.  My hope is that this will transcend the pages and help people.  Obviously, I cannot tell every reader who they are but hopefully, through my characters, readers will find tools that make sense to them and lead them to discover what’s most important.

Call to Action: If you are struggling with identity in any capacity, I would encourage you to not lose sight or hope.  Don’t merely look for others to tell you who you are.  Do not seek acceptance or relationships because someone else thinks you should be this or that.  Ask questions.  Pursue the truth of your convictions.  These will better guide you in the long run.

Kill the Cliché, Twist the Trope: Magical MacGuffin

posted in: Fantasy, Writing | 2

There are conventions in fantasy literature that we know well, maybe to a lesser degree if you’re not an avid fan or reader, but you can recognize them with ease.  You can be reading/watching a story unfold, snap your fingers and say, “That’s so and so in this story…” or “I bet that’s what’s needed to solve…”  How?  Why?  Because you’ve seen it done so much, your brain does its magic and the dots are connected, always aware and finding the patterns.  These conventions that are easy to call are often clichés or tropes.

I relied too heavily on these clichés/tropes when I first dabbled in the genre and to be honest, it was good because it helped me understand and know what I wanted to avoid later in my journey as a writer.  For today’s post, I’m going to explore another one (don’t be surprised if this becomes a monthly post-type by the way).

The Magical MacGuffin.  What’s this?  Well, it’s the One Ring in Lord of the Rings, the Holy Grail pursued by Indiana Jones or King Arthur, and/or most recently, any of the Infinity Stones in the Marvel Cinematic Universe.  A MacGuffin in literary terms is a plot device pursued by the protagonist to form the basis of the plot.  Now, these devices don’t always have to be magical.  You could literally take any story (from a book, play, tv show or film) and find the MacGuffin.  It could be a goal, dream, desire, object, idea, etc.  All of these fill the role.  Honestly, I don’t have a problem with the device as a whole but in fantasy, it is (in my opinion) a cliché/trope worth avoiding.

In the second book I wrote (one that has been shelved for the time being), I actually tried to take this trope and twist it.  I asked the question, “What if the magical objects in the world suddenly quit working, forcing the societies that relied on them to deal with the resulting conflicts that would naturally ensue?”  A malfunction of the MacGuffin if you will.  Now, this is an idea worth exploring and I may still do it to a degree but on a lesser scale.  Maybe a standalone novel…  There are elements in that world that I created and quite like a lot and don’t completely want to abandon.  Hmmmmm…  Yep, you’ve read it here first.  I may have just realized I do in fact have another story to put in my queue!

Back to the topic.  I struggle to get behind the idea of a Magical MacGuffin because its played out in fantasy.  Tolkien did it the best with the One Ring.  We have a magical item that is in fact filled with the evil of the main antagonist who wants it back.  The goal of the protagonists is to take that item to the only place where it can be destroyed (which happens to be in the most dangerous place in Middle Earth) all the while having to avoid its influence and the desire of others who want to claim it for themselves.  It’s actually a very good device used by Tolkien and plays better in the story as an item to destroy rather than attain.  Kudos to the master!

What we see since then is a lot of stories that drive the plot forward with magical items being the end goal (a sword, crown, horn, bowl, knickknack or patty whack).  Once attained, it usually gives the hero the power to overcome the evil one.  There are usually obstacles that bring lessons learned and help the character grow but for me, both as a reader and writer, to form an entire plot on the magical device, just doesn’t hold my attention.  When looking for new books to read, I actually check to see if the synopsis includes a Magical MacGuffin.  If so, I set it aside.

Thankfully, there is a wave happening in fantasy literature that doesn’t rely on this particular device.  Maybe there are magical items in the world but they are not the bones to hold everything up.  In my Ravanguard series, there are things that could be considered magical but play no major significance to the overall conflict.  I do introduce something that may look the part in the early chapters but as you read, you realize I’ve twisted the expectation of the convention.  The story centers around the three main point of views and their inner struggles to cope with a world that is turned onto its side.  They must rely on themselves and those they trust in order to survive.

I should be clear and say I’m not opposed to a Magical MacGuffin entirely in a story so long as there is a twist or subversion.  Let there be a price to pay in order to use it.  The One Ring actually does this.  Using it makes the wielder dependent and a slave to it.  That’s good!  To compare, consider the Goblet of Fire in the fourth Harry Potter book.  It’s a magical item that is the goal to attain.  Why?  Harry has to because he’s in the contest but what else?  I won’t spoil the book or movie but at least there’s a twist at the end that does extend the overall saga as a whole.  This is also good!

Maybe you prefer this convention for whatever the reason.  Not a bad thing.  We’re just different and have different tastes, which is great, fine and dandy.  Hopefully, that won’t keep you from reading my books (Ha!).  Happy reading!

Call to Action: Do you prefer Magical MacGuffin’s in stories?  If so, share them with me!  I’m always curious to read other people’s preferences and opinions.  Are there any that have been twisted and subverted that you enjoyed?

Time Will Tell

posted in: Writing | 3
I listened to a TEDtalks segment given by author, Laura Vanderkam, over this last weekend when my wife and I went out of town to do some shopping.  It was very relevant to me for a number of reasons and a bit of a confirmation because I already knew I wanted to write about time management and had the post set up to be written (I just love when that happens).

In a nutshell (where does that expression come from? Why not say, “In a conkshell…”?), she talks about setting priorities when it comes to time management for life in general.  I’ve provided a link for you all to go and listen.  It’s a short twelve minute segment but worth the time (pun!).

http://podbay.fm/show/160904630/e/1481904806?autostart=1

For the purposes of today’s post, I want to talk about my own time management process, using Laura’s suggestions as sort of a guideline.  It’s truly amazing how much time there is in a week, yet we often complain and/or think there is not enough.  I know my attitude towards it fluctuates depending on how annoyed I am that things are not getting done (this is entirely my fault too).  The key and what I’ve learned is that I, as a writer, have to make my writing a priority.  Plain and simple.  But I cannot sacrifice other priorities to make for this.  It’s a balance that takes effort and discipline to settle into.

Relationships and responsibilities are synonymous in my mind.  It’s my responsibility to make sure I put my relationship with my wife at the top of list.  Why?  Well, I could say, “because I love her,” but what does that mean?  Love is not an idea.  It’s a motion of forward progress.  Love requires action that (to me) puts her needs before my own.  And in retrospect, she puts my needs before her own.  In a perfect marriage, that means neither of us are in want.  This is extremely important to me as I manage myself and my days.

My relationships and responsibilities then move down the ladder, list or whatever you want to call it.  My relationships with my family, friends, coworkers, all require a level of responsibility that are not of equal importance across the board but require me to assign priority.  A co-worker of mine is not going to get the same attention as a friend and a friend will not get the same level of attention as a family member.  Sorry, it’s how I’ve chosen to manage myself and I choose how others will dictate that.  If you’re a friend and we have time set aside to eat, chat, or whatever, but my sister (let’s see if she reads this, lol), calls me and needs to talk, you can be guaranteed I will probably blow you off.  Nothing personal.  We’ll reschedule but my sister lives in Colorado and I miss her freaking face, voice and laugh (guaranteed she just laughed at reading that and is going to text me).

So when do I make time for writing?  How in the name of the wind (Patrick Rothfuss reference; more on him coming this month) do I set aside precious pockets of minutes to give myself to what I love most when it comes to my creativity?  How?  Well, I have a superpower where I can stop time.  Nah, not really.  Sidebar: In the movie About Time, I would absolutely do what the main character’s father did with the gift of time travel.  I would read and write like no tomorrow!  But alas, I have been denied the gift of time travel.  I trust in God’s ultimate wisdom to keep us on that solid line, never able to go back or forward beyond the point we are on right now.

My apologies for that weird rabbit trail.  Back to it then!

There are plenty of quotes out there from authors who lend us their own advice regarding time management as a writer but I know for me, writing every day is not limited to actually sitting at a keyboard and tapping away or having a journal, ledger, or legal pad in hand with pen jotting.  No, for me, writing is always a manner of thinking and exploring.  I’m always thinking about my books and now this blog.  I’m always considering where story lines can go or blog posts to explore.  Some of this is more recent but even back before I’ve stretched myself to writing more, I would find inspiration in so many things I did.  A recent development is I will actually lose focus while reading other works of fiction and start thinking about my own stories.  It’s a bit annoying but really just confirms in me that I’m in the right state of mind when it comes to what I love to do.

My writing is a priority but I manage the time spent to do it differently than I do with my relationships and responsibilities.  To me, it’s less about staring at the Word document and being conscious of each project’s status.  I write to finish the story.  My hope is that I never start something without finishing it.  Even the bad ideas, I’ve finished.  I make time because they are important to me.  Not the most important but important enough that I’ve pretty much gotten to a place where if I sit down to play video games, I only last a half hour because I lose interest.  In my youth, those things were a priority but they are pretty far down that ladder now.

My encouragement to anyone who may struggle with time management is to simply consider prioritizing the most important things in your life.  And don’t sacrifice relationships for success or anything else that is fleeting.  It’s not worth it.  I cannot imagine going through life without family and friends.  As a writer, who else would I rely on to be there to read my stories if not them?!

Call to Action: Listen to the short twelve minute segment by going to the link provided.  Hopefully, you’ll get something out of it.

