There’s Nothing Romantic About War or Writing

posted in: Fantasy, Writing | 0

Something that I think is misconstrued about being a writer is that it is a glorious affair in which the heavens rejoice over poignantly illuminated prose writing.  As if all existence can be summed up and shared with the world in a way that would eradicate hunger, sow peace between rival nations, and/or make immortality attainable.  This couldn’t be farther from the truth.

Writing is romanticized much like war was during the times of the Greeks in epic fashion.  For example, Ernest Hemingway said, “There is nothing to writing. All you do is sit down at a typewriter and bleed.”  This is probably one of the most romanticized ways of describing writing if ever there was one.  I’ve done it from time to time too.  Neither writing nor war are romantic.  I’ll be speaking to the former here (I don’t think anyone is disillusioned when it comes to the horrors of war in this century).

Here’s the truth.  Writing is both easy and hard depending on the day.  I’m not sure it is romanticized like it was in past eras when books and plays were all the rage for entertainment.  I kind of wonder if there is maybe a growing eagerness in the younger generations to write because there’s a belief that it’s a lost art (though it’s not) or that it has been raised on a pedestal in society to be another way to have your voice be heard and recognized among the masses.  (Just some random thoughts I’ve had.)

What I want to convey today is that for me, writing is difficult–but also easy.  Life does not sit back and say, “Tell you what, I’ll pause for a bit–take a siesta–and let you have a few hours to attack that scene you’ve been thinking about for the last two weeks.”  Ha!  I wish that were the case except I don’t.  My writing itch would be like one of those medical monitors that tracks heart rates.  Up and down, up and down.  That incessant beeping must stop!

Take this last week.  I started working on the film treatment for the movie idea I’ve had clattering about in my mind.  I’ve worked on it and felt good about it (so far…) but I’ve struggled to keep consistently working on the revision of book 1 of the Ravanguard series.  I would love for my desire to work on both to be of equal fervor but that’s been a bust.  And often is to be honest.  The creative juices go tepid from time to time and I’ve had to learn to be okay with it.  Sometimes I grumble and sit in solitude but I roll with it.

All this is to say that writing is fluid and should be recognized as such.  Maybe there are writers out there that can be disciplined to monk-like standards and write whenever they want and produce exactly the content they want but they are few and far between.  The biggest challenge for the rest of us (whether you write blogs, articles, poems, short stories, novels, screenplays, technical manuals, etc.) is to find a balance, give ourselves grace when it’s needed, and by Jove, continue to have fun!

Call to Action: Find that happy medium when it comes to feeling overwhelmed by things.  Take a walk, garden, cook, watch a movie, play music or even just sit back and read.  These pastimes should be integrated into life.  I know a lot of people who are not writers but would love to write something.  I always encourage it to be done but definitely don’t let yourself be overwhelmed by the thought that it is too big a goal.  It’s really not.  You sit down and bleed on the paper.  Ha!

My Cup Runneth Over

posted in: Fantasy, Film/TV, Music, Review, Writing | 0

Couple of things to go over first before I get into the trappings of my mind today.  This is going to be kind of subject to subject type of post but a good overview of the happenings in my fun-filled life.

Business first.  There may be some changes coming to my blog posting schedule.  If you’ve paid attention, I post on every even day of the week (2nd, 4th, 6th, etc.) unless the “On This Day” post lands on an odd day.  Roughly, that means I’ve posted about 14-15 posts a month.  After five months of this, I’m beginning to wonder if I can keep up that kind content production for the foreseeable future.  So, starting in June, I’ll be switching it up.  My plan is to begin posting every three days instead of every other day.  That means blog posts will likely be on the 3rd, 6th, 9th, and so on of every month.  There will be variances of course depending on when the “On This Day” post falls (maybe that will be a bonus post for the month).  Everything else will stay the same though.

Still nothing on the book art for “Dim the Veil” but I’ll let everyone know once that happens.  No progress on the method for savings towards the professional edit either.  I’m going to be looking into some options soon though and hopefully come to a decision.  Again, I decided against gofundme and kickstarter because if someone decides to give anything over $5, I fear that I cannot offer them anything in return besides the novella once I release it and I don’t believe that’s ethical.

Viewing pleasures.  I recently watched the Guardians of the Galaxy Vol. 2 and I have to say I truly enjoyed the film.  It did not quite go in the direction I expected and I was pleasantly surprised by the more sentimental parts and its focus on family.  It hit the heart strings on a few occasions.  And the music was awesome of course!  No other movies I can think to bring up but I am watching the new seasons of Better Call Saul and Fargo.  Both are great television shows that continue to hold strong in their narratives and character explorations.  I’ve wanted to get into the American Gods show based on Neil Gaiman’s novel but I haven’t had the time yet.  I can’t say I loved the book so I’m not uber-drawn to the show.
Soothing Sounds.  As both a writer and musician, I’m naturally drawn to music.  My musical journey has been interesting to say the least.  I may have to do a separate blog post on that soon because I’ve gone from genre to genre over my life and settled recently on pretty much a place where I didn’t think I would.  One of my favorite bands is Cold War Kids and their latest album “LA Divine” has been a constant whenever I have music on in the background (heads-up, I’ll be working on a blog post soon going over some of the lyrics from that album in a sort of semi-review).  Also, freaking Paramore (probably one of my top-five bands ever) has released their fifth album “After Laughter” and that will be played out in no time between myself and my wife (her favorite band).

Bookworming.  Recent reads include a bevy of books.  A couple of fantasy tomes were “Heroes Die” by Matthew Woodring Stover and “Shadowmarch” by Tad Williams.  Both were good for what they were but did not blow my hair back.  “Heroes Die” was more an original idea with sort of a pseudo-sci-fi element to it.  “Shadowmarch” reminded me of “Game of Thrones” and some of the other books of that ilk.  I also finished Mark Haddon’s “The Curious Incident of the Dog in the Night-Time” which I will probably review in the next newsletter.  Definitely a fun “read” as I listened to the audiobook.  I’m a little behind in my reading challenge over at Goodreads so I need to get on it and read some shorter books I think.  It’s these 500-600 page fantasy epics that really slow me down :/

Fun Stuff!  So, we’ll be going to Colorado to visit family in September and I was lucky to find that my baseball team, the San Francisco Giants, will be in Denver playing the Rockies while we are there.  So, I jumped on the chance to see my team play  for the time live and bought tickets for one of the games!  Super excited!  I haven’t been to a baseball game since I was in my early teens.  Should be a great experience with my dad, uncle, cousin, and brother-in-law.  The great thing about baseball games if that they don’t cost an arm and a leg to go.

And that concludes your quick update of my life.

Call to Action: I’m curious to know if anyone has any thoughts on how often I post blog posts.  One every other day was really a challenge to myself to see if I could do it but also provide enough content to gain readers.  I can’t say for sure if this has really gained people interested in reading my content though.  I don’t get much feedback besides from friends and family (am I even doing this right? lol).  Maybe switching it up will help.

To the Screen

posted in: Film/TV, Writing | 2

As I’ve stated before, I’m a big fan of films.  Movies and television shows are a pastime I truly enjoy.  Whether visual spectacles or great characters, I continually gravitate towards that medium to experience storytelling.  I actually think I get a bit jaded because of this.  There are movies that are not necessarily good or praised by critics but I love because there’s a story element that grips me.  If you look at my Blu-Ray wall, you would definitely wonder why movies are there to which I enthusiastically explain why I love it.One of my desires as a writer is to write screenplays.  Now, it might be just for fun at this stage in my life but I do think I have stories that could be told and translated to the screen.  I often think about this and the embers are usually stoked once I’ve watched movies I have a special affinity for (anything by Cameron Crowe is often the instigator).

If I wrote a screenplay (something I may start working on just because I need one more thing added to my writing buffet), it would explore people in such a way that I identify with.  People love, hurt, and have dreams that satisfy their joys and desires.  In this, I would want to explore flawed characters who need to learn or have a revelation about themselves or others to find healing, peace, success, etc.

We can blame my recent viewing of Cameron Crowe’s “Elizabethtown” on today’s blog post.  I know it’s not his most acclaimed film but there is something about it that draws me in and makes me want to tell a story both visually and with the accompany of music.  I often joke that Crowe is my patronus (a little word play Harry Potter humor thrown at you).  He tells the stories I think need to be told.

I actually do have an idea for a movie that I’ve been rolling around in my mind for a little over a year but it needs a lot of work.  I have the resources to write a script but I don’t have a process for developing the story yet.  I’ve thought about doing it in novel/novella form first so that I know how it will go from beginning to end but I’m not quite sure if that’s the right method for me at the moment.  Maybe…  I don’t know.

If anything, the idea for this story that could potentially be developed into a screenplay just reinforces my desire to tell stories and explore new characters, settings, themes, etc.  There’s no way I could go day to day and remain sane without writing.  Even blogging has helped me keep up my imagination because I’m always thinking, “What should I write about next?”  I think exploring this movie idea may be something worth investing my time in.  More stories!

Call to Action: I’ll throw a couple of movie recommendations at you that are not Cameron Crowe films.  To name a few that I absolutely love and recommend you watching are: Little Miss Sunshine, The Hollars, This is Where I Leave You, and The Way Way Back.  Each of these inspire me to explore what I want to write as a potential screenwriter.

True to Self

posted in: Fantasy, Writing | 3

Something that I continually come up against each day (I’m sure you do too if we’re being honest) is staying true to self.  This extends beyond my writing.  Everything I’ve given since starting this blog has been my genuine voice.  Thoughts are legit, lessons learned are still gripped tightly, and humor is straight from my wacky brain and how I view the world.  I admit, I hold some things back but for the most part, I keep it level.

I know I’m not alone in this because I see so many people everyday whether in my day to day or on social media expressing these practices of self.  Sometimes, you can tell people are still not all the way there but inching closer to understanding who they are, what they believe, and what their purpose is.  One thing I’m forever grateful for is my own journey in this regard.  To look back at my life just ten years ago, I get a little embarrassed knowing what I did and said to others and even what I thought about myself.

You can’t go back but you can learn from mistakes.  It’s only by these mistakes that I am able to shake my head and thank God I’m not there anymore.

(At this time, you’re probably saying, “Oh, it’s one of these blog posts.”  Yes, it is.  I dare you to keep reading!)

How this relates to writing is simply you have to write what you know and like.  I’ve tried writing stories set in another genre but not even I can push through the struggle.  Now, I don’t think I will forever write fantasy (I truly hope not) because then I’d be limiting myself.  My hope is that I can get these stories that are fresh and inside me out and off to the world, making way for others that might stray to different audiences.  A great example is Stephen King.  Love or hate him, he actually has stories that are not horror/thriller.  Shawshank Redemption and The Green Mile are both his and wonderful stories!

If I wanted to have success in the literary world (or just a better chance at it), then I’d chase whatever fad is happening at the moment.  I tend to joke that I may do that just to see if I can get published faster but I’d feel too bad for selling out.  (No vampire meets werewolf gets locked in a game to the death dystopian future will be found in my books.  Ha!)

