Stranger Things: Rewatch of Episode 6

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The Monster

Recap:

We pick up right where the last episode left off with Jonathan looking for Nancy while she crawled into the Upside Down.  Their calling out to each other, voices all weird and distant, while Nancy is hiding from the Monster.  Just as Jonathan comes across the hole in the tree, Nancy’s hand bursts out for a pretty good jump scare that got me (I feel like I should have called out some of these jump scares in previous episodes.  My bad).

Stevo and his gang of jerks are driving to Nancy’s house so he can see her but upon looking through her window, he sees Jonathan on the bed with her and jumps to conclusions.  Nancy is definitely traumatized by the experience in the Upside Down and the Monster so she asks Jonathan to stay and we get some funny awkwardness between them (I seriously have to ask where her parents are at because this is twice that she’s had guys in her room at night).

In the morning, Jonathan wakes to find Nancy looking at a kids book of animals–predators to be exact.  She tells him how she thinks the Monster has predatory tendencies and makes the connection between the it and being drawn by blood (we’ve known this since Barb was taken but the injured deer gives further proof).

 

Hopper shares his findings with Joyce and when he mentions the kid’s room in the Lab, Joyce asks if a drawing on the wall was “good” because we’ve seen in some flashbacks that Will’s got a decent artist’s touch.  Hop eventually comes back to the story he read about Terry Ives (remember her?) and that she claimed to have had a daughter taken by Dr. Brenner.  More investigative work and Hop gets an address.  He and Joyce drive to Terry’s sister’s house to talk to Terry but find she is not all there after years of drug use.  Some background information from her sister reveals that Terry was pregnant when she was a test subject for Brenner.  We get a direct mention of Stephen King from Terry’s sister, which makes me think of Carrie or Firestarter, which are two stories about girls with telekinetic powers.  They leave without much else to go on.

There’s a quick scene with Mr. Clarke being visited by the lady who killed Benny back in episode 1.  Don’t worry.  Our favorite science teacher is not harmed but we know the Hawkins Lab folks are on the trail of the boys and Eleven.

Dustin is the voice of reason, doing his best to bring peace between Mike and Lucas.  As boys do, they fight and make up.  At Lucas’s house, he listens to Mike and Dustin but he’s not willing to search for Eleven ahead of searching for Will.  So while Dustin and Mike set out to find Eleven, Lucas goes on a solo mission, looking for the gateway to the Upside Down to find Will.

A flashback of Eleven going back into the sensory deprivation tank, assured by Brenner she can’t be hurt, is cut off when she wakes in the woods.  She goes to a nearby grocery store, steals some eggos and causes a scene as the store manager tries to confront her.

 

Jonathan and Nancy are at a surplus store and buying all kinds of supplies including: gasoline, ammo, and a bear trap (all the things you need).  They tell the clerk they are going monster hunting, which is such a good line and moment.  As they’re leaving, someone drives by telling Nancy they can’t wait to catch the movie.  Nancy rushes to the nearby theater and finds that someone spray painted her name and a less than cordial term.  She finds the perpetrators, Stevo and his cronies, in an alley and confronts them.  Jonathan shows up and eventually a fight between him and Stevo ensues.  Jonathan is the clear winner and we get a great Karate Kid moment where one of Stevo’s friends tells Jonathan that Stevo’s “Had enough, man!” (Cobra Kai!)  The cops show up and Jonathan and Nancy get taken to the police station.

This episode finishes strong.  Lucas is off on his solo adventure only to come to the fence line of the Hawkins Lab where he sees military personnel on the facility grounds.  Meanwhile, Mike and Dustin are on their bikes, come across the grocery store Eleven just made a scene at, and immediately figure she had something to do with the cops there.  The mouth breathers (the bullies) show up and the boys are forced to run, eventually ending up at the quarry.

One of the bullies has a knife and catches up with Dustin (this reminds me of Henry Bowers in IT and the horrible act he commits against Ben).  The bully tells Mike to jump off the ledge and into the quarry lake or he will hurt Dustin.  Mike complies because he’s just a good friend.  He jumps, shocking them all but when they rush to the ledge, they find Mike suspended in air.  He rises up and we find that Eleven has come to save the day!  She knocks one of the bullies over and breaks the arm of the knife wielding mouth breather (so satisfying…is that bad?).