Flash Fiction: “Binding Slight”

The strolling occupants of the corridors and stairwells separated at the sight of the general–a salmon swimming against the current.  His cape flowed like a whipped flag in the high winds of the Mestansa Sea.  All eyes avoided his, not daring to touch upon the war-battered irises of a Battle Lord.Oran Ki’Tanil barely took notice of the man struggling to stay beside him.  The flow of traffic did not pay him any mind.

“It’s true then?” asked Dhamsho Hivin, a treasurer to the Hold of Breshtk.  “You spoke to the sole survivor.”  Not a question–a realization.

Oran frowned, saying nothing, refusing to until he stood in the Observum atop the capital conservatory.  His mind flooded with each step, forming plans along with responses and questions.  Scenarios of the most dire brood hatched from their shells of fear and worry.  Duty called him to action but he feared what that entailed both for the people of Breshtk and his thousands of soldiers.

The Observum’s domed architecture spun with the powers manifested from the Shoal to the Hallowed called Fensaeng.  Its Wielder, Delya Glassene, wrapped in her green robes pinned tightly by silver crystals turned to him as he entered but said nothing.  Somewhere along the way, the treasurer had broken away, not daring to enter the room filled with Shoal power.

In front of the Wielder shone a suspended viewer with its twelve glass sides, able to be rotated at will by her alone in order to look upon other places in the world.  An orb for spying on their would-be allies.  Had news reached the other Holds?  How long before messages would be received to offer condolences?

Oran did not trust the use of such power but put aside his prejudices, settled now for the first time in his life to seek the aid of a Wielder.  The shivering across his teeth could be ignored for the time being.  That could not be avoided by anyone unless they were a Wielder themselves.  “It’s true,” he told Delya.

She watched the current side of the viewer where a bird’s eye view of the capital city of Charun, pressed in to the compound grounds of the Hold’s military.  Hundreds of men stood in perfect lines at attention while an imposing figure sat upon a warhorse addressing his soldiers in vigorous speech.  Sound did not come through the viewer, something that Oran would have preferred.  Alas, he had little knowledge and understanding of the Shoals and their power.

“Wielder Glassene,” Oran said, attempting to gain her full attention.  “The heirs of the Breshtk Hold are dead.  Such acts…  Another Wielder has broken the Hold’s Treaty–”

“You should seek allies, General Ki’Tanil.”  She moved her hands in front of the viewer, rotating it slowly so Oran could bear witness to multiple Hold armies assembled in what appeared to be war preparations.  “We will need the best defense possible if the other Holds move against us.”

Knees close to buckling, Oran Ki’Tanil, Battle Lord of the Breshtk Hold, whispered a prayer to the Hallowed for help he doubted would come.

On This Day: National Tell a Fairy Tale Day (US)

This a bit of a fun OTD post.  So, here in the US, it is National Tell a Fairy Tale Day.  What I’ve decided to do is give everyone here a little treat.  In my Ravanguard series, there are fairy tales or rather, “night tales” as I call them in the series.  I don’t explore them in the actual novellas or novels but they are referenced.  Hope you’ve got your coffee and cake ready while I share the tale of the “The Lamb in the Hill”.

The boy from the Prenian hills loved little but cared most for his lamb whose snowy coat never faded.  Charged by his father to watch and protect the lamb from all possible threats, the boy took his responsibility serious.  He believed if he kept the lamb safe from wolves and other predators, his father would grant him a new responsibility at the family’s farm where he would learn to sheer and spin the valuable wool.

On a day where there was nothing to distinguish itself from the rest, the boy lost sight of the lamb as it grazed upon a hill.  Fear did not find itself in the boy, having come to trust the lamb and its willingness to stay close.  As he approached the other side of the hill, a song hummed to celebrate the day, an odd fellow waved at him.  The boy rarely met others in the fields of Prenia but waved in response.

“A beauteous day is one not to forget, young lad,” the odd fellow said.

The boy did not respond at first, taking in the odd clothing of the odd fellow, garbed in trousers and shirt made of black and silver silks.  Baubles of gold glittered at the ends of his shoes, wrists and the triangular hat upon his head.  The truly peculiar thing about the odd fellow, though, was his great height, slender frame and rock-like features of his face.  What first seemed to be wrinkles were in fact rocky crags.  From brow to chin, the odd fellow’s face marked him a creature the boy did not know.

There was some sense of danger as they stood across from one another.  The boy came out of his scrutiny of the odd fellow and noticed his lamb missing.  “Sir, have you seen my lamb?  He has the whitest coat one could imagine.  Snowy and brilliant, shining in the daylight sun.”

The odd fellow scratched his chin.  “I’m afraid I’ve taken your lamb, boy, for I have been traveling a great many days.”

Tears did not cease from the boy’s eyes at the horrible reveal.  His fear induced by the realization that his father would surely punish him both by word and hand.  The lamb was his to protect and he failed before he had known there was a problem.

The odd fellow took notice of the boy’s distress and quickly felt the need to repay for his misdeed.  These were his ways unlike some of his misguided kin.  “Good lad, do not cry,” he pleaded, “for I have a rare and magnificent gift.  I can find the greatest of treasures in the earth.  Come and see!”

The boy stood in place, heart broken but watching the odd fellow scan the earth of the hillside at their feet for several seconds.

“Aha!” the odd fellow exclaimed.  He dropped to his knees and with ease placed his hands into the earth like he was dipping his fingers into the water of a lake.  Out his hands came and in them he held a great sword.  It was unlike any other.  Old but gleaming made by a long-dead blacksmith.  “Here,” the odd fellow said, sword extended.  “Take it and you will cast down great enemy hordes with a single strike!”

The boy did not dare take such a weapon for he did not trust the odd fellow.  “Sir, I am untrained.  How could I face a rival but fail to control such a heavy blade?”

The odd fellow considered the sword.  “I see you are frail in the ways of a warrior.  I agree and will offer another gift.”  The odd fellow placed the sword on the ground, stood and roamed until he dropped to his knees again.

A second time, the odd fellow pressed his hands into the earth as if it was cream, easy to separate and search through.  His hands came out again and he held in his hands a flute of ivory.  The odd fellow brought it to his lips and blew the excess dirt from its core.  “Here,” he said.  “Take it and control the clouds above, able to bring rain or sunshine whenever you need it!”

The boy did not take the flute.  “Sir,” he said, “I am untrained.  How could I learn the notes to control the weather and make better my days?”

Once again, the odd fellow felt a blow to settle his debt.  He laid the flute down and looked all around the hillside.  “Boy,” he confessed, “I am at a loss.  What do you require to be satisfied by my misdeed?”

The boy considered the question and found only one answer to satisfy his desire.  “Surely, sir, you did not take my lamb for its coat.  Surely, you can give me that at least so I can return it to my father.  At least then, it can be woven and sold so that our investment will not go wasted.”

The odd fellow rubbed his pointed chin.  “A fair request.”  He turned to where the boy had first laid eyes on him and reached into the earth.  Out came his hands and in them he held the lamb, the animal shaking but alive as its coat was dark from the earth.

“That is not my lamb,” the boy said.  “For that one is not white.”

The odd fellow shook his head and searched all around him with the lamb in his arms.

In the moment of opportunity, the boy took up the sword and swung its mighty blade, cleaving the head of the odd fellow, having saved all his strength to make one attempt at the creature.  The lamb fell to the ground and ran to the boy, snowy coat smeared with the dirt of the earth.

The boy walked over to the flute, hummed as he always did and played notes until the clouds formed overhead.  Rain fell and washed the lamb clean.  The boy considered the body of the odd fellow and left it to wither, serving always as a reminder that the lamb could not be left out of his sight.

Call to Action: What’s your favorite fairy tale?  Post a comment and share!

Setting the Stage

posted in: Writing | 0

If there was anything I learned in my first years of writing that I would impress upon young writers, it would be the importance of setting.  Give enough but not so much that it takes the reader out of the story.  This requires practice and you may rewrite the setting of a world and/or scene quite a bit before you settle on what works best.For myself in the early days, I think I over-detailed settings, especially interior ones while my exterior settings were very generic, lacking any visceral detail (I still come across this in published books and wonder why this flies).

Let’s start with interiors first.  Rooms were basic in their design but I did not understand that a room can tell a story, can give invaluable aspects to the characters.  Don’t limit your description to a desk/table, chairs, shelves, etc.  I know I say it a lot, but go to film to get a great idea of interior settings.  One that comes to mind is the office/chambers of Professor Dumbledore in the Harry Potter movies (try Prisoner of Azkaban, Goblet of Fire or Order of the Phoenix, which all seem to feature the room at length).  Pause any of those movies and look at the room in still detail.  There’s loads to take in and don’t be afraid to make notes if any ideas are sparked for your story.  Even better, go back and watch the special features of any of the Lord of the Rings movies (you could do the same for the Hobbit trilogy but I think there’s more to be admired from Jackson’s first go in Middle Earth).  They have specific features that go over the attention to detail that blows your mind!  In fact, I think I’ll do that this weekend.

One rule I have for describing any interior setting is: Appeal to the senses.  What does a room smell like?  What can be seen?  If there’s a hint of some kind of oil in the room, what does that convey?  Are there plants?  These attributes have meaning and add color.  If there is art or books, what does that say about the room and the person who owns the room?  These are all questions worth exploring and can be weaved within the context of the scene to break up any monotony of dialogue, which is what I ran into a lot of the time.