Again, in order for me to be able to push outside the boundaries (and comforts) of writing fantasy, it will require me to expand myself in new ways.  I don’t know what that looks like at this time or even how it will come about (probably naturally since that’s how most major changes in my life take place).  My climb out of the places of immaturity and naivety in my early twenties took quite a while (they do say boys take longer to become men and there’s definitely truth to that).

Perhaps a lot of people struggle with or are not willing to admit to their shortcomings or falls in youth but I love that I can share that journey.  I’ve had the opportunity to do so a few times with others and it’s therapeutic to be genuine and honest about that part of my life.  Even now, I have this sense of peace being a bit vulnerable and transparent with all of you.  I write and I consider myself a writer but if I cannot be true to myself in that aspect of my life, how could I expect to anywhere else?

Call to Action: If I did write the vampire meets werewolf after getting locked in a game to the death dystopian future story, I’d call it “Fang Games”.  Uh oh… I might have a fun little tongue-in-cheek story prompt I should throw out there to the interwebz.  By the way, if you are one who wastes time on Pinterest (I say that light-heartedly of course), then follow my writing board where you will no doubt be entertained by my pins of what I enjoy and find inspiring to my writing.  Find here: https://www.pinterest.com/adamhenderson49/my-writing-board/

The Disposition of Exposition

If there’s anything in writing fiction that needs to be done well and balanced throughout the arc of the story, it is exposition.  The inserting of background information for the sake of explaining characters, history, setting, culture, etc. is tricky for first time writers.  As with many literary devices, this is especially difficult in fantasy.

In works of fiction set in the real world, in real places, during real eras, most of us can draw from our education and/or experiences to fill in the gaps.  If I’m reading a book set in the United States during the 90s and certain people, places, music, and events are mentioned, it is very likely I’m able to draw from my time growing up in the 90s (I was born in ’84, so I’m well-aware of the decade).  Yes, I was a freshman in high school by the end of the 90s but as the years go by, I know more about the global conflicts, major historical events, sporting events, etc. (lots of etcetera’s in this blog post, right?).  I think you all get my point.

Fiction set during this era doesn’t need a lot of exposition.  If you grew up or were starting a career or nearing retirement during the 90s, then you knew the culture.  If you are reading a book (let’s say a John Grisham novel set in this time), I guarantee you don’t need much background explained on a national level.  If we are talking about Grisham’s “The Runaway Jury” then we are looking at Mississippi in the 90s.  Exposition here would focus on the setting the story takes place in and the region and those cultural nuances that would be prevalent.  That’s very little to expound upon to the readers because one would be able to presume the majority of readers in the US would be familiar with the time period, social issues, etc.

Now, let’s jump to fantasy.

In fantasy, you are being introduced to an entirely new world with its own history, society/culture, foods, religions, conflicts, and more!  One thing I’ve run into when speaking with people who are not the biggest fans of fantasy is that they struggle to immerse themselves in a world that they are so unfamiliar with, filled with ideas and things that are not explained in detail.  I get this.  So much in a fantasy world needs to be revealed in order to understand the roles and complexities of the world the plot takes place.  However, we as fantasy writers (I being one of them) run into a problem if we try explaining every new thing that is unlike something in the real world.  We slow down the action of the narrative if we do this.

The problem in doing so takes the reader out of the story and they are forced to read paragraphs of information that almost acts as a pause button.  I’ve seen fantasy writers tackle this problem of exposition a few different ways.  The first is a glossary or primer (I’m a fan of this method) that usually can be found at the back of the book where people, groups, events, etc. can be explained and defined.  The second way (I’m not a fan of this) is adding footnotes at the bottom of the page.  I have struggled reading books using this method because I always feel I have to drop my eyes to the bottom of the page when I come across that footnote letter or number within the prose.  It’s very inconvenient.  I’m curious to know how many readers prefer either method or could care less.

My preferred method in my own writing when dealing with exposition is looking for ways to explain background information either through the dialogue or inner thoughts of the characters.  The problem with this method however is that the reader has to wait for it and be on the lookout.  For example, in the “Shoals to the Hallowed” flash fiction series I post at the end of each month (I hope you all are enjoying them and my promise to create a primer is still in the works) I am giving you all very little information about the world due to lack of writing space.  Flash fiction in its desired format limits the amount of words I can provide, so my goal (and this is a bit of an exercise for me) is to give you hints of things, reinforce them from time to time in each new story, and allow you to make important connections.

It is my feeling and belief that if I just explained the Wielders and the Shoals they are able to access and harness the power of, I would be denying you the joy of the small windows of story provided.  Now, maybe that’s my own ignorance and you all are just like, “What the heck is going on here?!  Just tell me!”  If you are, there’s your call to action, hahaha!

Seriously, though, I understand the struggle to not have exposition in new, unknown fantasy worlds.  I truly do and my hope is that I can give you the answers in ways that do not slow the story or act as a distraction.  It’s my belief (and preference to be honest) to learn as I read and trust that the writer will explain things naturally without inundating me with info dumps every other page.  I’d like to think I’m not alone in that.

Call to Action: Show of hands.  Who’s completely lost in the “Shoals to the Hallowed” flash fiction stories and would like a future post or a working primer to be added to the website so some things can be explained?

Recommended: Breaking Bad

posted in: Film/TV, Review, Writing | 4

Vince Gilligan’s “Breaking Bad” is by far one of my favorite television shows ever.  But not for the reasons people might think.  So, let’s jump into it.  I should note that this is not an effort to convince people to watch the show.  It is wonderfully written, acted, and produced in so many ways but it also deals with some very difficult subject matter.  I’m simply explaining why I enjoy such show.

For those who are unfamiliar or only slightly so with the show, I will try to provide a basic rundown.  It follows the transformation of chemistry high school teacher Walter White to the notorious meth cook, Heisenberg, who is diagnosed with lung cancer and sees the end of the tunnel, which would leave his pregnant wife, unborn daughter, and teenage son without much once he’s gone.  Working a car wash job in addition to his teaching gig, Walter is put up against a horrible situation and is desperate to not only pay for treatment but leave his family with more than debt and hospital bills.

By chance, his brother-in-law, a DEA agent, shows a video at Walt’s birthday party where the DEA has busted a meth lab where the evidence gathered reveals a stash of cash to which Walt instantly wonders about.  It’s this event that eventually leads to Walt’s being on a ride along with his brother-in-law to bust another meth lab where he sees one of his former students, Jesse Pinkman, avoiding arrest.  Yada yada, Walt and Jesse join together to go into business and embark on a whirlwind of danger that affects them all in sorts of ways that have them constantly making choices that would keep them safe and out of jail.  Unfortunately, they do not come out unscathed all the time and suffer both physically and relationally throughout.  Whether its the DEA or rival drug lords, Walt and Jesse have to trust each other and their wits to keep ahead of the danger.

Suffice it to say, this show is never dull (even the bottle episodes are great).  It explores characters and the transformation of said characters in ways most shows avoid or don’t know how to execute.  Obviously, no spoilers here but you will often be conflicted, not knowing who to cheer for from season to season.

The reason I love this show and recommend it purely from a storytelling aspect is that Vince Gilligan and his writing team are famous for stating that they purposely wrote Walt and Jesse into corners just so they (the writers) could find a way out for the pair.  Storytelling is the best part of the series while the characters are a close second.  (Aaron Paul’s performance as Jesse is amazing.  He is my favorite character throughout the show.)

Again, this is not an easy show to watch.  It deals with very real subject matter from family drama to the high cost of drug usage.  I do not take these things lightly and never want to insinuate that.  I have spoken with friends who have actually dealt with others in this regard and it’s sobering to hear the stories.  I am not disillusioned by this to say the least.

In my mind, compelling stories are best when they deal with true and difficult aspects of life.  Sure, a lot of the scenarios of “Breaking Bad” are embellished for the small screen to be dramatic and hold our viewership but in reality, life is not easy and we face difficult decisions every day.  I pray it not so for everyone but things happen and livelihoods are put to the test.  Walter White’s livelihood and that of his family are tested so much so that you truly wonder if his choices were worth it in the end.  He makes his choices in order to see his family taken care after he is diagnosed with cancer.  However, his dive into the criminal underbelly costs him a great deal and affects his personality in ways that make you wonder about his overall psyche.

There’s a quality of storytelling here that provokes me as a writer to not just be the gardener but push more towards being the architect when planning and writing my books.  Honestly, I’m drawn to great writing and it’s hard for me to stay away or ignore it when it’s in the form of a show like “Breaking Bad”.

Call to Action: If you’re willing, check out the pilot episode of the show.  If you get through it and are kind of interested to see where it will go, I’d recommend trying another episode and so on.

On This Day: 04 May 2006 – The Blade Itself First Published

posted in: Fantasy, On This Day | 0
I hope you’ve all enjoyed the OTD posts I do each month.  They are a lot of fun and let me work different writing muscles.  First, today is Star Wars Day (May the Fourth be with you) but that would be too easy.  I decided today’s post would be about a book I have come to love and refer back to whenever I think about how fantasy can stray away from the clichés and tropes we too often see in the genre.

Joe Abercrombie’s “The Blade Itself” is the first of the First Law Trilogy and my introduction to the subgenre of “grimdark”.  The agreed definition of grimdark is usually one of realism in tone, setting, and violence in the story.  Think: gritty.  Few things feel clean and there is this sense throughout the world that characters are gray more than anything else.  Heroes with shining swords are not found here.  They are more the antihero type who have vices that are magnified and they do not come out of the fight unmarked in some way or another.

“The Blade Itself” is such a novel.  The main viewpoints follow a cursed warrior, a conniving torturer, and a selfish nobleman who has bought his position as an officer in the army.  None of these characters are your Frodo, Aragorn, or Gandalf type.  They’re characters caught in a violent world of webs of conspiracy.  The world of the book never feels warm or inviting.  The settings are often cold and dark and truly realized through the arcs of the characters as they traverse through the plot, never guaranteed the next day.

Depressing, right?  Well, I don’t mean to paint a murky picture here but what Abercrombie genuinely does is make all of these characters worth your time and interest.  They are compelling despite their grayness.  Each of them realizes they have choices to make and they can either fight to live or let higher powers manipulate them into servitude.

You all know how much I enjoy well-rounded characters (at least I hope you do after these last four months).  This book is where you get some of the best.  Plus, no one is quite what they seem.

Another reason Abercrombie has gained me as a fan is the fact that he purposely sets up what you, the reader, thinks will be common clichés and tropes and he awesomely twists and turns to surprise you from page to page.  This is more realized as you read the entire trilogy but enough so in the first book that you can’t help but smile once you realize what had happened.  He crafts the narrative perfectly.

I recommend this book and series to everyone who asks me but I must warn that it is not for everyone.  Grimdark is like whiskey straight.  It punches you in the mouth at first taste but the more you sip, the better it gets and you truly appreciate the writing you’ve immersed yourself into.

Call to Action: Read it if you dare.  If it’s not your preferred order when it comes to reading, then I definitely don’t fault you.  I actually have not delved into other grimdark books because they are difficult to read.  I personally think Abercrombie provides more than the gray characters and violence but has paved the way for other writers of the genre, exploring new worlds and ideas that color outside the lines.