 

As Mike, Dustin, and Eleven have themselves a group hug, she tells them she thinks she’s the Monster and we get a flashback where she finds the Monster in the blackness facing away from her.  She approaches it from behind and eventually touches the Monster, drawing its attention to her.  Everything in the lab goes crazy and we realize that this action caused the rent in reality.  Her making contact opened the gateway in the lab basement! What?!?!

Reaction: A solid episode once again (I don’t think there’s one that’s not necessarily fast moving, progressing the story).  I remember the revelation of Eleven’s touching the Monster in the blackness causing the gateway to be very satisfying.  I just liked that it was that simple.  Brenner was playing with fire and brought this phenomenon to the real world.  It’s a solid story plot element that doesn’t “reach” and the fact that Eleven thinks she’s the monster is heartbreaking and a great character moment for depth.

80s Refs: Carrie, Firestarter, Karate Kid.

Call to Action: Just because, go back and watch Karate Kid.  Such a classic.  Sweep the leg!

Stranger Things: Rewatch of Episode 5

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The Flea and the Acrobat

Recap:

We’re half way through season 1!  I really consider this episode to be the turning point.  At least for me, it was here that the show took a turn that I wasn’t anticipating and it was for the good.

Hopper breaks into the Hawkins Lab accompanied by some epic synth. You kind have to wonder what his background is before Hawkins because he’s got a knack for sleuthing about.  Security eventually catches up to him at a locked door but you can’t stop the Hop!  He punches his way to gain access through the door and finds himself in a quarantined area where there’s a room that’s clearly a kid’s room.  Security is on his tail though and he takes the elevator down in to the basement where he gets a big eyeful of the portal on the wall before being knocked out.

 

Joyce is being “comforted” by Lonnie and we can quickly tell this guy’s up to no good.  He tries telling Joyce she’s grieving from Will’s death and she’s delusional.  Jonathan comes home to find the house in more disarray and Joyce’s recent axing of the wall doesn’t shake him as we might expect now that he’s leaning towards believing her.  We get a quick exchange between Lonnie and Jonathan where Lonnie tells Jonathan to remove an “Evil Dead” poster from his wall because it’s “inappropriate” which I find humorous and poignant as it’s a classic film about evil crossing into the real world.

The boys and Eleven are back in Mike’s basement discussing what they heard Will say over the ham radio.  Two distinct descriptive things were that he was in a place “like home” only it was “dark”.  Eleven tells us what that means by saying “upside down”.  Still confused, Mike recalls Eleven flipping the D&D board and placing Will’s wizard figurine and the Demagorgon on the black field.  Dustin, whose much smarter than people give him credit for, calls it the Veil of Shadows and gives us an explanation of a bleak and desolate place that mirrors the real world (sound familiar?!).

Will’s funeral takes place and then a wake and while the majority of the attendees are sad and grieving, we see all our main players putting on a show because they know or at least are convinced Will is not dead.  Jonathan and Nancy are especially not interested in the event, steal a gun from Lonnie’s glove compartment, and prepare to search Mirkwood, believing the sightings of the monster will lead them to find “something” that will help them locate Will and Barb.

We get my favorite part of the episode when the boys find Mr. Clarke and ask him about alternate dimensions.  Always willing to teach, Mr. Clarke explains to them the metaphor of the flea and acrobat, explaining how an acrobat can only go backwards and forwards on a tightrope.  A flea, however, can go along the sides and upside down (wink wink) on the rope.  The boys ask how they can do what the flea does and Mr. Clarke explains that a lot of energy would be needed or in this case a doorway or gateway would need to be opened in order for them to access that point of entry.  Such a portal would mess with the gravitational field of the real world and the boys have their lead!