Onto the outer world.  Exteriors are equally important and can be taken down into a smaller scale if need be.  If I’m working in a setting out in the wilderness, I need to consider whether there are roads, water sources, and/or vegetation.  If so, what’s their relation to each other?  I often consider landscapes whenever I’m driving out of town.  My wife and I take trips north of where we live, which is a high desert, and gradually turns into more of a mountainous area.  As we climb in elevation (slowly but surely), we see more green vegetation.  There are fields and road-side signs of nearby streams and lakes.  The mountains close in and if we want to remain on the main highway, we are driving up to Mammoth Lakes, where there are trees aplenty.  From brown and scrubby to green and leafy in a matter of a few hours.

My point is, for exterior setting, get a good understanding of areas around you or in the world.  Learn the features and their definitions.  How are those used in relation to populations both small and big?  All of this can add great quality to your story.  Take chances as well.  What are some features that could be useful to society and culture?  If you want to explore trade routes, then set your story in a place where there are more than roads.  Water routes were historically and still are used in many places in the world for trade.

The biggest sin when it comes to world building is that it’s too easy to get wrapped up in the characters and their conflicts, completely casting aside the greater wonders of nature and culture.  These can be shown through the eyes of your characters which also lends to characters being more than a generic physical descriptive entity that speaks and interacts with others.  Give them a sense of observation and they’ve become more three-dimensional.

I know this post is more geared towards a topic exclusively relevant to storytelling, but I hope that it encourages other writers to be conscious of something that I know from experience should not be ignored or given little attention to.

Call to Action: Look at whatever room you’re in while reading this.  Are there things–details–in it that would give a complete stranger an idea of who are?  Is there anything that would cause them to make a wrong assumption?  Your likes and preferences are likely scattered throughout.  Is it a good representation of who you are?  Just something to consider.

Keeping the Creative Juices Flowing Pt 1

posted in: Writing | 0

I thought it would be fun to discuss some of these and share my own methods, experiences, practices.

Let’s start with #21 first.  Listening to music is essential for me.  Ever since I can remember, I’ve listened to music and a wide range of genres over the years.  It would be somewhat embarrassing to list these phases but I will say, I try to be open to all styles, forms and expressions.  My iTunes library is a ridiculous smorgasbord of artists that drives my wife crazy.  One song is the melancholy melodies of Bon Iver and the next is thrashing guitars and drums of A Day to Remember.  We like what we like.  I gravitate towards music.  I can always listen to Cold War Kids, City and Colour and Mumford and Sons, especially when I’m writing.

#40 is next.  Be curious.  This has been my go to lately when I just need unwind.  I will often go to Wikipedia and peruse the “Did you know…” section where there’s tons of random trivia on everything from history to the arts.  Really interesting stuff to be sifted through.  I also listen to a lot of podcasts that focus on movies, sports and politics.  Every day, I seem to hear a name or term that I am unfamiliar with and research.  I love being informed about things so this definitely helps me creatively.

Last, let’s go with #5.  I try to socialize more as I get older.  I’ve never been the center of attention or wanted to be really.  I prefer smaller circles of get togethers and really build relationships one on one.  My wife and I enjoy meeting up with other couples and playing games and just talking.  So many topics are explored and we really open ourselves up to be known and get to know others.  Building relationships with others benefits creativity because to know others is to expand the mind.

Call to Action: Take a look at this list and pick some out that you want to do more.  Share if you want too!  I’d love to hear form all of you.

Criticism: Always Welcome

posted in: Uncategorized | 1

So today, I’m going to get into the mud a bit.  There’s one thing that an artist needs to be able take and take it well.  All criticism can be beneficial.  The good puffs you up and the bad lets the air out with a whimpering wheeze.  Is it a hard pill to swallow?  I mean like one of those multi-vitamins that’s the size of an ice cube and makes you think, “This is going to test my gag reflex”.  Yes, but, again, beneficial.

I admit, my experience with criticism has been on the side of easy so far.  I think that’s the natural progression of being an artist (or at least I’m jaded enough to hope so for the sake of the majority).  You create and you show your closest family and friends first.  They tell you nothing but good with some helpful suggestions and you feel like skipping and whistling around the block.  But then (ah, yes, the notorious “but then”) you take your art and throw it out beyond your trusted circle and get hammered.  I’ve been preparing myself for this confidence crippling event for a while now.  I know not everyone is going to think I’m the second coming of Tolkien (to be honest, though, I don’t want to be).

Criticism is inevitable.  Not just in the art world but everywhere.  Job performances are constantly being scrutinized and upon review time, you either get the good raise or the crappy one.  Your output determines your worth.  In our society, that’s true, especially in the work force.  In the arts, your output is subjective to preference.  That’s the good news.

If you don’t hone your craft and put the necessary effort into creating something you are proud of, knowing you gave it all, then expect harsh critics to stomp, gut, scratch, burn and view what you did as a waste of their time.  If you do hone your skills, then it’s more likely you will get the opposite reaction.

Now, as I’ve said before, you can’t please everyone.  It doesn’t even sound that good when you step back and consider the full range of that idea.  Imagine being surrounded by “yes men” who would fish your used tissue out of the trash and immortalize it on a mantle piece.  Yeah, not good.  And it doesn’t help you in the long run.  In art, you want to start but never be satisfied with just that single piece produced in the beginning.

There’s an innate creative desire inside artists that want to go beyond what they’ve done and challenge themselves to try new things, improve upon the old methods, and/or test their boundaries.  Art is daring in many respects.

Learning to take criticism is a must but it does not have to defeat us.  It should be taken but not be made a keepsake, used as an heirloom to pass down onto your children.

Here’s my diatribe: you cannot go through life afraid to be offended.  Everywhere we look, people base their entire happiness on whether or not others are allowed to say or do something that might offend them.  People outside of your inner circle are not going to be kind for the sake of keeping your feelings intact.  It’s a great disservice for us as a society to travel this road.

I’m a writer.  There are going to people who love what I write and there are going to be people who tell me I should seek another profession.  Is that hurtful?  Sure but only if I determine that another person’s personal preference, taste, and/or critique has power over my passions, dreams and desires.

A good way to prepare yourself for the future of criticism is to ask yourself some basic questions:

Why am I doing this?
What do I want to accomplish?

How do I want my art to have an impact in the world?

If any of these involve an answer of attaining money or acceptance, then I think we’ve found the problem.  Neither of these (here’s the cliché) can bring you true satisfaction or happiness.  They just leave you wanting more.  You will become an addict, getting a fix but then wanting more to meet your needs.  It’s not worth it!  Search for and find the answers to these questions that include you being happy despite what others can give you.

Trust in your abilities.  Trust that what you produce comes from a genuine place of joy.  It’s easy to say grow thick skin and you’ll be fine but I think it goes deeper.  Pleasing everyone is impossible no matter what you do in life and as we’ve all discovered in our social media culture, avoid the comment sections on YouTube.  There are a lot of trolls out there on the interwebz who seriously have nothing better to do than spread hate and horrible vitriol that somehow makes them feel accomplished.  Ignore them.  Avoid the places where you know people will purposely try to be hurtful.  You deserve better.

Call to Action: Answer the questions above honestly.  If you find that your answers have some bad motives, then consider why.  Pursue a path that changes these to what I’ve hopefully provided as helpful.

Status of Projects

posted in: Writing | 0

My friends!  Thank you for coming and reading.  You all are amazing and the continued support is hands down so encouraging.

I wanted to talk a bit about where I’m at with all of my projects and provide some clarity.  This comes because of some questions I’ve been asked recently and I think this is the best place to share to give everyone an idea of what I have on my plate (three courses, desert and coffee!).

I have three “working” projects that are all at different stages.  One of my two smaller projects is my standalone novel, “Evinsaale”, which is probably a quarter of the way written.  It’s a smaller project but one I like to go back to from time to time.  It has the potential to be more than one book but I might simply write short stories based on the world.  I haven’t decided yet.

The other project is my “Shoals to the Hallowed” series which is a bit more experimental.  I’ve developed much of the world and its aspects and even written a few viewpoint chapters for a first book as a practice exercise to see if it’s something I could put more time into.  The experimental side of it is to write flash fiction for it set thirty years before the events of the first book.  Think of it as providing back story in snippets–glimpses so to speak.  You all will get those flash fiction posts every month.  Now, I know these could be hard to follow.  It’s a vast world with a lot of stuff that might not get definitions or fleshed out much.  What I’d like to do is provide a primer on the website.  That should be coming soon.  I just need to write all that down and make it available.  Definitely provide me feedback on these flash fiction posts.  If something’s unclear, let me know.  It’s an experiment and I’m okay with learning from my mistakes.

My main project is the Ravanguard series.  Much of my writing focus (aside from this blog, hahaha!) narrows into this place.  My plan from the beginning was to release a novella before each major book.  The novella’s would always be released as ebooks as a sort of bonus for those who enjoyed the series and also given as a prize between each of the main books.  One of the big issues I’ve seen in the market for readers is that the wait between books is long.  Readers read faster than writer’s write.  That’s just the way of it unfortunately.  I recognized this early on and that’s why I decided to write as much of the whole series as possible in order to avoid this long break.