Update Time!

Some quick updates.  Nothing received on the book art front yet but I know that will be coming in due time.  I heard from my friend who is helping me and things are moving forward.  There is no rush at this point simply because I think for now I’ve decided against either starting a gofundme or kickstarter option to put together the money for the “Dim the Veil” edit.

Without going into the details, I’ll just say that unless I can offer more than a “free” copy of the ebook of the novella, I don’t feel like I can justify asking people to donate or invest more than the cost of the novella itself.  Going with either of those crowd funding options would have (in my mind) required me to offer a gift/reward of equal value.  At this time, if someone decided to donate $10-20, there is nothing I can think of practically to offer in equal exchange for that amount of money.  Not at this point at least.

The downside of this is that I will not be able to get the novella edited and released in the timeframe I had originally hoped.  It will take time for me to put together the amount required to pay for both the line and copy edit.  At this point, I could not in good conscious release the novella without taking that step.  Quality is so important to me as a writer.

I’m thankful I encountered this realization and do not look at this as a defeat or setback in any sense.  I’ve been doing this long enough to know that while I’m a writer and storyteller, I am not (I wish it weren’t so) a professional fiction editor.  I’ve invested time and resources in getting better at self-editing but there is a skill set that I don’t necessarily possess in comparison to the editor, Victoria, I’ve since worked with.

I do plan on getting better though, having asked Victoria for feedback on any repetitive mistakes she may have noticed in the short story provided in the newsletter (I hope those of you who signed up and received it enjoyed the story!).  I have her redlines and comments and I will make it a priority to study and understand the corrections and changes so that I can fix any bad habits I’ve developed over the years (it happens…).

One other positive is that I will be working on the short story for the second newsletter, which will be released at the end of August for all of you!  Yay!  I will have Victoria edit that short story as well and it’s format will be different than the last.  My hope is that I can continue to offer up quality content and still learn to write more better (I did that on purpose, ha!).

Call to Action: While I won’t be starting a crowd funding option to save towards the “Dim the Veil” edit, I will be looking for an alternative way just so I can set aside money and be able to track my progress.  If for any reason you do want to invest in me and my writing, I will not turn away the compassion.  Contact me on my website and we will discuss the details.  This will be beneficial to anyone in the long run.  You will get exclusives and when I am able to, gifts worth the amount you gave.  I thank you all of you for continuing to come here and read what I have to say.  It means the world to me!

Flash Fiction: “Separate From the Sorrows”

 

Gasping breath invaded his stinging lungs, feet slipping on the glass-formed ground where the Shoalway opened for him to exit the harsh environment of his Shoal, Qorum.  Always, the elements of the other realm challenged his body and mind–still in ways the scholars and Wielders did not fully understand.

His wounds required attention.  Cuts stung, slashes needed sutures and burns demanded salves.  The Wielder, Damrin Graeves, surveyed his body wherever the pain emitted from, revealed by the rips and singed parts of his once fine clothing.  The fight had been unexpected.  His hands shook, fingers clenched into hard fists.  Tears streamed from his eyes down his cheeks, stinging throughout their trails.  Not from the pain–no–but from the betrayal he had just survived.

There in the abandoned courtyard of stone and overgrowth in the dead city of Hasselor, Kesree baited him repeatedly like a man mad with deceptive intent.  His vile words, lined with poison, echoed in Damrin’s mind.  His friend…one of many years since they first encountered one another in the Wielder’s Congress.  How had it all unraveled like frayed rope?

Damrin dug his fingers into the dirt of the field outside the capital city of Talloe of the Hold, Teras.  Birds sang beautifully around him, mocking his heartbreak.  Kesree had managed to slip away to his Shoal but he could not have lived.  The wounds he had suffered were far worse–fatal to the body.  Passing through the Shoalway to wherever he ended up in the world was a desperate risk.  The Shoals did not coddle or pity the Wielders able to bridge the world by their power.

Losing his dear friend would leave a wound that would never heal but the confrontation between them was a slow-moving agony.  The betrayal drove his thoughts to consider the turn of events.  If Wielders were turning against one another, then war was surely churned up in the garden of peace.  He had to seek out allies, but knew the chance of further deception was likely.  He needed his mind and body to be healed completely, forcing himself to be ready in an instant.

A small opening to his Shoalway appeared before him, earth melting to glass underneath.  He gazed into the portal, able to look through the haze of power to an atmosphere of peril.  Even a small opening was large enough to let out some of the most dangerous threats that dwelled within Qorum.  But he needed it open.  Only then could he draw out the current of power, healing his wounds.

Developing Characters

Short of being able to properly and coherently write sentences, characters are by-far the most important aspects of your story.  I’ve wrote on this to some length over the last few months and wanted to get into some specifics.  This will be a post about developing characters and I’m going to do it in a way that I hope makes things fun for you the reader.  How?  Well, as I write, I’m going to develop a brand new character for you!  (This character will be in a future short story–maybe in the next newsletter!)

Have at it!

Alright, there are “aspects” I want to consider first and you’ll just have to roll with me as I do this.  I want to create a character who is distinct.  What does that look like?  Well, I need to decide a few things that will be both somewhat general and differential when it comes to others.  (Just as a heads-up, all of these characteristics we’ll be developing are subject to change but I am going to try to keep everything the same so that when you come across the character in the short story, you will feel like you know them!)

Back to the distinctity (yeah, I know, not a word but it is fun to write and say!).

Let’s say the character’s name is Avroes Toal.  That’s a random name if ever I came up with one but let’s roll with it as we move on.  What will make him distinct.  Let’s say he is younger but has early signs of graying hair, making him self-conscious with the ladies.  One lovely lady in particular (this is a bit of a plot element so we’ll leave that alone for now).  Who is this man named, Avroes?  If he’s self-conscious about his hair, how else would that affect his personality?  I imagine him as being a bit of an over-compensator.  He looks for opportunities to prove he’s not older than he is and therefore has adopted more childish or immature ways.  This also affects his relationships both personally and professionally.

How are we doing?  Are you staying with me?  Good!  Onwards!

So, Avroes Toal is a young man (mid-twenties) who has prematurely graying hair and over-compensates this by acting out in ways to prove he is young and not old.  We’ll stray away from specifics because we don’t want to get too close to plot points.  Let’s also throw in some other details to round him out.  He likes the outdoors and would prefer pursuing a profession that allows him to see the world (cliché a bit, I know), but let’s say he wants this because his father and grandfather were both men perfectly fine with living their lives as scholars, devoted to studying and page-turning.  This is not Avroes the Gray (poor guy has a nickname he hates too!)

He’s a man looking forward and beyond the confines of a study or library, wanting nothing more than to see the world and prove he is not like his father and grandfather who have paved the way for him to have a good-paying occupation that will allow him to marry, have children and carry on the Toal legacy of ink stains and paper cuts.

Also, he hates heights and the library he would have to spend all of his days in is at the highest story of a building with many stairs and no banisters.  He seizes up anytime he actually has to approach a tall staircase, afraid his footing will give way and he’ll stumble to his death.  In fact, let’s say his grandfather fell and died and his father fell and lived but became crippled by the horrible circumstance (a little too tear-jerking for you? Misery is drama, ha!) and Avroes has to take care of his father.  Even better dramatic tension!  It’s so sweet, it drips.

There are many more (is that correct grammar?) things we can do to round out who Avroes Toal is and maybe that can be explored in the short story (guaranteed it will) but this is just to show my process for creating a character somewhat on the fly.  Who are they, what do they do/want/hate/love/etc.?

Call to Action:  Anything we can add?  Seriously, throw out a detail!  It doesn’t have to be too precise and can be a bit vague.  What’s his favorite color, food, idiosyncratic ticks, bad habits, etc.?  I’ll be able to add that into the short story and you’ll be able to say you had a part in it!

No Naturals Here

posted in: Fantasy, Writing | 0

While I don’t necessarily like long road trip drives, I do enjoy them so long as I am with someone who’s enjoyable to talk to.  My wife is one of these wonderful kinds of driving companions.  We truly do find the hours a great time and opportunity to talk and discuss a bevy of topics.  Some of course are private (you won’t get access to those) but we do talk about music, writing, and art a lot of the time.  We’re creatives and are able to explore are our likes and dislikes pretty easily, encouraging each other along the way on the highway of asphalt and lines.

Something she said during our most recent drive home was that she boasts about me being a writer (a nerd writer to be precise, lol) and that led to her talking about how impressed she is that I can do what I do and she feels nervous writing anything and letting me read it.  I do the thing where I tell her she doesn’t need to be nervous and that she’s a good writer herself (she really is) but that led me to think about something I’ve encountered a few times: perception of writing abilities.

Let me be brutally honest and a bit transparent for a few seconds.  I really am not a natural talent.  If I was, I wouldn’t have two shelved novels that no one is allowed to see.  I’m not sure if there’s a misconception out there about writers as a whole or something else.  Our ilk is one often labeled with fine descriptions of neuroses, depression, inebriation, etc.  You know, those darn clichés.  Yes, I like sipping whiskey and I own a pipe but I’ve never used it (not yet and probably not ever).

In my experience and what I’ve been able to glean over the years is that if ever there was a “natural” when it came to writing, the closest specimen might have to be ole Bill Shakes-the-speare.  Even then, there are many who believe the persona of WS was fabricated and that his great plays and sonnets were in fact written by another’s hand and mind.  Could be, I don’t know.

My point is that writers are just like any other who is or becomes proficient in their craft.  They work at it.  Practice and exercising the appropriate muscles are a requirement in order to find any semblance of success.

I think where there’s any natural talent is just in the imagination gears of the minds of writers.  For me, to be able to create a vast world (fantasy definitely lends to being able to create more and bend some rules) filled with characters, nations, cities, cultures, flora, fauna, magic systems, and all the other little nuances that make the world come alive is purely by imagination.  I did all this as a little kid playing with action figures way before I was able to put words to paper.

Where others may be intimidated to show me or other writers their own writing, just realize I would be completely wrecked to try to play drums or bass with a bunch of professional musicians.  I would be a knot of nerves so tangled together that it would take way too long to undue.

Everything worth doing well takes time, experience, mistakes and maybe a hundred other things to get it right.

Call to Action: Just to continue with the topic, I would encourage you to keep at whatever you love to do when it comes to your creative outlet.  It’s absolutely worth it once you reach a level of proficiency.

No Dragons, Dwarves/Elves, or Dreams/Prophecies: Access Denied

posted in: Fantasy, Writing | 0
Something I continually encounter when telling people I’m a writer and they ask, “What do you write?”, is I have this sense that they have preconceived ideas when I answer, “Fantasy”.  I can see it in their eyes.  “Oh, so dragons, elves and magic.”  Not a question but a definite statement.  To which I silently in my head respond, “I should have said fiction…”

I don’t blame people for this assumption.  I get it.  All you have to do is look at the main cultural references we have in our society.  Lords of the Rings, Chronicles of Narnia, Harry Potter, and most recent, Game of Thrones.  These big ones have set the stage and have planted the seeds one would expect from fantasy.  (Wizards, dragons, and elves, oh my!)