Hopper wakes up in his place, not knowing how he got there.  He goes full paranoia and begins searching for a surveillance bug, breaking, ripping, and cutting his way until he finds one in the ceiling light.  His deputies show up to tell him more people have gone missing in Mirkwood and that Barb’s car was found at the bus station.  Something stinks like last years gym clothes…

Joyce finds some legal paperwork that looks like Lonnie wants to cash in on suing the quarry company for negligence and Joyce’s suspicions are confirmed.  She kicks his butt out of the house.  Hopper shows up later, telling Joyce to say nothing.  They check the Christmas lights (all of them apparently) and find no bugs.  After the all clear, Hop tells her he’s being watched. He tells her he went to the morgue and “Will’s” body was fake. She was right the whole time!  Hop’s on the scent.

 

The boys try to explain the flea and the acrobat to Eleven but she doesn’t know where the gateway to the Upside Down is.  Led by Dustin’s testing of compasses, they set out in Stand By Me fashion, following train tracks as they follow the compass.  During this time, we get a flaskback where Eleven is fit with a diving suit and descends into a water tank that reminds me of James Cameron’s Abyss.  Back to the present, Dustin says they made a loop, cutting through a junkyard and Lucas blames Eleven of sabotaging their efforts, saying he saw her wipe her nose.  Fresh blood on her sleeve confirms she was messing with the compass with her powers and an all out fight ensues between Lucas and Mike.

Eleven uses her power by screaming (eh what?) to keep Lucas from hurting Mike, launching him backwards and hurting him.  Back in the sensory deprivation chamber, Eleven finds herself in a strange place that is all black with water on the ground (not the Upside Down but I’ll call it the blackness).  She finds the man she’s supposed to find for Dr. Brenner and his words transmit into the lab. Next, Eleven hears the Monster, knowing she’s not alone and runs, waking in the water tank.  Lucas comes to and he’s extremely pissed off, storming off.  Mike and Dustin notice Eleven has disappeared and we see our group fractured.

Nancy is in her garage swinging a Louisville Slugger around (choke up, Nancy!) when Stevo shows up.  He’s trying to make amends and asks about Barb but Nancy’s in no mood as she prepares for her and Jonathan’s plans that night.  Not even Stevo’s saying he looks like Tom Cruise and singing Bob Seger’s “Old Time Rock n Roll” will make her budge.

After Jonathan shows us he can’t hit the broadside of a barn with the gun and  Nancy can shoot the wings off a fly, they go off into Mirkwood with some kind of a plan (I’m still trying to figure out what their goal was even if they found Will or Barb).

 

Night has fallen and they come upon a deer that looks like it was hit by a car.  Wanting to put it out of its misery, Jonathan aims the gun but before he can pull the trigger, the deer is ripped away into the brush (one of the better jump scares in the show).  They follow the blood and look around before they get separated and Nancy notices what can only be described as a hole at the base of a tree.  It’s got some oozing grossness happening and like an idiot, Nancy crawls in (watch a horror movie, Nancy!).  Bad idea.  She finds herself in the Upside Down and comes across the Monster chomping away at the deer.  She steps on a branch and the monster jerks around opening its face which is reminiscent of a flower’s petals opening.  But this isn’t your traditional daisy.  No this things got rows of teeth!  We end on that chilling note.

Reaction: This is probably one of my favorite episodes.  The flea and the acrobat metaphor is one of those iconic things about the show and something I think will be relevant throughout the series.  I can’t help but think characters just do dumb things though.  Nancy crawling into the opening at the tree base into the Upside Down is one of those brainless things writers have characters do to move the plot.  I would have written it different. I haven’t had any moments of that so far but this one makes me mad as a writer.

80s Refs: The Evil Dead, The Abyss, any teen horror slasher, All the Right Moves with Tom Cruise

Call to Action: Watch Mr. Clarke’s explanation of the flea and the acrobat.  Such a great moment! (Sorry about the spanish subtitles…)

Stranger Things: Rewatch of Episode 4

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Episode 4: The Body
 

Recap:This is a sad one because we fall into the emotions of Will’s body being found in the lake at the bottom of the quarry.  Hopper does his best to deal with Joyce and her continued downfall into supposed insanity.  She remains convinced she’s talking to Will through the lights.  He uses the loss of his daughter as a means to assure her that she’s grieving and should do so.  The addition of saying the monster with no face coming through the wall (there’s no evidence of this as it looks like the wall “repaired” itself) does Joyce no good either.  Once the cops leave, we see Jonathan dealing with everything in his own way (trapped in music like teens often do) while Joyce is grabbing an axe from the shed, ready to protect herself if the monster returns.