Just to give an idea of the scope of the series, here’s the list:

Dim the Veil: A Ravanguard Novella – currently being read by beta readers, awaiting feedback

So Speaks the Gallows: Book 1 of the Ravanguard series – currently being edited

Untitled second Ravanguard Novella – currently being edited for beta readers

Untitled Book 2 of the Ravanguard Series – currently in rough draft form

Untitled third Ravanguard Novella – currently in rough draft form

Untitled Book 3 of the Ravanguard Series – currently in rough draft form

Untitled fourth Ravanguard Novella – currently being written

Untitled Book 4 of the Ravanguard Series – currently being outlined

Whew!  So, as you can see, I’ve written a lot and I am hard at work moving forward with this series.  I wish I had titles to share with all of you but until I decide and cement it into place, I have only working titles.  However, those will be announced in due time.  I cannot say for sure how many books there will be but judging by the story’s progress and the current states for each major viewpoint, I estimate that there will likely be 6-7 books total with just as many novellas.

All in all, I’ve got my work cut out for me.  My plan is to release “Dim the Veil” this year (hopefully in the summer) on Amazon.  I will then give that enough time to percolate in the fantasy spectrum and pursue an agent, which ideally would lead to a publisher.  This is not a fast process.  To be honest, if I manage any sort of wide spread notoriety (never guaranteed) before I hit 40, then I will count it as a huge professional success.

Call to Action: Go back and read my first flash fiction post and comment if you dare with a critique.  Recommend it to your friends!

I’ll Take My Hero Rare

posted in: Writing | 0
Last week I talked about what I want to see in villains.  Now, it’s time for the heroes (equality all around!).We are drawn to heroes like a fat kid is to the pudding tub at a buffet.  Once identified and if impacted, you cannot be pulled away from the story.  Readers pick up a book and quickly scan the back cover to learn the name of the hero (protagonist for you layman’s)  and the conflict they’re facing.  Sometimes these are simple and sometimes you have to read it ten times to make sure you understand what the book offers.  (Side note: Writing a back-of-the-book blurb is ridiculously tough when it comes to epic fantasy…not fun.)

This inevitably leads most people to buy or not buy the book (at least it does me).  We can search and gravitate to those noble men and/or virtuous women but I have come to find as I go from book to book that I no longer want the dragon slayer, righteous lawyer, uncorrupted politician or moral secret agent.  Dullsville…  No, I want the alcoholic knight, the self-conscious attorney, shady lawyer or divorced/manic-depressant jerk of a cop.  Why?  Simple.  Because they’re interesting!

A flawed hero does the one thing and has the potential that the squeaky clean, always smelling like aftershave hero doesn’t.  They can grow.  What I mean by this is these kinds of heroes with faults have all the potential in the world to not only be self-aware of their shortcomings but they can learn from them and actually do what we do in real life.  Mature and learn from mistakes.

Now for some “about me” time: I admit, I’m not all that fond of who I was when I was younger.  I took myself way too serious, struggled with relationships due to lack of identity and self-confidence, and was just a butthead who had little self-control when it came to my emotions (always working on these things by the way).  Now that may make you crap your khakis if you know me today, but I know there are people I spent time with in my past that I was less than kind to due to my insecurities and if given the opportunity, I would apologize to them for my actions and words.  How come I can recognize this and be transparent about my shortcomings?  Well, I matured.  I grew up, had a found Jesus season (not moment or day–a whole season!), and I am able to recognize what I did wrong in my youth.

This is exactly what I want in a hero!  Even if they do not fully understand the mistakes they made or see their vices, I want to read about their revelation and then see their transformation take place from chapter to chapter.  Self-aware protagonists just make for a better read.  Show me the shady lawyer in a situation that would only further his douche-holery but when he recognizes that he’s been down that road before, he chooses the opposite route!  Let that choice actually determine whether or not he could face jail time and I’ll be slow-clapping all the way to the end of the book.

It’s about character.  A three-dimensional character can be virtuous (I’ll not argue that) but no person is completely perfect and blameless.  Well, I concede, there was this one guy.  But let’s stick to the fictional ones for the time being.  When there’s an actual cost or possibility that the hero could be injured or beaten, we as readers are so much more invested in the story.  That’s why George R.R. Martin’s “A Song of Ice and Fire” series is captivating to readers.  He subverts the hero cliché on multiple occasions.  The first book, “A Game of Thrones”, actually follows the traditional trope of an epic fantasy but by the end, he turns everything on its head and you, the reader, cannot help but stare at that page (you know which one I’m talking about) and be peeved, shocked and even anxious to read on, hoping Martin was just messing with you.

I decided when I started the first book of the Ravanguard series, “So Speaks the Gallows”, that I wanted the hero(es) to be flawed.  I have three main point of views in the book and each of these protagonists are flawed in their own way based on their experiences and prejudices against the world.  The main character of my Evinsaale book is an addict and that’s revealed in the first few pages and plays an important role throughout the story.  I write these characters in these ways because I must.  I’ve written heroes in the trope-woven cloak of righteousness and virtue and I could never find their story worth telling in the long run.

Again, a flawed hero captivates the reader because you do not know what they will do in any given situation.  The unknowing is what keeps us turning each page, which is the only goal of a story–to get from start to finish.

Call to Action: Go back through books/movies/tv shows that you like.  Are the heroes/protagonists squeaky clean?  Maybe you prefer them that way and that’s fine.  Sometimes, I’ll admit, you need a hero that walks on water from time to time but consider the opposite.  Respond with a comment about the ones you love or hate.  Let’s talk about them!

How Harry and Frodo Brought My Wife and I Together

posted in: Writing | 1

Bet you weren’t expecting that title on Valentine’s Day.  Let me start by saying my wife and I are very private.  We value our lives together and in a world where people’s live are shared more and more by various means, we’ve made a conscious choice to keep ourselves somewhat hidden.  To each their own.  However, I do want to share a story from when we were just friends.  It’s short and not romantic but relevant to who I am and my interests.

We met her senior year of high school and were still getting to know each other as friends when an assignment of hers had her less than thrilled.  For her class, she had to write a paper comparing and contrasting themes of Harry Potter and the Order of the Phoenix (I still don’t understand why the fifth book) and the Lord of the Rings.  She does not enjoy writing papers and I was a master BSer when it came to papers so I jumped at the chance to help.

Little known fact but I believe writers are top-notch BSers when it comes to writing papers for school.  We know how to structure the assignment and argument exactly to what the teacher/professor is looking for.

Anyway, I offered to help her with the paper and in doing so, it allowed us to get to know each other and I got to show off my master BS skills.  It was fun and a great memory for us.  I’m sure I viewed her opinion of me a lot higher than I truly ever reached but anytime I get to help someone write about fantasy, I can’t help but volunteer (suffice it to say, I now charge for my skills. Make checks available to Adam Henderson – Author).

Truly though, my wife is an amazing person (oh yes, I’m going to dote a bit).  She’s talented and has such a passion for life and others.  She searches for and sees the gold in people that help me do the same.  She makes me smile and laugh all the time.  Her knowledge and wisdom definitely put me to shame because I admit, I get a little self-righteous sometimes (I’m working on it!).  She is an amazing wife and friend and will be an even better mother one day (not anytime soon so hush with your happy dances and squirming.  I know how you all are).

I am blessed and profoundly humbled by being with her.  This May will be five years married for us.  That just drops me to the floor because I cannot help but love her everyday more than the previous one (cue the ahhhhs!)

Call to Action: If you have a friend, significant other, spouse or whatever else there is out there (some of you guys need to put a ring on it), then today of all days make sure that person you love knows you love them.  And then, on February 15th, make sure it continues!

So Far so Good: Review and Reflection

posted in: Writing | 0
My friends, I’m a month into this blogging thing and I admit, I was unprepared for how much writing it would require of me (cue the long exhale) but I will say that I have enjoyed it immensely.  Blogging forces my hand (pun) to keep things moving in a way that I was unaware of for quite some time.  Seriously, I thought I worked on my writing projects at a decent rate seeing as how I have a full time job, wife and other responsibilities that I devote my life to.Well, I’ve learned several things and I’ll go ahead and share them here.

If you’ve paid attention to the details, I try to have a new blog post every other day for all of you.  While I am wondering how long I can sustain this schedule in the long term, I think it’s been very beneficial to me to do so for no other reason than I am writing.  I will not be writing solely about writing topics (theme, setting, characterization, etc.) because I don’t want to spin those wheels all the time.  I have added some different themed posts to hopefully shake up the monotony.

Quick overview: “On This Day” will be once a month and focus on something related to the literary world or in close relation.  Books, authors, films, etc.  All will be explored.  These will likely be a little longer in word count but worth it since my hope is they provide you with my personal inspiration and history regarding them.

Flash Fiction:  Okay, now I’ve had some questions about these and I want to clear up some things.  These will likely be once a month but possibly twice (depends on how generous I’m feeling) where you all will get glimpses into the world of another series I’ve spent some time developing.  It’s not as fleshed out as the Ravanguard series but the flash fiction stories posted will develop and introduce you to the world of my Shoals to the Hallowed series.  This is a vast undertaking but a great exercise and experiment for myself.  All of these will take place in the same world and timeline.  They are meant to be independent events from a wide array of characters, cultures, settings and situations that make up and tell the story of the world years prior to the first book’s events.  These are the prequel to book one.  (Note: Keep in mind, this is separate from the Ravanguard completely.  Just a way for me to share my writing style and stories with all of you.)

Sunday Levity: These are short and fun.  My Sundays are often busy with church and family events.  I don’t have a lot of time here (though I might now because football has ended) and as I’ve stated in my recent blog post about the social climate of the US, I need levity from time to time.  I imagine you do too and my Sunday Levity posts are meant to be lighter.  They will be filled with puns, sarcasm and nerd culture laughs.  If it makes me laugh, it will be shared.