Unfortunately, I do not have the means or assignment to correct people on how vast and wide the fantasy genre has come since Tolkien laid the modern foundation.  I wish I could have that job, trust me! (King of Correction!  Hear me!)  Alas, I do not have that honorable title, but thankfully, I have a blog and I can voice my knowledge and experience in the genre to better help people who may not be big nerds like myself.

Three tropes or elements you will not find in my writing: dragons, dwarves/elves, or dreams/prophecies.

I’m going to dissect each of these somewhat quickly.  These are not tropes like my previous blog posts on magic but rather ones I have intentionally avoided because I choose not to employ their function in any of my stories.  None of these are intrinsically overdone in the genre and I often enjoy them when done in a new way in the books I read.

Magical creatures and or races in the traditional sense simply do not play any significant role in the worlds I’ve created.  If you’ve read any of the series I recommended in my fantasy reader’s guide post, then you know that I have a preference for worlds and stories that read more “human” in nature.  This does not mean there are not other kinds of races in these books (Stephen Eriksons Malazan series is chalk full of different races that are awesomely imagined) but there’s a bit more creativity and imagination involved.  For myself, I’ve created races that seem familiar to the reader but in the end are their own.

I’m actually not big on books or stories involving dragons as major characters and/or plot elements.  There are plenty out there but I’ve truly never been a fan.  Smaug in my mind is one of the best examples of a dragon in fantasy.  Robert Jordan does not use dragons but actually calls his savior-of-the-world main character, The Dragon, which I really liked because it called to the fantasy element instead of including it in the Wheel of Time series.

Dreams and prophecies are elements I have avoided on purpose.  I could easily throw these into the narrative of the Ravanguard series but I consciously did not because I did not like the idea of using them as a crutch, which I think some series utilize to that advantage.  These are seemingly always used as a means of foreshadowing and installing the hero as the savior to all mankind (again, a bit overdone in the genre).  I prefer to use foreshadowing without these because I find that it’s more difficult and a challenge.

George R.R. Martin actually does this very well despite his use of dreams and prophecies.  He explores foreshadowing by use of language and visuals, which is what I have tried to emulate in my own way.  In fact, if I were ever to use dreams or prophecies as a literary device, I’d probably try to do it in a way that has not been done before.

For anyone who is looking forward to reading my stories, I hope this is helpful and lays out what to expect or in this case “not expect”.  Fantasy is not restricted to these few common/popular elements.  If that’s what you like, there’s plenty of options out there!  Trust me.  The vast coffer that is the fantasy genre overflows with different worlds and subgenres that have their own mix of devoted fans.  Sometimes, I wish there was another way to describe what I write but my use of limited technology, magic and swords kind of puts me in the barrel.  That’s probably why enjoy the genre so much: it’s not constricted but goes as far as the writer’s imagination can stretch.

Call to Action: I admit, there is one series of books that involve dragons that I am interested in reading.  Naomi Novik’s Temeraire series is an alternate history fantasy that has dragons in the Napoleonic Wars.  That just sounds like a fun read.  If you’ve read it, let me know what you think!  If not, then it may be worth exploring.

Working With an Editor

I’ve just completed my first experience with an editor for the short story that will be included in the newsletter.  Just to lay out some first impressions and give some general thoughts on the process, I thought I’d share.

It’s a new experience to actually communicate with and hire an editor for their services.  It did not really hit me right away but I think I’ve been able to marinate in it for long enough now that I can actually express my joy and sweet release of held breath.  Mind you, this was just for a short story but to receive the manuscript back and see the redlines (corrections) and read the comments included is almost victorious.  Obviously, I have a long road to go.  The novella, “Dim the Veil”, is the big goal–the true launching point (more on that in a bit).  But there is this overwhelming sense of, “Wow, what just happened?  What does this mean?”

I have no satisfying answer except to say I recognize the road I’ve been walking for several years and feel I actually know the destination it leads to.  I do not measure success by signing a multi-book deal with a major publishing house.  While that would be a dream come true and very much still in my aspirations, I feel that success is writing and completing this Ravanguard series.  It started as a few pages of three characters in a tense situation and has now become a short story (with more to come; I’m already thinking about the next one), multiple novellas and just as many books.  If anything–if I am able to accomplish one thing as a writer–I want to see the Ravanguard series finished.

And I assure you, those stories will be released in one form or another.  I know the cost of editing now and while it may be a slow process, I will absolutely see them all released as ebooks.  I’ve told my wife that to hold an actual printed hardback and/or paperback book of my story in my hands would be nothing short of amazing, I have long since been willing to settle for digital formats if that’s my only option.  I’m okay with that and I know, so long as the story keeps progressing until I put that final period in place on the last page, I’ve reached my first goal.

Back to the option of starting a gofundme option for the editing price of the novella, I think I’ve been leaning in a slightly different direction.  There are plenty of options out there for crowd funding projects.  Plenty of people do it and find success.  After talking to my wife about this at length, and I think she has raised some very good points, I need to consider more than the simple funding of an edit.  There’s this question of “then what?” after I get the novella back, edited and polished, to my satisfaction.  Well, there’s this thing called marketing that I have little to no experience or knowledge in.  Apparently it’s important and requires money.  Yay…

Hahaha, I kid.  But seriously, it’s a viable and essential step.  Sure, I could post on social media that I have a novella for purchase over on Amazon but is that truly effective?  I don’t know to be honest but I have a sneaking suspicion it might not be.  So, I’m now thinking of doing a kickstarter that would actually enable me to raise the funds for launching not only the novella but my brand as a writer.  I have no interest in being hasty (words of wisdom from Treebeard if ever there were some) and I don’t want to be slow either.  This is simply more to consider and requires some additional research and preparation.  Wish me luck!

Call to Action: I recently finished a book worth reading, especially if you like witty writing that’s quite meta if you enjoy literature.  It’s called “The Eyre Affair” by Jasper Fforde.  Very good and clever.  Check it out!

Doubt and Fear

Being that April 10th was National Encourage a Young Writer Day, I have continued to think about my time when I first started writing and some of the negative thoughts I often had, believing I might not have what it takes to write something worth sharing to the world.  Some transparency is coming at you today (jab, jab, upper cut!).

What I struggled with the most early on was this belief that I could not come up with anything original.  Mind you, I was focused on epic fantasy from the start and if I were to look back on my first attempts at a story, a lot of what I wrote could easily have been clones of some other element in the books I was reading back then.  In retrospect, this makes sense to me now.  It also makes sense why I had to write two “bad” novels before I found my way to the projects I’m currently working on and excited about.

Doubt in myself was an all too familiar face I stared at or found looking my way as I would sit down and do my best while typing away.  That’s what I did: my best.  I think for young writers, they need to make mistakes and struggle along the way before they find their footing.  I have experienced this kind of grind and forming of ability in another area.  Playing drums.  Those first years had their very own level of difficulties and growing pains.  The same can be said of writing.

There were some years that I barely wrote at all because of this struggle.  I was going to school and working but as I’ve said, writing has to be made a priority in order to find success.  I’ve battled with bouts of depression and none were so bad as when I was living in Seattle going to school.  I could easily say it was because of the weather (a little cliché but there is some weight to that but strictly from a lack of vitamin c).  To be honest, I just didn’t like myself and what I was doing with my life.  I was there for school at a legit university and I struggled to find motivation to go to class just about every day.  I ate poorly, gained a lot of weight and barely slept because of horrible restless leg syndrome.  Not fun.

In all this, I kept trying to write despite not really knowing why I was writing.  I think at that time I was editing my second book, which has since been shelved and only returned to when I need a good laugh.  Trust me, it’s not good.  It was too much like trying to be something you’d find in a Final Fantasy game and honestly, it just wasn’t genuine.  I restricted myself too much because I didn’t trust in my abilities and mirrored a lot of characters and world elements to these popular games.

However, in all this I tried to find motivation and inspiration where I could.  This ended up taking the form of finding writing quotes and putting them on my bedroom wall so I could see them all the time.  One quote in particular has to this day stayed with me and really is one of the seeds that kept me going (blowing on those embers otherwise buried in ash).

“Even in literature and art, no man who bothers about originality will ever be original: whereas if you simply try to tell the truth (without caring twopence how often it has been told before) you will, nine times out of ten, become original without ever having noticed it.” C.S. Lewis

This quote from the great C.S. Lewis gave me one simple direction to set my course towards.  Truth.  Now, this does not mean I all of a sudden had an epiphany and began to change my bad habits and fix what I was doing as a young writer. Would that it were so simple (Hail Caesar!)  My wife will laugh at that one.  Bernaners.  No, I had a new adventure to take!  What is truth?  I won’t go into that long tale at this time, but I did embark on that journey and it took a few more years before I eventually began the Ravanguard series.

To finish all this up in a neatly tied bow, young writers, I implore you to not be chained down by doubt or fear.  Embrace the bad writing because then you’ll have an example of the bad to return to and know you have eventually found success.  If good writing is simply telling the truth from your perspective, then search for truth and let that be your compass (cue the cheesy after-school special music!).

Call to Action: We’re only a few days from the newsletter being sent out!  Woohoo!!!!  I have sent the Ravanguard short story, “The Vain King and Taboo Coin,” to my editor contact and it is polished up for your enjoyment.  Sign up so you can read it!

Fun with Foreshadowing

posted in: Fantasy, Writing | 1

Let me start by saying I love the literary device of foreshadowing and as I revise and edit, I have thought about it more and more.  Some writers are big on allusion or theme or even setting.  I commend those who frame their writing with these aspects (really, I do).  For me though, it’s about the foreshadowing threads interwoven in the framework of the plot(s) tapestry.

By definition, foreshadowing is hinting at what is to come.  This can be subtle and apparent depending on the use by the writer.  For example, a writer could use an object noticed or used by a particular early on and then have that object play an important role later on (usually in the final act or climax of the story).  One example I continually see used as an example is if you were to see a gun on a mantle or one placed in a desk drawer. It’s very likely this element could come into play to impact the outcome of the plot.

In my opinion, the two best examples of foreshadowing used effectively in an epic fantasy story can be found in Robert Jordan’s “The Wheel of Time” series and George R.R. Martin’s “A Song of Ice and Fire” series.  I know… I know…  I reference these two a lot in my blog posts and I’ll try to discuss other works in the future but for now, these are the two that I return to whenever I think of the proper and effective use of foreshadowing.

I could use examples here but I won’t because the nature of a foreshadow is to allude to something in the future, which in our current culture is notably called a “spoiler”.  I wish I could!  But I won’t.  All I can do is recommend you read these series.  The best foreshadowing in epic fantasy is usually presented in the first book and does not come to pass until the last and towards the end of the series.  Some big payoffs definitely add to the fanfare of readers.

What has happened with me in the Ravanguard series has been beneficial when it comes to these deep details.  My method for writing the series without stopping has allowed me to see where the story has gone and then as I edit and revise, I can recall a “future” event happening in book 2, 3 or 4 and go back and then see if there’s a place for foreshadowing to work.  There’s one key though: it has to make sense within the prose.  There is a balance and trust me, I do not look for spots to drop in foreshadowing just to be cheeky (well, okay, sometimes I do but those are more for the readers who are paying attention).