Mike is grieving in his own way down in the basement, pushed further into anger as Eleven sits off in her makeshift tent, messing around with his walkie talkie.  Things change rather quickly though when Will’s voice breaks through the static, singing “Should I Stay or Should I Go?”.  Eleven’s nose bleed suggests her powers go beyond just the telekinesis.

Mike stays home yet again (good thing he has such understanding parents) and reaches out to Lucas.  After some effort, Lucas agrees to get Dustin and bring him over to Mike’s who knows Will’s alive.

Police Chief Hopper is at the morgue and discovers state police performed the autopsy on Will’s body which doesn’t fit and prods his suspicions.  Joyce and Jonathan are there too to identify the body.  Jonathan gets sick and leaves while Joyce asks about a birthmark.  Hop and Jon talk a bit about Joyce and her strength before she storms out, screaming that that “thing” on the observation table is not her son.  We see a heated argument between Jonathan and Joyce out in the street (for all to see!) and they’re at definite odds about the body and what to do next.

The boys are altogether and listening for Will on the walkie talkie as Eleven tries locating him again.  Dustin compares Eleven to Professor X (this kid’s the best with his moments of levity) as she tries to connect to Will but as she’s unsuccessful, they form a plan to take her to their school to use Mr. Clarke’s ham radio.  Paying homage to E.T. once again, we see Eleven dress up like a “normal” girl with a blonde wig and dress in order to break her in.  When Eleven looks in the mirror, you can see the joy in her face as she says she looks pretty, a compliment she gave when first seeing Nancy’s picture.

Things go Poltergeist yet again when the Hawkins Lab folks send one of their own, a guy named Shepherd, into the fungal portal in the basement.  Fit with a retractable steel wire get-up, he goes in and things get weird fast as he runs his hand over the portal opening, tearing away the “gunk” only to see it reform on its own.  He goes through, loses communication with Dr. Brenner on the other side, only to finally report in, be attacked by something, and we never see him again.  All that’s left is the bloody harness at the end of the wire as it retracts.  This sequence also kind of reminded me of Dallas going into the venting system of the Nostromo in Ridley Scott’s “Alien”.  I think if we could have seen Shepherd in the portal dimension, we could have got some good old fashioned suspense!Nancy tells Stevo about seeing a guy with no face in his yard, to which he’s more concerned about the cops investigating and finding they had booze at the party (way to go with those priorities, Stevo).  Nancy leaves him angry and unable to concentrate in class when Hopper’s deputies question her about Barb.  Nancy’s mom is there too and tries to get more information out of Nancy afterwards.  Full meltdown sees Nancy confess she and Stevo did the deed but the more important matter is Barb.  Alone in her room, Nancy puts the torn picture of Barb on the diving board back together and notices something strange behind Barb in the photo.

Copper Hopper puts on his detective garb after talking to the Hawkins mortician about the state police showing up to do Will’s autopsy.  He notices a state trooper on tv giving an interview about finding Will’s body.  Hopper finds the guy in a bar (not sure how but he’s a small town cop with big city cop skills) and strikes up a conversation, gathering info before going to far and spooking the guy.  Outside the bar, Hop uses his fists to get straight answers before noticing a suspicious car nearby and driving off once he goes to confront whoever is in the car.

The boys and Eleven make it to school but can’t get into the ham radio room before Mr. Clarke shows up and promises the boys can use the radio after the school assembly taking place in light of Will’s body being found.  Mike is not happy about the bullies making fun of the situation and confronts them afterward, growing a pair and pushing one from behind.  Before retribution can be delivered, the bully freezes in mid-stride.  Humiliations galore follow when the kid pees himself so the gym full of students can laugh at him.  Mike turns to see Eleven wipe blood from her nose (straight up gangsta!).Jonathan is alone picking out a coffin when Nancy shows up.  She shows him the picture but he’s not sure what the form is standing behind Barb.  She tells him about what she saw at Steve’s place.  Jonathan asks what he looked like and as she struggles to explain, Jonathan completes the description by saying he didn’t have a face.  Connections happening!