Next, I want to say thank you to all my family, friends and strangers who come by and read what I have to say.  I’ve received kind and encouraging feedback so far and I hope to continue to provide quality content in the future.  Please do not forget to comment.  I’m always happy to answer questions or clarify anything.

Lastly, I need to make a change to the newsletter.  I’ve been working on the content for the first one and I’ve looked ahead and realized that four a year is unlikely.  I am dropping it to three (one every four months).  So, please sign up for it when prompted on the website if you haven’t done so yet.  The first will be released at the end of April and will include a Ravanguard short story recently written just for all of you!

Call to Action: Sign up for the newsletter of course and if you have the chance, share my posts from my Facebook author’s page.  Some have done this already and I so appreciate the vote of confidence and help.

Vilest Villainy Vowed to Venture

posted in: Writing | 0

(Alliteration is king.  I’m a big fan of the play on words and I hope you all enjoy them as much as I do.)

Villains.  The great antagonist exploration.  There’s a problem–or to say it better: a cliché–in fiction when it comes to the opposing force of the hero.  It’s more commonly found in epic fantasy but I’m sure it exists in other genres as well.  This cliché postulates that the villain/bad guy that brings forth the main conflict in the story is evil for the sake of evil.

Examples of this would be the White Witch (The Lion, the Witch and the Wardrobe), Sauron (The Lord of the Rings), and in any other work that calls this force by any number of fear-inducing monikers (The Evil One, Chaos, Hades, etc.).

The problem with this practice (it’s not so commonly used today due to its overuse and relying on, hence becoming a cliché) is that it cheapens the story.  I struggled to understand this in the beginning because I was subjected to the ethereal essence of a dominating figure in the books I read.  This is probably my biggest gripe with fantasy nowadays (aside from the use of other clichés i.e., farm boy chosen one, damsel in distress, etc.).

How does this go away?  Well, for each writer, they have to write their own story.  My opinion won’t dictate a change across the board (I’m not that self-centered.  Remember, just a proud punk) but I can make sure I don’t fall into this myself.  For me, I look at antagonists who bleed and make choices based on beliefs/desires; those are the ones who better suit my stories.

There are many examples of this but one that I continually go to whenever I think of a truly terrifying antagonist is the Joker portrayed in Christopher Nolan’s “The Dark Knight”.  The late Heath Ledger created a character–not just a villain–that was more than what we the audience expected.  I still remember sitting in that small theater in my hometown and processing what I had just watched while the credits climbed the screen.

Years later, I’ve come to think of antagonists in a very different light.  An all evil character that rests behind a wall until it can regain its form or strength is a distant threat.  Underlings are forced to bring minimal conflict to the hero until the “end” where the big bad is at full strength and the final battle takes place.  This usually involves the hero possessing some kind of knowledge, magic, or item that solely has the ability or helps to destroy the evil one.

We all know this story right?  It’s nothing new.  For me, it’s refreshing to come across an antagonist who subverts the expected.  Put me in the mind and position of an antagonist who can be crazy, self-centered and brutal but lead me through the pages in which I get a glimpse into their soul.  No one is evil for the sake of evil.  All figures in history we would label under that term became that way for a variety of reasons.

Choice is key.  An antagonist that makes choices based on their desires, needs and/or wants is far more compelling to me as a reader and writer.  It’s funny but I’m actually unhappy when I come across a villain that doesn’t meet this expectation.  I was very disappointed in Benedict Cumberbatch’s (come on, isn’t that just one of the funniest names to say out loud?!  Rolls off the tongue) portrayal as Khan in Star Trek.  I just wanted more.  Go watch No Country For Old Men and Skyfall and in those films you get amazing villains portrayed by the amazing Javier Bardem.

I know these are all film examples but I believe these are more accessible than throwing out names of literary villains that I’m not sure would be as well known.  Oh!  I thought of one.  Moriarty in Sherlock Holmes is a great literary (and film) example.  There you go, readers.  All of these are antagonists that are more than the great evil one.  They are flesh and blood.  These are the truly terrifying villains because I cannot determine what they want or will do to get their desires met.  Sauron?  Yeah, he wants to destroy everything that is good.  Sure, I’ll be rooting for the heroes to defeat him but you always knew where he was because he was trapped in his “cell” and I could not expect him to arrive at a moment’s notice.

I hope all this makes sense.  As always, this is my perspective and something I’ve learned for myself as a writer.  A truly terrifying antagonist is one who’s motives may not always be clear and their actions can surprise from one page to another.

Call to Action: Pretty simple one for today.  Watch the link provided to get a great list of villain clichés:

Don’t Pass on Your Passion

posted in: Writing | 2
 
Passion is the fire that burns a new trail in the wilderness of confusion and conformity.

It’s a good one today.  My wife and I recently watched La La Land and while the film itself is wonderful and worth the time to enjoy, I was berated through the viewing to think about passion.  What is it and why is it so important to have?

I won’t spoil the movie but I do recommend seeing it.  Passion is a theme that runs through the veins of each of the main leads.  I took notice of this and knew I wanted to explore it a little in regards to who I am as a creative.

All creatives have an innate desire to see their works brought to completion.  A painter or sculptor envisions the material they are using to be formed into the image they’ve fashioned in their mind’s eye.  Musicians hear the music/song and set forth in putting the notes together until it is finished.  Passion is what drives these actions.

We know what passion can lead to when left unchecked and ignored.  Violence and horrible events can easily be attributed to a hateful passion to see others harmed for ones own or a collective’s benefit.  These are not what we strive to birth or maintain.

Healthy passions though should bring about beauty and joy (and sparkly unicorns sliding down rainbows into a sea of melted chocolate).  The artist’s passion should evoke emotion and appeal to the senses.  Whether positive or negative (as in sadness or loss), this type of passion benefits rather than castigates those caught in the swell.

For myself, I have a great passion to tell stories.  I have other sub-passions like playing music or cooking savory roasts but to tell a story–one that appeals to more people than a small demographic–is my greatest desire.  Any time I allow someone to read my writing, I have this great twirl in my spirit to hear that they loved what they read (just being honest).  If not, well then I’ll just put them on the shun list.  Seriously though, artists want to be verified in what they do–praised for the efforts of their passion.

(Segway start) While this is not always the case, it’s important to learn and manage yourself if you do face criticism or scrutiny.  It’s not the end of the world when those types of feedback come.  My advice: don’t put your sense of value in the hands of another person who may or may not like what you’ve created.  It’s okay to not have fans.  There’s a lot of people in the world and I think you’ll find plenty who support and hold you in high regard for your creative output.  Passion killed by criticism is a sign of that passion’s strength or lack thereof.  Too many people are broken–dreams shattered–because of criticism.  Don’t be one of these. (Segway end)

Where was I?  Oh.  Sometimes passion is put in a sort of dormant state.  This happened to me for a few years while I struggled through life after high school (Eating Del Taco just about every day will affect more than your waistline).  I wrote but my desire to do so and to produce something I was passionate about just could not be mustered.  I think it took some of those “hard to learn” lessons in life for me to get out of my funk and re-prioritize my life.  When I did, the passion erupted and I was back on track writing like man bent on accomplishment.

(Does this increasingly come off more and more like an inspirational rant?  Yes?  Good!  Nah, I just want to be helpful where I can.  Passion is something I can articulate to you.  If you want a college classroom-worthy lecture on literature, then well this is not the place.  I must admit, I was only “passing” when it came to literature in school.  I didn’t see what the professors/teachers thought I should see.)

To close this loop, maintaining passion requires effort.  A conscious decision has to be made (maybe even every day for some people) in order to reach the goal.  Find what keeps the fires burning and be prudent to do what’s necessary to keep the heat up.  I’ve witnessed others let their dreams and desires fizzle out into an ashy heap, but the embers are still there buried beneath if you look.  Keep it stoked!

Call to Action: If you have a rejection letter or negative comments about whatever it is your passionate about, put them aside for awhile.  They can be good to keep for motivation but I think positive feedback can have similar effects on you as a burgeoning creative.  Find those praises and inspiring elements and put them up along with your personal goals.  Look beyond the tightrope, look to the other side.

A Writer’s View: Processing the Social Culture

posted in: Writing | 0

My friends, this is a difficult blog post for me to write for no other reason except I am processing and for me (just ask my wife) I process difficult things through writing.  I feel that it helps me collect my thoughts and examine angles and perspectives I don’t often scrutinize at face value.A lot of things will be explored in this post and I want to make my stance very clear to you so you understand who I am and how I view the world around me.  I have no interest in argument or debate.  Why?  Because I try to hold myself to a standard that honors and values people who are different than me.  I have absolute interest in conversation that makes way for speaking and listening in equal measures of respect.

I’m not always good at this practice but I strive to get better and that often means I engage in conversations with people who hold different opinions, backgrounds and experiences than I do.  If you are one of those people, I hope by the end of this post, you’ll know and feel comfortable talking to me.  I hope you’ll know that I will listen to you and consider all that you have to say.  My desire is to create communication not division.

So, I hope that’s all clear.  If not, well…shoot.

I cannot be a writer in today’s age unless I am a student of people.  History, economics, religion, culture, politics, etc.  All of these intrigue and interest me because I write about these things.  Even in fantasy settings (much has changed since Tolkien and Lewis commanded the genre), all of these aspects of humanity are explored.  There are actual subgenres of fantasy that could be called socio-fantasy.  Sure, there are dragons, magic, and epic battles but the writers in the fantasy milieu are so impassioned now with people (thank you social media) that all of these leak onto the pages.