I think one could argue my approach to foreshadowing is somewhat cheating but I would argue it’s just fun writing.  Sometimes, these foreshadows are quite clever and subtle and sometimes they’re right on the nose.  Both are fine and my hope is that my readers would simply consider it good storytelling.  There’s a sense of intrigue to be added too because you as the reader (and I do this too whenever I’m reading a new book.  I pay close attention to details, thinking it could be a bit of foreshadowing) are more invested in the these details.  I could never be a speed reader because I fear I would miss what I love most in the writing.

Another fun aspect I’ve run into in my own writing is that I have sometimes stumbled onto a moment of foreshadowing accidentally.  Seriously!  I have been planning the story arc of one of the next books, thought of an idea for a character and been like, “Wait, didn’t this thing happen back in book 1?”.  I’ll go and check and boom!  Slap my feet and call me Chip, I inadvertently set up a foreshadowing moment!  Now, it’s probably coincidence but I actually attribute it to my advanced internal, subconscious understanding of the world and characters.  Almost as if I know it all before I should.  (I know, you’re not buying it.)  Truthfully, though, the readers will discover in due time that I have foreshadowed some things that I hope brings delight and maybe a little shock.

Any literary device used is meant to add to the enjoyment of the reading experience.  When used properly and not in abundance to the point of distraction, these practices are worth getting better at.  I definitely encourage looking for these in the books you read.  Train yourself to look for it and see if it pays off.  Happy reading!

Call to Action: See below a video of foreshadowing in popular movies.  Obviously, there are possible spoilers so here are the movies in the top ten list:

 

Medieval Gardening Tips

Remember in my very first blog post back on January 1st?  When I said, “…I’ll be revealing more about who I am with each blog post.  Topics will include writing, books, comics, movies, video games, music, food, weather, medieval gardening tips…”  (See, I did say it.)  You probably thought I was just being sarcastic.  Well, I was but also being a little tongue in cheek with an aftertaste of meta.

The following quote comes from author, George R.R. Martin:

“I think there are two types of writers, the architects and the gardeners. The architects plan everything ahead of time, like an architect building a house. They know how many rooms are going to be in the house, what kind of roof they’re going to have, where the wires are going to run, what kind of plumbing there’s going to be. They have the whole thing designed and blueprinted out before they even nail the first board up. The gardeners dig a hole, drop in a seed and water it. They kind of know what seed it is, they know if planted a fantasy seed or mystery seed or whatever. But as the plant comes up and they water it, they don’t know how many branches it’s going to have, they find out as it grows. And I’m much more a gardener than an architect.”

I’ve written a prior post on outlining and the value of doing so in the short and long run of your writing.  I’m more of a rough outliner now than I was when I first started the Ravanguard series.  It came out of writing a minor scene found in the first book and I liked it so much, I decided to expand on the idea, developing characters and ideas until I had a general sense of where to start.

However, as I’ve been revising a lot these last couple of weeks, I’ve come back to this idea of being an architect or gardener, which is a term I heard a few years back when listening to one of my preferred Game of Thrones podcasts.  The phrase was discussed a bit and I looked for Martin’s quote.  Back to the present and I very much consider myself a gardener despite my attempts at thinking ahead and outlining subsequent books in the Ravanguard series.

I’m currently revising chapters 6-10 in “So Speaks the Gallows” (Book 1) and I’m reading through each paragraph, cutting, massaging, polishing, etc. with forethought and understanding I have now that I didn’t have back when I first wrote these chapters.  My point (and I do have one) is that I’m able to approach this revision process with a much-needed advantage I otherwise would not have had if I only tried to outline the future books.

Years ago, I had very rough ideas of where these plot arcs were heading.  Now that may sound a little chancy and reckless (it is actually) but I had enough faith in my writing to steer the story where it needed to go.  So, the gardener writing method was at full play in the beginning but as the years and subsequent books and novellas came into existence, I can now return and trim the dead branches and dig up the weeds, able to have a bit of foresight.

All of this encompasses my writing style.  I am not convinced this is the perfect way to write an epic fantasy series and I bet I could write a counterargument that even I would be convinced of.  But I cannot shake that this is my method.  I’ve worked at this for over a decade and found many things that work and don’t work, still adapting as I edge closer and closer to releasing the first Ravanguard novella to launch the series.

My medieval gardening tips are just that.  If you are a gardener more than an architect, continue to process and write in a way that works best for you.  Be careful of comparing yourself to others.  Writers are quirky folk.  Get too many in a room discussing process and method and you’ll have a real kerfuffle on your hands.

Call to Action: I’ll be pushing my newsletter throughout this month as we move closer to the end.  April 30th is the day you will be receiving the newsletter.  So if you haven’t done so (and I don’t know why.  It’s for free), please sign up when prompted on the website or go to the “Contact” form under the “About Adam” tab above ^^^  Just make sure to include your email address and in the comment section that you’d like to be added to the mailing list.

On This Day: April 10th – National Encourage a Young Writer Day

posted in: On This Day, Writing | 0

#EncourageAYoungWriterDay

Another “National Day” is upon us and as I will focus on this from tim to time for the OTD posts, they will be writer focused.  I’m really excited about this one though.  I still remember much of my emotions, story ideas and thoughts when I first started writing.  There was a new joy that I stumbled into and could not be stopped from advancing into the arena of storytelling.

Being self-taught in many ways (I was decent at English/Literature classes but nowhere near scholar level), there’s a great deal I learned and want to use this post as a lessons learned  for younger writers.  My hope is to provide some things I’ve experienced and come to value over the years.  All of this based on my own experience and I know I’ve touched upon these in previous posts but here’s more emphasis.  When you start off writing, you truly do tread unknown waters.  There are no dangers swimming underneath you, but rather, treasures that can be found if you know exactly where to dive and search.

These are the top words of encouragement I have for young writers in no particular order:

1. Finish what you start

Depending on your level of writing, you will no doubt (it’s more than likely but not definite) write something that’s not very good.  This is not a knock on you or your capacity to be a great storyteller.  Very few have likely had an idea, formulated the characters, settings, themes, etc. and produced a product that is instantly picked up by a publisher and released to the world without much revision or editing.  Has it happened?  Probably but I can’t tell you of any I’ve ever heard of (not unless you’re Bradley Cooper’s character in the movie, Limitless, and in that case, you should ditch the mind-opening drug.  It didn’t end well for him).

I was there.  I wrote my first book, thinking it was the next best thing.  It wasn’t.  I wrote my second book and thought that was better and would surely be my launching point!  It wasn’t.  Lol.  I’ve written my third book and only now am I convinced I’ve written a well-thought out story that only I can tell.  It takes time and patience and you have to be willing to fail a few times before you find success.  So, finish those stories.  Don’t touch them for a few months and return.  If you still feel they are worth your investment, begin editing and revising.

2. Don’t neglect doing your research

This is a big one and requires discipline.  It doesn’t matter what you’re writing.  Fiction or Non-fiction.  Biography or History.  Fantasy or Mystery.  All of these require a some level of research not only to be accurate but most-importantly: believable.  When I started writing my first fantasy book, I researched everything from characterization to culture.  Clothing, agriculture, and architecture.  None of these could be ignored because as I wrote, I ran into these aspects and knew I couldn’t use modern terminology or technology.  The lack of these were an obvious sign to my being an amateur.  Readers want to be immersed in the world but if there are obvious mistakes and/or inaccuracies when it comes to the time period and setting the story takes place in without reasonable explanation, then they will not keep reading.  That’s the opposite of what you want!

3. Read

No, seriously.  Read.  You cannot write well if you do not read.  Why?  Because there’s something that takes place in the brain when you read and consume content professionally edited.  You brain picks up patterns and conventions that you may know from school (elementary to high school English classes only to so much) but are denied later in life without practice and exposure.

One thing I wish I had done more of during my early years of writing is read more.  I probably only read a dozen books a year back then.  This is not enough.  I recently joined Goodreads.com and I recommend you do so to.  They have a yearly reading challenge that you initiate for yourself and are able to update and track your progress.  I only learned of this last year but I challenged myself to read at least 25 books.  I read 36.  That’s huge for me!  This year, I set my challenge to 50 books.  I have no idea if I can do that but that’s the point of a goal.

Also, read genres you wouldn’t otherwise read.  If you’re writing horror, then try reading romance or sci-fi.  Subject yourself to styles you’re not familiar with.  I could read fantasy at any time but it’s a chore to find something more dramatic or set in modern settings.  I’m purposefully doing this more and more because exposure to these other genres helps me break away from that fantasy box.  Non-fiction is a great starting place.  Find books about people or times in history that interest you.  When you understand real people and what motivated them or real historical periods/events, how they were influenced and how they impact the future, this transfers into your own writing.

Call to Action: Do all of these things!  In fact, if you’re not a writer but love to read, you can easily do number 3.

Women and Their Value in Fantasy Literature

posted in: Fantasy, Writing | 2

Today I’m exploring a topic that I’m continually conscious of in my writing and the writing of others in fiction.  How are the role(s) of women in the story, society and culture in which they live portrayed?  I’d also like to stress the value of women and whether or not they are used (I say that word lightly) in a cliché way or not.

Some background first.  I started reading more in high school and the book that hooked me (as I’ve stated in previous posts) was Robert Jordan’s “The Eye of the World” where women play a prominent role in those areas I stated.  What always intrigued me is how Jordan (being a man) was able to write such strong female characters who were all very different and distinct from one another.  As a high school freshman, this was new for me as were most aspects of storytelling.  Years down the road, I’ve come across many bad examples and good examples of women in fantasy.  Jordan did what I consider a very good job of depicting women whereas (I definitely have another well-known fantasy example that I could insert but…screw it) in Terry Goodkind’s Sword of Truth series women are often treated horribly and victims of despicable men.

(Side note: I only read the first book all the way through and part of the second but couldn’t finish the series.  If you’re a fan and you disagree, that’s fine but I’ll continue to stay away from that series.)

For myself, though, I never wanted to write women in a way that was cliché or in a way that would depict them as a means to the end for the masculine hero.  I never wanted to pack any of my characters into a box or tower so to speak to be rescued by a man.  We all know the story cliché (prominently featured in fairy tales) where a princess is the prize for the hero.  I have made it a goal of mine to avoid this at all costs and have changed plot arcs if it looked like this was to be approached.  Now, this doesn’t mean my female characters are never aided or helped by men.  They are but I make sure that is not the sole goal of the men and often have my women characters show they are just as capable of being heroes.

I planned on this post over a month ago but wanted to take a new approach.  I asked a few women close to me in life (all of whom I respect and value a great deal) what they want to see and read in fiction when it comes to women characters whether they’re protagonists, antagonists or supporting characters.  The following responses are great and will serve as references to me as I continue to write.