They go to enlarge the picture of Barb in the darkroom at the high school and we get some angsty awkwardness between them.  The picture shows the monster and Nancy says that’s what she saw at Steve’s.  They think if Will’s alive (based on Joyce’s claims) then so is Barb.

The boys and Eleven are at the ham radio.  Cue a flashback and Eleven is being told by Brenner to locate a man and relay what the man is saying.  To Brenner’s surprise, the man’s voice comes on over the PA system in the room.  Her nose bleeds yet again and the lights start doing weird things.  This girl just gets the raw end of a childhood, doesn’t she?

All the while, Joyce is blasting The Clash and calling for Will to talk to her.  This is intercut with Eleven doing her thing and Will’s voice coming through the ham radio. The boys call out to him but he doesn’t hear them as he’s talking to Joyce.  She tracks Will’s voice to one of the walls in the house, pulls back the wallpaper and tada!  Will is there behind some pinkish translucent wall.  He says he’s home but its dark and different (different dimension theory coming more and more true).  He runs when he hears the monster is coming.  Joyce goes full Jack Torrence from “The Shining” and takes the axe to the wall but there’s no Will on the other side.  Just daylight.  So, Will’s alive and Joyce and the boys know it to be true.Jump back to Hopper and we see him punch his way to the morgue room where Will’s body is.  Conflicted and maybe somewhat sickened at the idea of cutting open the body, Hopper touches the body, finding something wrong.  He cuts into the chest and finds the body is stuffed with cotton.  Conspiracy alert!  Can’t stop the Hop goes to Hawkins with bolt cutters and begins to make his way through the fence when the episode ends.

Reaction:  There’s a lot happening in these episodes now and you can easily get lost in the craziness.  For me, this episode showcased great emotional performances.  From Eleven’s seeing herself dressed up to Hopper’s struggle to cut into fake Will’s body.  Nothing has to be said in these scenes.  Read the characters and you see so much happening internally.

80s Refs: Poltergeist, The Shining, Stand By Me based on Stephen King’s novella, “The Body”, Alien, Professor X.
Call to Action: The title of this episode, “The Body”, is the same title as a short story written by Stephen King.  Four friends hear about the body of a kid hit by a train and go out into the wilds to find it.  Sound familiar?  Well, it would since it’s the amazing film, “Stand By Me”.  You can find many similarities in the boys of the movie and those in Stranger Things.  There’s this idea of adolescence lost and friendship strengthened that speak volumes.  Revisit it if you have a chance!

Stranger Things: Rewatch of Episode 3

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Chapter 3: Holly, Jolly

Recap:

Poor Barb… We start off with her in a place that looks like a gloomy nightmare, reminiscent of what the xenomorphs do to the colony in James Cameron’s “Aliens”.  There’s strange fungal, creeper vegetation all over like what we see in the basement level of the Hawkin’s Lab.  What’s more is, we can clearly see that she’s trapped at the bottom of an empty swimming pool.  Let’s recall she was taken by the monster while sitting on the diving board of Stevo’s pool.  Interesting…

Something is there with her and we get our first full look of the monster for a brief moment.  Cue Barb’s survival instincts and she does all she can to escape her nightmare situation.  Meanwhile, Nancy is losing her religion to Stevo with Foreigner serenading them.

Again, I say poor Barb because the last we see of her is trying to climb out of the pool and being pulled back in, screaming for Nancy and for help.

 

Jump to Jonathan waking up the following morning and he hears his mom talking to someone, which he thinks is Will.  What does he find instead?  His mom talking to the lights in full belief that Will is communicating with her similar to the adults talking to the little girl through the tv screen static in Spielberg’s “Poltergeist”.The boys got a plan, thinking Eleven knows where to find Will.  Lucas goes on the offensive with supplies, most notably the wrist rocket, which calls back to Stephen King’s IT (the novel).  Dustin, however, is quite the practical one, gathering food supplies, providing some levity in a show that could use quite a bit.