I am included in this.  I explore topics such as politics, religion, racism and individual rights in my books because in my mind, they must be present in order for a believable world to pop out on the pages.

This means that I am paying attention to the world, especially here in the US.  Now, I won’t engage in discussion or put any posts on social media about my opinion or stance on issues simply because the climate at the moment is very divided (and 140 characters is just too difficult to have any form of substantial discussion).  When I see family and friends openly clashing in a manner that is counter-productive and does not honor one another, I see no point in throwing my kindling into the flames.

That does not mean I am one of these people who says, “get over it” or “stick to (fill in the blank)”.  That is exactly the problem I am seeing.  If healthy, honoring conversations were taking place, then I’d be happier to scroll and read but the onslaught of divisive language just doesn’t interest me.  I have made the choice to abstain and process everything on my own terms, in my own way (which includes talking to my wife and forcing her to try to understand my blabbering.  Sorry, love).

So, I am processing it all and asking questions, researching and trying to get a grip on the issues.  None will be explored in this post (not what this long read is about) but rather I want to say that I am searching through it all before coming to conclusions.

I never want to be a person that reacts out of emotion.  Again, this is just not healthy for me.  I’ve done it before.  I had my years where I openly and looked for places to debate and argue.  I can honestly say that I wish I had not gone down those roads.  They were not productive for me as a young person finding my way in the world.

Each of us has our own sense of moral convictions based on any number of influences.  Mine will be different than yours and that’s alright.  I invite you to share those with me.  If we ever do meet up, I hope you will see that I am not easily offended.  To be honest, you’d have to go pretty far to probably get me to that place of anger (tell me one more time Lost is a horrible show and I’ll make a fan of you yet!  Kidding).

I’m a firm believer in managing myself first and others never.  Sorry, but that’s just a migraine and anxiety attack I’ll always prefer to stay away from.  You manage you.  It’s a good philosophy my wife and I practice in our household.  We practice with each other and that trickles into our relationships with other people.  Add in the discipline of creating healthy boundaries and I promise you life is better by a thousand percent.

As a writer, I actually try to throw these qualities into my characters.  Some are selfish and manipulative because I know in a perfect world, not all my characters can be perfect like me (proud punk moment and I’m kidding, of course).  I believe this practice helps my writing and lends weight to my stories in ways maybe not considered all the time.

I know this post is a bit long and probably not what might be expected but if I ever explore these topics in the future (guaranteed I will), I hope you all understand that I do so as a processing exercise and you all are my dart board.  I don’t have all the answers and will never claim to.  You’ll not get preaching or an onslaught of links or statistics from me.  What’s the point?  How does that honor you?  A blog post is not a conversation.

I’m not looking for people to agree with me or convert.  I simply want you who takes time out of your day to come here and read to get to know me better.  I’m sarcastic and a bit of a dork but I’m not smug or a douche.  You are an individual who deserves to be heard and seen.  It’s my goal to make sure everyone I talk to knows that.  That’s just who I am.

Call to Action: Oh, it’s a simple one this time around: take a step back, breathe and actually engage in a conversation with someone who you know views the world differently than you.  Don’t go looking for a fight.  Ask questions.  Listen, don’t interrupt and don’t feel like you have to win.  Honor and value above all else.

Show and Tell…More of the Former

posted in: Writing | 4
When writers first start out, having had that singular idea/scene of a broader story, they set out to construct what they hope is a finished story that they can share, inspire and get praise for.  This is essentially what they want (at least I know I did).

There were many nuances of writing I did not understand in the beginning.  Honestly, how could I?  I did not have a mentor/teacher or even a writing group to help me understand some of the more basic practices of the discipline.  I sort of learned the hard way (and I’m thankful I did!)

I’m sure I’ll dabble in many of these common mistakes and missteps from time to time while blogging but one that is probably most important to me and one I constantly pursue in everything I write is to follow one simple rule: Show don’t tell.

Readers hate to be coddled when reading (we all do in just about everything.  My sarcasm erupts with a vigor unknown to mankind when I’m sensing I’m being given no intellectual credit for what’s on the page in a book).  Perhaps there are some who prefer to have their hand held while going from page to page but I simply cannot oblige.

My early writing attempts were rife with this mistake and I’ll admit, I tend to repeat some things in the first pages of drafts.  It happens more to remind myself than to inflict disrespect on the reader.  But those early writings were quite the introduction for me to learn from my mistakes.

One of the first prologues I ever wrote was one such piece.  I was very excited to have written and completed an introduction to the first world I had created.  I was a member of a popular writing forum back then and posted the prologue for feedback.  There was probably half a dozen or so responses on my forum thread and I yearned to read each one, expecting praise and wonder at what I had accomplished (there’s no other excitement like that!).  Signal…deflation.

While the responses were not horrible, I saw a lot more constructive criticism that was difficult to take in at the time but invaluable in the end.  Much of what was offered was for me to learn how to rewrite in a way that showed the readers rather than tell them what was happening.

Let me throw out an example:

“John was cold in the night.  There was a loud sound that made him scared.”

Woo… killer stuff!  That was actually difficult to write.  What I did above was tell you the scene.  Read below for showing you.

“John shivered in the dead of night, his trembling broken by the sudden crack of something nearby, heartbeat increasing.”

Truthfully, what I did here was simple but not easy to do all the time.  Sometimes, you cannot help but tell, however in this instance, showing you, the reader, John and his predicament is far more important.  I want to invoke your senses and emotions.  I want you to envision John vulnerable and out of his element.

Action words are important.  Adjectives are equally important.  Verbs like “was” and “were” are just…boring.  I am telling you John was cold but if I paint this picture of John shivering then you know (because you’ve no doubt shivered before) that he was cold!

Writers, I appeal to you here, don’t be lazy in your writing.  Learn to show and you’ll receive far better feedback and you’ll enjoy writing a whole lot more (hey, there’s a concept).  While you want to write only the story you can tell, you want to do it well.  You’ll be taken more serious as a writer from learning and getting better each time you sit down at your keyboard or writing pad.

Call to Action: A great exercise to put yourself through is to watch a movie that evokes the practice of showing rather than telling.  Film is a great resource to study because they have to show everything.  Think about how you are being shown what is happening.

Flash Fiction: “Dousing of the Bonds”


Hail peppered the wet earth along the country highway, afternoon light dismissed by the thickened fog wall ringing the guards and carriage.  Past the barrier, a sun-soaked path teased what could be.  Pine and birch alike stood at the outer edge of the cold mist, forced to bear witness to the attack.

The falling ice pinged off the battered armor of the five remaining guards, their breaths fast and hard, waiting for the next onslaught of their hidden foe.  Puddles rippled, blood and mud mixed in a sickly color, where the bodies of the fallen lay in wait for a burial unlikely to come.

Barston checked his leg but knew it was either fractured or a clean break.  He thanked the Hallowed that the bone did not jut from his flesh.  The deep cold of the circle stung his skin, steel of his chain mail biting.  Clouds of his breath seemed to crystalize in the air in front of him.

Whimpers from within the carriage, front wheels shattered to splinters, pulled him back to the fray.  The desire to tell the boys inside to flee the scene pecked at him but that just promised a sooner death for both.  His fingers brushed frost from the mark on the carriage door.  Blood froze in long trails against the sigil of House Fellel.

He would have asked Jaers what they should do but his friend lay three feet away, having bled out minutes ago.  Who still lived?  Every movement was a struggle.  “Krin,” he chattered through the deepening cold.

“Shut your teeth!” came a desperate, fearful response.

The bridgeway from the Shoals to the Hallowed had opened near them so quickly and without warning that none of the twelve guards could have reacted in their favor.  Whoever the attacking Wielder was, they knew a war would follow in direct response to his or her treachery.

A shiver spread through Barston’s teeth starting at the molars to the front before the strikes came.  Screams followed as he twisted around, propped against the carriage, sword hilt frozen in his gauntleted hand.  One by one, needles and corkscrews of ice pierced frost-bitten flesh, finding the gaps between steel and mail.

The twist of fear, urged him to run away but the pain searing through his leg drove him to unconsciousness after two steps, falling face down into the puddle of Jaers’ blood.

Breath came like an icy wind, his chest heaving in pain.  His bones and muscles numb, skin near blue.

The Wielder stood over him, pleased at his atrocity–an artist convinced of a masterpiece.  Arcane armor covered him from head to toe.  Etchings of symbols twisted throughout while quiet prayers broke from his lips, hidden by helm and visor.  Dark eyes turned to regard Barston.  “You will remain alive to tell the tale,” he said before Barston fell unconscious again, wishing only to die.

My Trick to Great Writing (Shhhh, Don’t Tell)

posted in: Writing | 0

This is a bit of an admission post and a look into who I am as a person.  Want to know the real me?  Then you’re going to get these kinds of posts from time to time.  It’s related though to writing because, well, I am me and I happen to be a writer.  Shocker!

I can’t tell you how many resources there are out there with great and not so great writing help.  I’ve combed through a lot of this over the years and found some great and wonderful aids to learn and better myself as a writer.  Check out my Resources page to see the books I recommend.

What I’d like to do here is sort of explore what I’ve found to be the most critical part of my development as a writer/storyteller.

Come in real close…too close!  Back a bit up (is that rosemary?).  My secret is simply this: observe.