“Strong female character in fiction: I’d like to see a woman who is realistic. She is strong but insecure.  She is smart and loves learning and acquiring new knowledge and skills.  She is funny but an introvert who only opens up to a select few.  She has a good heart and great intentions, but can be flaky and selfish sometimes.”

“Historically, women who are strong are seen as arrogant, aggressive, or evil.  This is in both pop culture and literature (for example, Cersei in Game of Thrones).  The other end of the spectrum usually involves a very insecure woman who has been oppressed and almost ‘accidentally’ is thrust into a role where they save the world (for example, Vin in Mistborn series or Lirael in Garth Nix’s books).  For me, a strong female character that goes beyond these clichés would be a woman who has faced oppression (lets face it, it has happened and still happens) but instead of becoming self-deprecating, goes on a journey to discover that she isn’t what others have made her believe she is.  A truly strong woman has had doubts and trials, of course, but instead of constantly believing she isn’t worth it or disbelieving that she is the ‘chosen one,’ she recognizes the strength she has and continues to build on her strengths.  She becomes the wise woman who speaks up when needed and is respected as a wise woman.  She has her own hang-ups, for sure, but they aren’t that she is ‘too much,’ aggressive, insecure, or power-hungry.  Her hang-ups are that which we all suffer, to stay strong in the face of temptation, to connect with those we love on an authentic level, and to stand up for what is right in spite of opposition.”

“I want to see more female characters that aren’t the cliche trope of ‘needing’ men to help them. I want to see women that know their strengths and can be self-reliant but are also not afraid to lean on the strengths of the people around them. They are so self confident and secure in themselves that they are able to see the value in others. I’m tired of reading insecure women who feel like they have to hide their weakness and  prove themselves to the world. I want to read about women that let their biggest weakness become their greatest asset.”

I love these!  I’m gonna be honest with all of you.  I don’t know what it’s like to be a woman.  I know!  Shocking.  However, I have no delusional miscues that women are essential to the progress and benefit of society.  To limit or cast them in any role that would be lesser than would be to grant us all a great disservice.

It’s coming but I’m going to dote on my wife a little here.  I have often said that in marriage, every day is about learning for me.  I am constantly aware of who she is and the way she views the world, which is very different from me in many respects.  Her interests and passions travel along lines that I don’t always follow or have a grasp of but I make it a goal to show interest because its what she loves to spend her time doing and learning about.  I’m not always good at this and I often have to process things before I’m able to share in her enthusiasm (thankfully, she forgives me for this delay in response) but my desire is to know her better.  This is the same for the women in my stories.  I want to know them better so that their story is one worth telling.

My wife asked me on one occasion if I based any female characters on her.  I had to chuckle because there’s an adage in writing that says to never base a character on any people you know in real life.  It just doesn’t turn out well.  What I told her is I base all my female characters on women in my life whom I admire.  Their qualities can be found in each of the characters you will read about in my books.  Even the so-called “villains” and that’s not a slight.  Far from it because I don’t write antagonists from a stand point of being solely evil.  The best villains are those that are complete, having desires, fears, experiences, etc. separate from any other character.  Their motivations are based on these factors (see my prior blog post on writing believable villains).

I’ve had several beta readers who are women and I’ve gained a great deal of feedback from them about my women characters that has been beyond beneficial.  I loved being able to read their comments, converse when I had questions and taking their suggestions to heart.  Plus, I learned a butt-load of things about women I did not know and I’m all about learning when it comes to people and what makes them who they are.  Understanding the value in someone breaks away any misgivings or misconceptions and as I do that in real life, I can do it even better in fiction.

Call to Action: This one’s for the guys.  Whether it’s a friend, sister, mother, girlfriend or wife, I recommend talking to them.  Ask them questions.  Don’t be inconsiderate or selfish and seriously talk to them about what they think of things in our society.  Take it from me, you’ll learn something and that’s never bad.

Don’t Start at the Beginning

posted in: Writing | 2

Today I’m focusing on where to start a story.  I think about this often, especially now that I’m working on flash fiction every month.  Due to the length of these stories being anywhere between 300-550 words, I have to approach them in a way that instantly grabs and holds the attention of the reader.If I started one of these flash fiction stories in a place just before the action, giving you only the lead up and then cutting it off…  Well that is precisely a cruel tease by definition.  That’s not my goal though.  My goal is to offer you a gripping glimpse into a space of conflict.  Obviously, the limitations in word count force me to get to the nitty gritty of the story of the main protagonist.

Hence, my approach is to give you, the reader, a short, concise scene of intrigue and information.  I do have the advantage of working within the confines of a series (see Shoals to the Hallowed) where I am progressing a main narrative but by providing small vignettes instead of robust chapters of detail, theme, dialogue, action, and plot.  All of these are given to you of course but not to the degree you might prefer (that’s coming.  Trust me).

Starting a story in the middle of conflict is (in my opinion and that of many others) the best way to grab ahold of the readers by the eyes.  For myself as a reader, I’m not interested in being thrown into a story where it’s a slow build up to the first bit of action.  I often come across advice encouraging writers (especially new ones) to begin at the middle of the first bit of conflict.

Immediate conflict reveals a great deal through the eyes of the main and supporting characters.  How they react and respond to whatever the current trial is, opens the reader to who they will be spending a great deal of pages with.  Go back to some of your recently read books.  Where do they start?  Does that work or would you rather have seen it start before or after?

As a writer, I want to present every story with the promise that if you keep reading, you’ll continually be turning the page because there’s more forward progress coming.  I think there was a time in literature where a slow burn approach worked and paid off but the trend has definitely shifted.  How many stories start with some form of misdeed, violence or realization that instantly affects the life and belief system of the main character?  I’d argue quite a bit.  It’s in these places that we want to begin a story and go until resolution if offered.

Call to Action: We’ve reached April!  That means the newsletter is coming at the end of the month.  As a reminder, this is the first and could evolve over time but you’ll be getting lots of good stuff that I don’t necessarily share or expand upon here on the blog.  At the very least, you will be getting an exclusive Ravanguard short story I wrote especially for the newsletter.  Sign up if you haven’t yet!  You can do so when prompted on the website or jump over to the “Contact” form under the “About Adam” tab above ^^^  Just make sure to include your email address and in the comment section that you’d like to be added to the mailing list.  Thanks again for stopping by and reading!

On This Day – The Name of the Wind Published

posted in: Fantasy, On This Day | 0

This month’s OTD post will focus on a work of fantasy that really enraptured me as a reader.  I had heard of Patrick Rothfuss’s book, “The Name of the Wind” for a while but I was reading other books from my stack of “to reads” (you know that pile of fresh hard/paperbacks without the spine crease and that pleasing aroma of untouched paper).  It was a book I knew very little about but saw it recommended a lot of places.  I want to say I finally got around to reading it in 2011 during a six-month period where I was unemployed (I read a lot of books during this time).

I love to read.  Honestly, if you’re a writer but you struggle to read or find time to read, drop some time-wasters and make this a priority.  Stephen King famously said, “If you don’t have time to read, then you don’t have time to write.”  This just harkens (such a great word) back to my previous post about time management.  Priorities are key in our lives.  Reading should be up there near the top if you’re a writer.  If you’re not a writer, then reading should still be something you do because studies have shown, you are smarter by doing so.  A post of quotes coming at you.  Mark Twain said , “The man who does not read has no advantage over the man who cannot read.”

There are few books I’ve come across that kept me fully engrossed in the pages.  I love my sleep but every once in a while, I come across a book where I’d happily forego sleep to keep reading.  “The Name of the Wind” was such a book.

I’d love to give an in depth review of the book as a whole but I never want these blog posts to become long-winded and full of smoke.  And just like my first OTD post about Robert Jordan’s “The Eye of the World”, I want to focus on one aspect of the book and share how that has impacted me as a writer.  Here we go! (Dang…the “Raising Hope” theme song is stuck in my head.)

Language.  Yes, language is what still lingers with me whenever I think about “TNotW”.  Rothfuss has a great story about the years he spent crafting this book that would introduce him not only to the fantasy genre but literary world as well.  There is what I can only describe as a lyrical flow to his writing that makes the book easy to start and urges persistence to finish.  Music is a theme throughout the book and every bit a part of the main character, Kvothe, as his wild red hair and quick wit.

How has this affected me as a writer?  Well, I think the obvious answer would be, I learn from what I admire.  I don’t write like Rothfuss but I appreciate his ability with words, which lends itself to my own writing.  Recently, I’ve spent a lot of time with what I wrote years ago.  Doing so has been an “experience” to say the least.  I can easily take those old words and rewrite/massage and find a better flow because I’ve been far enough removed that I can recognize stale sentence structure better than before.  It’s not Rothfuss’ writing alone that has helped me grow but also time and maturing as a storyteller.

Clunky writing is distracting.  Anytime you’re reading and just get stuck on a certain sentence because you can’t understand what’s being said is usually because the words chosen don’t work or fit.  Rough and early drafts often have these problems.  The best thing to do is consider revising.  Obviously, those sentences have to be flagged or called out.  Beta readers are the best option but you have to find one who pays attention to detail and doesn’t gloss over these alarming sentences.

Writers depend on words.  We take what’s available and construct them in such a way that the reader comprehends and envisions the characters, world and conflict with ease.  That should be our main goal.  You can have a great idea, character, magic system, etc. but if you fail to construct a coherent framework of sentences, paragraphs and/or dialogue you will not attract readers.

Rothfuss is an avid learner and student who spent a great deal of time at university, tutoring and teaching.  This translates to his writing because he actually treats his readers like students.  He wants to teach you about the characters and world they inhabit.  All of which are fleshed out very well.  Don’t get me wrong, there’s a vast world introduced and mythos that serves as the main mystery and conflict that drives Kvothe in search of knowledge.  It helps that Kvothe spends a great deal of time at a university himself and takes classes from the very best of teachers.  Flow of phrase within the prose and dialogue come through in all of this in a way that you’ll be surprised when you read twenty to thirty pages without noticing.

I highly recommend this book to everyone.  Even if you’re not fond of fantasy.  You’ll enjoy the flow of the story and Rothfuss’s ability to pull you into the current.  I wish I wrote more like him to be honest.  I feel that my writing can get clunky at times and therefore requires me to spend extra time revising, but I’m satisfied with my style as I’ve matured and polished my voice, hoping I can solidify myself as a respected author.

Call to Action: Come on.  You know what I’m going to say here.  Read “The Name of the Wind”.  You won’t be dissatisfied.

My Essentials for World Building

posted in: Fantasy, Writing | 0

World building in fantasy is almost like writing a full story in itself.  All fantasy authors I’ve researched and read about on this topic usually have the same process.  You have to do it.  In order for a full-fledged world to come alive in the pages, the reader has to believe these are real places that the characters live in.

I’m going to go over a few essentials that I highly recommend all writers develop, especially in fantasy.  All of these are aspects I’ve written extensive notes on and should not be overlooked or put to the side.  You’ll actually be surprised how much your story rounds out when these details are included.

1. Culture

What is it that makes the country/nation/island/region what it is?  History, customs, holidays, government, religion.  These are musts.  Think about whatever country you live in or are native to.  How did that country come into being?  What foundation was laid and at what cost?  Did it face conflict in order to maintain its statehood (is that the word?)?  What has each generation brought and caused to evolve?  I would not say you need to write an entire history book but the most important details should be explored and be a part of the characters.

1a. Religion

This is a big one that I never paid too much mind to in my early days.  I usually left it to a monotheistic deity that encompassed a wide range of belief or unbelief.  Honestly, I was a bit lazy and didn’t think it was worth exploring further.  Now, in the Ravanguard series, I have five dominant religions that are very different from each other (with the exception of two that are closely related but different in some respects).  I found after fleshing these out and applying them to characters that they were much more interesting and their choices were reflected according to their beliefs, which is very much what we do!

2. Landscape

This kind of seems like an easy one.  Oceans, rivers, mountains, etc.  All needed to give the appearance of a convincing natural setting but there’s more than these staples.  Bays, copses, ravines, hills, etc. to name a few.  Study these.  Look up pictures to get a good grasp of what they look like and how they form.  THEN, look at how they are utilized by civilization.  Boom.  Full circle.

2a. Ruins

Are there ruins?  Would there be historical sites?  What significance do they play?  Not everything has to be to the level of an Indiana Jones adventure but unless its a new civilization, there are usually signs of prior populations where artifacts are left behind and/or preserved.

3. Dialogue

Maybe there’s a fantasy or just fiction novel that uses no dialogue to tell its story but I’ve yet to run into it.  We speak just as characters should to reveal who they are and their understanding of the world in which they live.  Giving characters their own voice can be a challenge especially if you have a large number of speaking characters within the story.  If I had to make a rough estimation of speaking characters in “So Speaks the Gallows”, then I’d have to say there are anywhere between 60-80 characters who speak.  Those who speak more than a sentence or two shaves that list down quite a bit but I’m still writing the voices of a large number of people who I am telling you, the reader, is an individual and has their own history, experiences, beliefs, convictions, humor, dreams, etc.  Try handling all that and remaining sane!  I do and as I’ve spent time with these characters (some for the better length of three novels), their voices are as clear as crystal.

3a. Dialect

As I said with the religions above, that also means I’ve developed multiple forms of dialect, which includes vocabulary and slang.  This takes practice.  When I started out, all my characters talked the same as if they were all born from the same village.  It has taken years of writing and years of practice writing dialogue to be able to distinguish the speech of individuals from the place they came from.  I wish I could say I studied and did research to a great extent but I didn’t.  I’ve done a little but most of any differences you will find in speech between regions, nations, etc., is purely organic on my part.  I have those places and the people in them developed enough that they speak in a manner that I know how they would be differentiated.  The hope is that it translates onto the pages.

All of these elements are important in fantasy literature.  From Tolkien to the more modern writers, we can find great examples of worlds given great consideration.  Even in the fantastic genre, readers want to believe the world is real enough to be lived in.

Call to Action: Are there any other world building elements you think are just as important?  I’m sure there are.  I’d like to eventually write blog posts devoted to some of these and my experiences with them, especially since in my three major series that I have in the works, there are vast differences in the worlds.  Those may be in the writing queue.

Viewer’s Storytelling Recalibration

posted in: Fantasy, Writing | 2

My wife and I watched the latest Disney animated feature, “Moana”, this past weekend and while I loved the movie, there was something that made my creativity gears start working (this happens alot when I watch shows or movies) and I wanted to share a bit of this…processing I possess.

This is not a review of the film.  Honestly, there is no reason not to see it.  Great music, story and humor throughout.  Fun for everyone!

So, this is what happens and I blame it on the writer in me.  I will often be watching something, and I’ll all of sudden wonder why a particular story moved in the direction it did.  Why did the character do that?  What caused that factor to play a part?  Why did they decide to shift the story in that direction?  All of these hit me from time to time and my wife knows because (only if we’re at home), I’ll pause what we’re watching and begin to tell her what they should have done.  Yes, I’m that guy but only when it comes to my wife and I watching something alone.  Don’t worry, I won’t do that if we’re ever enjoying a night in with friends in front of the old flatscreen.  I’ll hold my tongue.

Back to “Moana”.  This hit me (the most recent episode of what I’ll call “viewer’s storytelling recalibration”) when in the beginning I realized we’ve sort of hit on what a lot of Disney, Dreamworks, etc. animated movies do.  How many times do we see the theme of the main character, who has a dream, want to fulfill that dream but authority figures in their lives prevent them from doing so “for their own good”.  Without jumping on any kind of soapbox, I will admit the theme of rebellion against parents is kind of overused here and maybe not the best thing to teach children.  I digress (let’s avoid that whole mess of moral discussion for the time being).  So my “VSR” episode took place when Moana wants to sail across the sea but cannot because her people do not do that.  They stay to their island.  Guess what, she sets sail anyway.  But my thoughts went in another direction instead and wondered why they can’t explore another theme like say…conquering fear?

I paused the movie and asked my wife, “Why can’t they have her (Moana) sail the ocean at a young age but fails and then becomes afraid of the ocean?  This prevents her from even going near the water.  Then, something happens and she has to sail in order to help her family/village/island.  Why don’t we see this theme in these wonderful animated features?

Maybe I’m off but I can’t help but feel this is a great theme to explore, especially for children.  Rather than saying to them, “you’re fearless and no one should stop you from your dreams,” why can’t they say, “you were fearless, you tried and failed and became afraid but there’s an opportunity in the future for you to conquer that fear”?

These thought processes are not always fun to deal with.  As I’ve stated before, my mind wanders to my stories all the time now and I begin to “plot” or consider scenarios.  This has spilled over into the movies/shows.  I feel doomed…  No, not really.  I take it as a sign that I’m always creating and looking at stories from other angles.  The hope is that I can recognize in my own writing to avoid the obvious path.  Too often, the story takes a turn to the left when I planned or expected it to go right.  These are great moments.

Call to Action:  Am I wrong about the theme I stated in “Moana” and other animated features?  Am I missing something?  Let me know.  Thanks for reading!

Slow Burn the Beginning

posted in: Fantasy, Writing | 0

I recently finished a book that started off in a way that I just didn’t prefer.  While the book as a whole was fine and had some interesting concepts and characters, I could not shake the way it started.  So, I figured I’d share and discuss this a little (this is just my opinion and in no way a rule).

The book, “The Garden of Stones” by Mark T. Barnes, is fantasy that leans towards the “epic” sub-genre.  This means there’s a vast world inhabited with diverse cultures, languages, magic systems, etc.  I have no problem with this and often gravitate towards these stories as a whole (I’ve widened my range of reading considerably the last few years though).  My problem and this was evident in this book, is when within the first ten pages I am inundated with names, places and things all at once, I automatically have to push through, trusting the story will shape itself into something I will enjoy.

(Just in case Mark T. Barnes ever comes across this blog post, I hope he knows I respect his style and enjoyed reading, happy I finished the book.  This is not a review.)

My preference and the way I choose to write my books is to start small and let the world as a whole expand in a gradual but evenly paced track.  Short of like a narrow passageway that becomes wider and wider until the whole of the cavern is open.  There are advantages to this approach that I’ve found to be more appeasing to the reader who is already trusting you to take them on a journey.

The number one advantage to not throwing the reader into a whirlwind of information is that you give them time to get comfortable with the writing style and initial characters introduced.  The world should be shown through the eyes of the main point of view character.  The reader should not be told anything that the main POV would not themselves know.

For example, if Frodo had been introduced and already knew about the One Ring, its history, Sauron, the Nazgul and so on, then we would have been denied his natural reaction and learning of these forces.  Let’s take Harry Potter next (I know I use these two different sources to make use of my examples but I feel they are the most widely known along the literary spectrum.  Having the movies helps too, hahaha!).  Harry is naïve to the wizarding world as he should be.  How in the name of He Who Shall Not Be Named is he supposed to be aware of that hidden world!  Discovery.  This is the key (and second advantage).

This is more prevalent in the sci-fi/fantasy realm of books and may cross over into general fiction, but discovery of the unknown is the greatest asset to the story!  As a reader, I want to discover who the main protagonist is most of all and that includes the world they live in and all that entails from society to the more ethereal aspects.  Show me these things through their eyes and understanding.  I prefer a slow burn at the start.  It’s what keeps me engaged.

Now, you may be one who likes a rush of the world thrown at you (find Barnes’ book if you do) and that’s totally fine.  No fault on your part.  I simply think it’s more beneficial to learn as a writer not to set out all ten courses on the dining room table rather than going from course to course.  You savor what’s put in front of you in the beginning rather than ignoring it, only to be told it was really good but now its cold and stale if you dared try to return it.  Stories are an adventure.  We shouldn’t be given a straight shot to the end.  It should zig and zag with small and great surprises along the way!

Call to Action: Are there any books that do this?  Were you turned by the method of storytelling?  Comment with examples.  I’m curious to see what’s out there (not necessarily to avoid, just as a reference).

Book Art Coming Soon


Some more news to share with everyone today.  I’ll be working with a friend who is off at college and has a project he contacted me about.  This is also my friend who helped me launch the website and blog.  Major thanks are still in order for his help.

The project involves creating art and material for book promotion.  So, we’ll be working together in the coming weeks and hopefully have some things to share and use on the website.  I’ve got lots of ideas and a style I want to pursue that can spread across my writing projects.  Getting art specifically related to the different stories and worlds of the Ravanguard, Evinsaale and Shoals to the Hallowed will be quite the task.

For the book cover, we will be focused on the first novella, “Dim the Veil”.  I’m all about subtlety and minimalism when it comes to book art.  Some of my favorite are below.  This is not to say I’ll be copying these designs but looking for inspiration.  It’s these things I wish I was versed in.  I’m always thinking I should take graphic design classes but I really don’t know if I could add that to my plate and maintain my sanity.

So be on the lookout for these developments.  I’ll also be looking at making some aesthetic changes to the website/blog.  There are some features I’ve come across on other sites that I like and want to make available on my site.

The first newsletter is still set for an end of April release.  If you haven’t signed up, I implore you to do so.  With this new development and book art project coming, it may increase the content released.  I’ll definitely be exploring a newsletter art design as part of our to do.  Bookmarks?  Would anyone be interested in a bookmark gift or a brochure that serves as a primer for any of the series I’m working on?  These are all ideas worth exploring and being able to give out to those of you who sign up.  So make sure to do so!

Your continued support helps keep me going (I’d still write and release my writings no matter what.  Let’s be honest, hahaha) but I do appreciate all the kind words and whenever I get to talk to someone about my stories.  It’s fun to share and I look forward to growing my readership in the coming years.

Call to Action:  Follow me on Twitter @adamhenderson49, Like my author’s page over at Facebook https://www.facebook.com/adamhenderson49/, find me on Goodreads.  Stay connected!

It’s Not a Rewrite…sort of


A bit of news for everyone in today’s blog post.  I realize those who come here to read my thoughts don’t necessarily want to always read “how to” posts.  I get that.  I’m still finding my stride.  However, I do have a new development for book 1 of the Ravanguard series, “So Speaks the Gallows”.  Is that name in your head yet?  I’m hoping that it and “Dim the Veil” get more and more affiliated.