Confetti!!!

Observe?  Huh?  Yes, observe.

I spent a great deal of my childhood spending time by myself.  I had a group of close friends and I was completely socially awkward.  Not at first, at least, but once puberty hit, the oh so flattering changes happened (back-ne being one of my most traumatic flourishes of hormones).  I became more and more withdrawn.  I was athletic enough to pass for a decent basketball player but my lack of surpassing five and half feet in height dampened any starry-eyed dreams of playing at the collegiate level and beyond.

As I’ve said, high school was the time I first dabbled with writing.  I won’t retread that again but I realized later in life that during my adolescence, I had a knack for observing the world around me without really contributing much to it.  I watched people and who they were when it came to conflicts, struggles, joys and victories.  Those things have stayed with me!  And I continue to observe the world in this manner with more intent on paying attention to the details.

Writing a good story means you have to have great characters who go beyond the clichés and tropes of the hero/anti-hero/villain motif.  Real characters who jump off the page and seem like someone you could actually see alive in the real world only comes by observing and understanding people in real life.  I learned without trying to.

To observe is to stand back and watch unobjectively (not a word, but you know what I mean).  I have my own experiences and therefore have my own opinions, convictions, dreams and desires.  However, as a writer, unless I’m writing a story with only one character or a story filled with similar characters (dullsville!), then I need to understand people who are not like me at all.  Who honestly wants to read a book where all the characters are the hero?  I call BS because that’s not a story.  It’s barely a premise (or is it?).

My struggles in social settings while growing up helped me later in life.  I was the kid who did not care to be the focus of the room but I did take notice of the other people and studied without ever realizing I was preparing myself for my future.

I seriously encourage all people (not just writers, but you all should try this more) to take a step back and simply observe from afar.  Don’t be creepy about it; have some tact.  It’s amazing the things you learn from watching people.  You will pick up the most interesting tidbits about behavior by doing so.  And behavior is what writers work with.  When a character is put up against an unexpected conflict, their reaction or behavior is based on so many factors: history, upbringing, fears, prejudices, etc.

Observe the world before judging it.  Let this be a common practice we all take part in for our future.

Call to action: Go to a public place (mall, park, beach) and watch.  Learn some things about strangers and what makes them different based on their behaviors.  By the way, if you go to a beach, it’s less creepy to people watch if you’re wearing sunglasses.

National Compliment Day

posted in: Writing | 5


So I just learned it was National Compliment Day and I thought it was perfect to share this message from my wonderful, amazing sister.  She sent this to me recently out of nowhere and it was so honoring.

“Here’s the thing… I’m not a writer, but my incredibly talented, writer of a brother has inspired me to do some, ‘writing’….

I’ve watched him ‘tinker’ with writing and story telling from high school until now (let’s keep it brief and say 15 years’ish). But here’s what I didn’t know, that in all those years of him behind his laptop and sharing a chapter here and there with people, he was preparing and training. By training I don’t mean dabbling, losing interest, and then moving on to the next shiny thing. That’s what I do. I’m a dreamer and a visionary but I have no follow through (but this is not about me). If I’ve ever seen a man of follow through, it is my brother Adam Henderson. Without too many personal details, my brother has had a passion, for music and writing (for as long as I can remember). He’d go for it, and then be told by people that he looked up to at the time, ‘That’s cool.’ ‘It’s ok.’ ‘Cool man.’ Not what someone wants to hear who just poured their soul into something. Those times I’m sure he recoiled for a bit, but this resilient mother effer didn’t stop. He continued, took notes, when I’m sure it hurt sometimes, whether constructive or negative criticism, he kept on truckin’.

Fast forward to the present, years have gone by, life has transpired, living and existing as we do, self involved. But heres the wake up — recently he started a blog, and to say the least my jaw dropped at his first post. This fool has been seasoning… in the dark, in the shadows, when nobody was the wiser. He’s been writing and editing, and writing and editing, and researching, and researching. He’s been reading and studying all the literary legends he loves, gleaning every morsel! I had no idea the repertoire and the range he’d acquired in all these years of being my humble, sweet, and kind brother. The greatest part, is that this is just the opener, the dawning, the preface, the mist on the horizon of blowing your freaking mind. Dot, dot, dot. Though this blog (and shared passion) of his is new, and in its infancy, I’m already so inspired and motivated by the man (and incredible writer) he has become. I can NOT wait to read what happens next…”

Again, this is from my sister and such a great encouraging compliment.  She is herself an amazing creative who paints, dances, sings, and is an overall kick ass cosmetologist.  Check her out on Instagram at randacuts and be amazed!

To Outline is to (fill in the space)

posted in: Writing | 1
Something I’ve gone up against more than a few times is whether or not to outline when developing a story.  My history with it looks kind of like a self-assembling entertainment center.  The picture on the box catches your eye (that’s the idea of an outline) and I think, “Yep, that’s what I need before I start” but as soon as I open the box and empty the sections, brackets, screws, etc. onto the floor, I’m suddenly wondering if I’m ready to tackle the beast.

There are instructions out there for us to take in hand, study and then apply to our need.  But that requires some intermediate–let’s call them: actions!–to handle.  I’m a big believer in simply letting your creative abilities–drawing from the Well of Imagination (still not sold on the name but let’s play with it a bit more)–go and not thinking as you write/type/dream of the story you have to tell.

However, in my years of writing, I’ve also grown to appreciate the time and discipline taken to think ahead.

-This is the point in the blog where I give some history-When I first started brain storming and coming up with ideas for my very first book idea, I started with a history of the world, nations, people groups, etc.  This was so much fun as a beginner’s exercise before jumping into Chapter 1.  What happened next?!  Well…I struggled.  It was slow going, not at all fast and productive like creating the world building elements.  I cannot recall if I lost momentum or became so discouraged that I stepped away frustrated but I did keep writing and actually wrote a 400+ pg rough draft.  Huzzah!  But I was not finished.

Jump two books later–Book 1 of the Ravanguard series–and I suddenly found I could just write and let the water of the well flow with ease.  It was great and wonderful and all other kinds of happy slappy words until I looked beyond Book 1 and thought, “Crud…now what?”  I was not ready to write Book 2 but I had some ideas of where the characters and story could go next.  I had an apostrophe (Hook!).  Why not outline the next book?  The characters and world and other elements are already established so why not delve forward and let myself plan ahead and let those ideas marinate while I go back and edit the draft of Book 1?  Double huzzah!

What did I learn?  Through that process, I learned so many valuable lessons when writing and those will be explored in future blog posts.  But for outlining–or not to–I eventually came to a place years down the road where I believe there’s a happy medium–a balance of the forces–that can be employed to achieve success as a writer.

My encouragement for any new writers or even seasoned ones (I smell paprika and cumin) is to explore both fields of practice.  Write without outlining and outline before writing.  Find that balance!  Also and here’s the rub (now I want to go out and buy a roast with all this food talk), you’ll be stretching your writing muscles in ways that keep you loose and not tighter than a snare drum.  I believe in this writing method above all else.

Call to Action: What’s your favorite recipe for a roast, stew, goulash?  (Seriously, I’m hungry now)

No Plumber Can Clear That Blockage

posted in: Writing | 0

The subject of writer’s block is often discussed in writer’s circles (imagine a support group of creatives encouraging and tossing out their own remedies).  I think there’s some misconceptions about the term though that I want to work through here.

By definition, writer’s block is, “The condition of being unable to think of what to write or how to proceed with writing.”  Now, that’s a bit short-sighted to be honest.  Vague to say the least.  First of all, there’s no time attached to this or even the drastic worry we as writer’s feel when things simply aren’t clicking.  I am in no way diminishing the term.  What I’d like to do is offer up some insight.

I’ve never been one to put myself on a writing schedule or put the pressure of writing 500-1000 words a day.  In the beginning, I wrote, outlined, researched and looked for inspiration because I stumbled onto the new wonderful territory of imaginative output.  Like when you’re in a new serious relationship for the first time, I was all in.  Nothing could stop me!

And like the air let out of a balloon, my passion fizzled.  Writing became more difficult and I did not like what I had written.  I probably should not have undertaken the stressful endeavor of writing an epic fantasy novel for my first go but hey, I’m a glutton for a literary challenge.  From this came a struggle to be motivated or inspired to write anything new.  After I wrote a sizable chunk of the story, I sent it to friends to get feedback.  This was hard but I received vital critique and learned quickly I had a lot of work to do.

Out of this, I continued on my path and wrote/edited when I could or wanted but I also did not make it my main priority.  I was going to college and living life.  Now I would not classify that as writer’s block but rather a lack of desire–or wilted desire.  Stay with me here.  For me, I learned (now looking back) that any writer’s block or deficiency I was experiencing was actually just me learning and maturing through life.

Writer’s block is not a block at all (my opinion).  There is no sure fire creative/imagination plumber that can be called upon to clear those pipes.  Just do a search on Google for “writer’s block” and you’ll find all kinds of suggestions.  The key to this problem we face as writers is to be patient and find out what works for us individually.  Try the methods out there but don’t feel bogged down or broken if it doesn’t work.

Ten plus years jump into the future and whenever I feel uninspired to write or feel like anything that I put to a page is kafka, I walk away and explore my other interests.  A clearing of the mind can be attained by any number of methods.  Search for inspiration in the books, movies, songs, places you love.  Trust that you’ll find your way with fresh ideas and words.