One of my good friends, David, and I have been hard at work the last few months going page to page in SStG (a little acronym action for you).  This involves us meeting up once a week and going over whatever he’s read since the last time we got together.  This has been an invaluable time for me for several reasons.  David (we’ve been friends for more than twenty years, which is crazy to think about!) is an avid reader.  Not just of fantasy but all kinds of genres.  He has an amazing memory and attention to detail in what he reads, which means he’s the perfect beta reader for me.  He sees things that I as the writer and editor gloss over.  It’s sort of the problem a writer runs into after they’ve been working on a story for several years.  A new set of eyes does wonders!

Now, I’m onto my fourth draft of SStG and that means I’ve looked at all 38 chapters and 450+ pages of the story a lot.  So much so that it’s difficult to remember the smaller details.  I have a glossary I’ve kept over the years but it’s in bad need of an update.  This is extremely difficult to maintain but necessary with the scope of the Ravanguard series (remember, I have written three novellas and books set in this world with more coming.  It is expansive).  I say all of this because it’s led to a wrinkle that I need to attend to.

I added the prologue of SStG last year after not being satisfied with the way the book starts.  David had already read some of the book before I added this small insert.  As he’s continued to read the book, though, he has made it clear (and I appreciate his honesty) that my style of writing is not consistent from the Prologue to the later chapters.  I had a suspicion of this early on but wondered how much of an issue it may be.  Lo and behold, it’s evident now that I need to do a deep edit of the book.

Consistency of flow and style are essential and very important to me as a writer.  I have my own style and with anything, I’ve grown in my skill (mad skills).  As an exercise, I took the first five chapters of the book and from paragraph to paragraph, I massaged everything from details to dialogue.  I was extremely pleased with this practice and know this is my next step moving forward.  My hope and goal is to finish the entire deep edit before this summer.  Priorities take precedent (as I stated in my previous blog post about time management).

I’m bringing this to light because I want my readers to be aware of my journey and process but also because I want my writer brethren to not be disappointed if they discover their growth may force a rewrite/deep edit.  Don’t be disheartened.  Take a breath and trust in your abilities.  Don’t rush the process.  It’s more important that you write the best possible story only you can write.  Put on your gloves, lace up the boots and climb out of the dense forest that is your story.

Call to Action: Pray for me, ha!  It’s okay.  I’m not upset like I might have been ten years ago at the thought of having to rewrite my book.  If it’s about getting published one day, then I need to be willing to make this a priority.  As for the real Call to Action, consider your creative passions.  Can you think back to when it was difficult and now it all comes with ease?  Settle into that growth and be thankful you’ve grown and matured to such a degree that you are no longer struggling with the smaller things.  That’s the goal!

Best Supporting Role

posted in: Fantasy, Writing | 0

For me, rich stories involve a great deal of detail, forethought and most of all believable supporting characters.  Focusing on the latter today, I’m always thinking about the characters I consider to be placed in the “support” role.  Some are bras and some are jock straps (I’ll give you a second to consider that and all the nuances entailed, lol).

Sometimes, these characters can be glossed over, especially if they serve more as place holders than actual aids to the main protagonist(s) of the story.  There are clichés (plucky sidekick or daft henchman) and we can often locate those with ease.  The best, however, are those that actually play such a role that if removed, the story arc would suffer!

Where would Frodo be without Sam?  What about Harry if any of the many supports he had were gone (not counting Hermione or Ron because frankly, they’re more quasi-protagonists than supporting)?  There are countless other examples of this that I could go into but I think you get what I’m throwing at you.

The absolute best advice I’ve come across when it comes to writing and including supporting characters is that in those characters’ minds, they are not secondary. In other words, they have their own history, experiences, virtues and vices that make up their persona.  All of these should be included and evident during their scene(s).  Obviously, you will have stories where there are nameless, stand-ins who serve a broader role, especially if they make up the collective of a population, mob or army but those that actually speak and lend action to the story must be more.

Whenever writing these supporting characters, I always envision them having qualities both in physicality and personality that are unique to them.  For example, I recently started the fourth novella of the Ravanguard series.  The main protagonist is a woman who hires the service of a somewhat ruffian type who swears, loves to gamble, but hates to drink and has an extra pinky on his left hand, which has earned him the nickname of Two-Pink Simm.  That’s the most basic description I can give (you won’t be seeing him in readable form for a few years.  Sorry.  I’m working on it) but it gives you a lot of information.  The question automatically is: Why doesn’t he drink?  What’s the story behind that?  That’s a good question to ask and one that lends depth to him that may or may not be explored.  It’s a wrinkle of character that in my mind needs to be there.

Supporting characters should also be voices of dissent, challenging the main protagonist from time to time when there’s other options not yet explored.  No “yes men”!  What’s their personal agenda?  This is something that should be at the back of our minds when reading and coming across a portion of story where the supporting character says or does something that seems a method of contention.  This doesn’t mean they are a rival/antagonist but an opposing voice.

Let’s consider our own lives.  Do you have a friend (supporting characters are often friends, maybe an acquaintance) that you love and trust but they challenge your words or actions from time to time?  If yes, then keep that person in your life!  If you have one that is the opposite (remember what I said about the jock strap type), then don’t get too attached.  I have a few friends who I know I can be honest with about all kinds of things and know that if they disagree or have another way of approaching a situation, it’s not because they want me to fail.  They want me to succeed but not be hasty or irrational.

True support lends itself in beneficial ways that does not necessarily mean they benefit from the outcome.  I hope this all comes through the way I intend.  Stories are far more envisioned when the people whose point of views we, the readers, are denied but are ones we would love to peer into the minds of!  (This is actually something I struggle with because I would love to write from the POV of some of my supporting characters from time to time.)

Call to Action: Find those supporters in your life and thank them!  Go one step further and buy them a Starbucks gift card (I fully expect a full slew to be sent to me, ha!) and let them know you appreciate them.

“Logan” Reaction

posted in: Review, Writing | 2

As I’m writing this, I have not seen the movie yet but I wanted to sort of provide this “before and after” approach.  Just as a heads-up, this is and will be a bit of a nerd post.  If you’re not familiar or care about the Marvel Comics character, Wolverine aka Logan, then I understand if you sort of gloss over it.  But, if you have time and want to just get my take on something relevant and entertainment related, keep reading!  Maybe I’ll peak your interest enough in the character that you’ll go see the movie.Some history first.

I’ve been a fan of the X-Men franchise/world ever since I can remember.  I grew up watching the early 90s cartoon that was on Fox.  This led to an interest in comics, video games and even collecting trading cards if I could find them.  Wolverine was always one of my favorites.  When you’re a kid, as I was, he’s a favorite because he’s cool.  Plain and simple.  He’s a brash brute with claws that pop out from between his knuckles and has a super healing power that means he can take a punch, kick, shot, stab, flying truck (whatever the bad guys want to try).  How can you not like that?!

It’s not until I got older that I understand the complexity of the character.  Without going into a long otherwise highlight reel of his history in the comics (I’ll point you to Wikipedia’s page for the long read https://en.wikipedia.org/wiki/Wolverine_(character) ), I’ll simply say he’s a tragic character who is a lone, tortured soul amidst the din of a chaotic world.  He’s faced hardship after hardship and continually battled his inner demons.  Never wanting to be the hero but led by a code that drove him to battle injustice.

Now, I’ve followed the films since 2000’s “X-Men” directed by Bryan Singer.  Back then, it was amazing to see this character in real life, portrayed by Hugh Jackman who I had never heard of but embodied the character of Logan perfectly (it never bothered me that we didn’t get to see him in his iconic yellow and blue costume).  Think about this.  He started in 2000 and we’re into 2017 now and Jackman has played the character in nine films (some only as a cameo).  That’s crazy to think about!

“Logan” is supposed to be Jackman’s last go of the character (that could always change so we’ll have to wait and see) and is supposed to be loosely based on the “Old Man Logan” graphic novel, which is not for kids (be advised).  There will be deep deviations from the graphic novel for various reasons but the film based on the trailers will be self-contained and a tribute to the character in all his glory.  Speaking of trailers, whether you’ve seen the film or not yet.  I admit, there was some man tears produced at the visuals accompanied by Johnny Cash’s cover of “Hurt” originally by Nine Inch Nails in the first trailer.  Haunting yet enrapturing.

This is the end of my pre-viewing of the film.  The following paragraphs are my initial thoughts:

They went full berserker!  Saw the movie yesterday and let it process overnight before I wrote up my thoughts.  I’ll preface this by saying this is more a reaction than review.  Reviews tend to be stuffy and sometimes technical whereas I want to give my impressions on the characters, themes, etc.

There will be no spoilers!

“Logan” was by far the most human X-Men/Wolverine movie yet and I hope it’s an upward trend.  For the first time, this felt like a real world where mutants actually lived in.  The past films have had this sort of “comic” motif (duh… but you know what I mean).  End of the world/big baddie bent on destruction sort of thing.

This film aimed for the heart and person of an aging, wounded Logan who was still led by his code, though he’s constantly fought it from film to film.  The relationships here are the prize.

It reminded me a great deal of the relationship explored in the Playstation 3 game, “The Last of Us,” where an older man is tasked to escort a young girl to a safe haven in a post-apocalyptic world ravaged by a virus that turns the infected into zombie-like creatures.  She’s immune and while he struggles to believe something greater could come of the journey, he eventually finds her to be hope for the future and a reason worth living.

We kind of get the same thing in “Logan” but like I said, this is about exploring relationships.  From Logan to Professor X to Logan and the young girl, Laura, we see the importance of family.

Now, this film is not for the squeamish.  It’s very violent unlike other X-Men/Wolverine films, which have more of the “comic” action.  I would not say that I am desensitized to violence, blood and gore.  I grew up during the days of violent video games being the trend (Mortal Kombat!!!!) and have seen my fair share of the ridiculous in films.  Still, there are some things I don’t particularly care to see when it comes to violence.

Logan’s healing ability makes him a prime candidate to have crazy violence committed against him to show the audience he can withstand whatever weapon may come against him.  I say all this because the violence in the film was crazy brutal but it felt warranted and necessary.  Throw the eleven-year old, Laura, into the whirlwind and you just feel your adrenaline rising.  Both my wife and I had to take a relaxing break afterwards because the intensity just rose and rose to the nth degree until the very end.

My overall impression and reaction to “Logan” was a metaphorical hard clap (never clap in the theater after a movie…seriously, we’re better than that).  X-Men: Days of Future Past has been my leading favorite X-Men movie but “Logan” jumps to number one.  This was everything I’ve wanted in a superhero movie.  Christopher Nolan’s “The Dark Knight” showed what a realistic, human superhero can be and few have tried to follow that model.  It took a few years but “Logan” did it, staying true to the character of Wolverine.  Highly recommended even if you’re not familiar or fan of the character.

Call to Action:  See the movie and share your thoughts in a comment.  The whole X-Men timeline confusion might leave you asking some questions but that is minimal at most.  This was a fantastic film and I truly hope we see more in the near future of this caliber.