Call to Action: If feeling blocked up (in the writing sense), go back to a surety of inspiration.  Whatever it is, spend time with it!

Quarter-turn Style Guide: A Newsletter

posted in: Flash Fiction, Newsletter, Writing | 2

Afternoon, my friends!

I apologize for the bit of redundancy in my first few blog posts.  I’m finding my groove (like Kuzko not Stella).  Thanks for returning!

Todays’s post will cover my plans for a newsletter (yes, this a bit of a sales pitch to get all of you to sign up for it.  Don’t judge).  That means I have to make it worth your while.  What follows will be my early thoughts for the content offered.

1. Introduction

This will be pretty standard with maybe a pic or two to showcase life in the Mojave Desert or events I participated between Jan and March.  Probably some fun facts just so you can get to know me a little better.

2. Current Status of Projects

You’ll get an up-to-date status of all of my current projects.  The Ravanguard is the primary work in progress but I have others that I’ll be working on from time to time.

3. Ravanguard Backstory

I’d love to get some background details out to my readers.  The world of the Ravanguard is immense and explored in such a way through my writing that is not all at once but almost a slow burn.  By the end of Book 3, much of its borders are revealed but with a few more surprises (I don’t give the whole cow for free).  The key to this will be to be spoiler free.  Once I release Dim the Veil (Novella 1), I can loosen the draw strings  a bit.

4. Currently Reading and Recently Read

This will direct you to my goodreads profile where if you want, you can see what I’m reading.  I’d like to provide some top picks and recommendations in this section as well.  I’m not practiced in critiques or reviews of other works but I may put myself to the test.

5. Flash Fiction

Here’s the juice.  Fresh and sweet.  I will be providing some flash fiction writing that does not make the blog.  I have some ideas I’m mulling around and will experiment with but I’d love to do a flash fiction series that gives you glimpses into a shared world with fresh characters.  Most of all, this will serve as an example of my writing.  These stories will more than likely be fantasy in genre but there could be surprises from time to time.

6. Conclusion and Call to Action

More standard things here but with some extra goodness to top off the newsletter.

Call to Action: Sign up for the newsletter!  It’s free!

How’s It Going To Be

posted in: Writing | 0

Do you hear Third Eye Blind when you read that title?  No?  Drat.  How about now?!

Quick Edit: This is the last post about my transition to blogging.  Thank my wife for telling me to move on.  I apologize.  Back to the show!!!I thought I’d provide some transparency to everyone.  This blog will be an evolving entity as I continue to explore my schedule and the content I want to blog about.  I have some ideas but I know I don’t have the proven victorious method for successful blog writing quite yet.  I’m researching and probably going to take some chances and make some mistakes.  I’m okay with that and I hope those of you who continue to come here to read my words will stick with me.

That is not to say I’m newborn lamb, struggling to learn to walk.  I’m more than confident that I can undertake this new endeavor and conquer the hill.

My hope is to provide weekly/monthly posts with related topics that will appeal to writers and other creatives (new word I’ve come across and it’s going to become part of our lexicon!  If selfie can, then surely “creatives” can as well).

Other topics will creep in because honestly, I’m interested in so many things.  Some of these are best for bonding over and creating new friendships and some can be described as divisive subjects (like creamy or crunchy peanut butter–those topics wars are fought over).  These will be few and far between but everyone will learn quickly that I approach these topics at different angles than the more stringent folk.

To recap, this blog will explore from a writer’s perspective.  That’s the best way I can say it.  For example, let’s shift gears and switch to my love for writing.

Why do I write?  No better answer than to say I must.  Characters and the worlds they live within, surrounded by conflicts and desires, cannot be kept trapped in the imaginative mind (try and it gets messier than an outdoor Mumford and Sons concert in the rain).

For those who may not write, I’ll explain as best as I can while those who can and do write will be nodding in agreement.  We who write actually develop stories whether by a scene or in full as if we are playing with legos, putting brick by boring brick (Ha! A Paramore reference) into place, envisioning the final machination well ahead of the last piece being pressed into place.  There are no instructions though.

Each lego piece is a word and little by little we writers take each one and place them in the proper (not always perfect but proper) order until we’re finished.  However, satisfaction is not always there so we may dismantle what we’ve formed and add a few new pieces to make the finished product exactly what we want.  That’s all it is.  We write and form a story into what we want.  Whether or not others agree or like the final result, it’s not up to us.  It’s what we’ve envisioned and therefore created and gifted to the world–or in our case: readers.

I say all of this to bring one more point around (and I’ll explore it more in the future).  A writer should never seek to write something loved and cherished by all.  Frankly, there’s just too many damn people in the world to please!  Not going to happen.  Better yet, a writer should set out to write the story only they can tell and give it to those who’ve been waiting for it.  Seek to impact just one soul for the better and your goal will be worth it.  Impacting more than the one is just icing on the cake.

Call to Action: Legos, Lincoln Logs, or K’NEX?  I played with all and those who can somehow combine all three are gods of the playroom.

Sunday Levity: Today’s Topic is Sarcasm

posted in: Sunday Levity | 0

Good morning to you all!  Well, I need some levity this morning.  Life is good and I can’t complain over anything except I still haven’t taken a shower yet (I’m getting there…)
I needed to relax and laugh and here is the best way I know how.  Here are some good definitions from one of the best Christmas presents:

Burrito: A delicious way to alienate the guests at the party you will soon be attending.

Hippie: Someone God always turns into a corporate executive just to make sure we never lose our sense of irony.

Monopoly: A board game that allows family members the thrill of screwing each other over financially.

No: A word not understood by dogs, children or commissioned salespeople.

Opinionated: Knowing absolutely nothing really loudly.

If you like these few, look for the book below at your physical or online bookstore (probably have more luck at your online one though):

This New Venture You Be Having (spoken in a pirate voice)

posted in: Writing | 8

A blog is the diary/journal of this interwebs generation, except we actually want people to read whats cramped onto those pages and get feedback.  Same goes for me.  I have not blogged before and I’m hoping this will be a great way for me to share things that I honestly want to share but don’t always have an audience to share with.  Get to know the deeper shades of who I am (that reads very personal and…yeah).

I can’t say for sure when to expect new blog posts but they will be weekly.  My wonderful wife has already ordered me a planner so I can jot down ideas and look ahead.  This will be a great way for me to schedule my writing in a way I’ve not done before.

Writing is more than storytelling.  It’s a creative discipline.  I cannot speak for other artists like painters or sculptors or even dancers–all of whom I have great respect for.  My family is teeming with artists.  Hair stylists, dancers, painters, sculptors, musicians and even inventors.  All of us make up this smorgasbord (yes, I looked up how to spell that one) of ridiculous talent and creativity bent on taking over the world!!! Not really, but we’ll settle for changing and impacting it by love and positivity in any which way we can.

All of these require discipline.  There’s this passion coursing through our veins and brains to do more, explore more and experience more in each of our respective creative fields.  For me, I can write like a fish swims but only because I’ve challenged myself and made it a priority.  Blog writing is somewhat different but only in the sense that I’m not writing a story from start to finish.  For a blog, I’m giving you all some perspective (mine mostly) of life.  And my life is shifting.

This blog is the next step for me.  I’ve crafted and tooled my writer’s voice for more than 13 years now and it’s about time I share it beyond my novels.  For anyone who has read those, my voice is different, less personal really but here, you’ll all get to know the other side of me.  Less cursing and violence.  I kid, but truthfully: less.

So, I’ll end it here.  My new adventure is shared with all of you.  I hope you enjoy the journey and make yourselves a part of it by leaving comments and engaging in the Call to Actions I leave at the end of each blog post.  They’re meant to be fun and interactive.

Call to Action: What’s your creative outlet?  Even if it’s just as a connoisseur (gotta love those French words).

Launch Post!

posted in: Writing | 2

Welcome!  First, let me thank you for coming to my website and blog to read my thoughts on what will be a myriad of topics but will focus on what I love most: writing and storytelling.

Many of you do not know me and will be returning to this blog, which will be updated frequently, as I push forward in my endeavor to share my passion with the world.  Rather than throw out a list reminiscent of a dating profile (let’s be honest though, that’s what I’m going for: look at me, learn about me and see if we’re compatible!), I would direct you to my bio page for a quick info dump of who I am and my background.

What will you be getting from this blog?  I’d love to say you’ll be plucking away life-changing lessons that can be put into immediate practice where you will see the fruit drop right into your hands.  Alas, I’m not a miracle worker or a mage of any kind (except perhaps when I’m farming gil and XP in Final Fantasy III).  Instead, I’ll be revealing more about who I am with each blog post.  Topics will include writing, books, comics, movies, video games, music, food, weather, medieval gardening tips and most importantly: life’s lessons and wonderful kicks and pits.

This blog is absolutely meant to create dialogue with anyone who has a question, thought or opinion of the topic at hand.  I want to create conversations and honestly, learn from others who have different beliefs, backgrounds and experiences.  Hopefully, I can provide help and perspective and you can help teach me a thing or too as well.

I am currently writing my Ravanguard series and a great deal of things I’ll be sharing will hover around that and my other projects.  Content will be shared on the website and I’ll make sure to let everyone know when that is made available.  In a later blog post, I’ll be giving more nuggets for you all to enjoy about the series and my writing process.

I’ll go ahead and leave this first blog post at that and get going on the next one.  Follow me on Twitter at @adamhenderson49 and be expecting my tweet for the next post soon!