 

We get more levity from Dustin as he asks Eleven to make a toy Millennium Falcon float in the air (reference to Luke Skywalker making the X-Wing levitate in The “Empire Strikes Back”).  She does but only after the boys leave for school.  Alone in Mike’s house, Eleven begins to snoop about, which is what any of us would do–let’s be honest and truthful here.  She goes to the tv and we see her exposed to President Reagan, He-Man, and a Coke Cola commercial that triggers another flashback, showing us her ability to crush a can with her mind but also causing her nose to bleed.Eleven continues to explore and finds herself in Nancy’s room.  There’s a lot happening in this moment as Eleven looks at the life of another “normal” girl.  Lots of emotions are taking place.  She has no idea what it is to be a girl in the real world.

Nancy at school reveals she’s somewhat self-conscious about her night with Steve and also worried about Barb after she doesn’t show up for class or school for that matter.  Jonathan is developing film from the party night, gets caught by another student, and runs off with the pics.  That, however, doesn’t stop Stevo and his friends from finding out, confronting Jonathan and breaking his camera.  Nancy shows up during this, tries to stop it, but fails only to find a picture of Barb on the diving board and taking the ripped pieces, leaving Jonathan to mourn the loss of his camera (maybe don’t be a creeper taking pics of Nancy while she’s changing… yeesh).

Hop the Cop and his deputies go to Hawkins Lab to see what’s going on there.  Hop does the cop thing and gets in to talk to the head of security.  They assure Hopper there’s no way Will came through a drain pipe to access the grounds.  Security cameras show nothing but Hop is suspicious after the video feed does not show the storm of the night they searched for Will.  He knows they’re lying and gets his investigation on.  He goes to the library and goes through old newspaper clippings looking for leads on the Hawkins Lab.  He gets the names of a Dr. Brenner (white-haired Matthew Modine) and a woman named Terry Ives.  More on those two later.

The boys collect rocks at school but not before getting bullied; Mike is tripped, cutting his chin open on the ground.  They catch up with Eleven after school where she learns a new term “mouth breathers” for the bullies who hurt Mike.  Before she leads them to where Will is, Eleven has another flashback after seeing a cat that shows us the Lab folks were trying to get her to kill a cat with her powers.  She refuses, gets hauled off to the dark room but manages to hurt one of the orderlies and kill the other (mental neck snap!), which garner her some affection from Dr. Brenner, which just makes us all hate the guy.

A lamp just isn’t enough.  Joyce decks the inside of the house out with Christmas lights in order to better communicate with Will.  Mike’s mom shows up with a casserole (WHY IS IT ALWAYS CASSEROLE!!!).  And things get creepy as Mike’s younger sister, Holly, walks around the house, following the lights and gets super close to being swiped by the Monster through the wall (that Freddy Krueger in the wall effect is crazy!).  I did not like watching this part.  Too freaky!  But nothing happens to Holly, thank the Lord.

Nancy ditches Stevo and finds Barb’s car where they left it.  She checks Stevo’s back yard–just in case, I guess.  She doesn’t find any sign of Barb but she does get a nice glimpse of the monster before running away.  She’s convinced now more than ever that something horrible happened to Barb.

Coming to the end of the episode, we get a lot of cuts between story lines.  Hopper gets a call while in the library and he hurries off.  Eleven takes the boys to Will’s house leaving them confused while she says he’s hiding there.  They see and hear the sirens of the cops and follow on their bikes.  And Joyce is talking to Will again through the lights (great call back to Close Encounters of the Third Kind and the communicating through lights in the Spielberg classic).


She fashions an alphabet on the wall so Will can spell out words to her and we come to my favorite part of the episode.  Joyce’s talking to Will with the alphabet is one of those things that becomes iconic to the show.  He tells her he’s “RIGHT HERE” which confuses her and then when she asks what she should do, he tells her to “RUN” and she does after the monster manages to burst through the wall this time.  Such a great suspenseful moment!!!

The episode closes however on a very sad, heartbreaking note as the cops and the boys get to the bottom of the quarry to find Will’s body being fished out of the lake.  Mike is furious at Eleven, believing she lied to him while Lucas and Dustin can only try to console their friend.  Hopper is just as defeated as he looks upon the body and knows things have changed dramatically for them all.

Reaction: So I don’t think I can talk about my reaction to this episode without talking about the beginning and end.  Barb’s situation and apparent demise is one of those sequences where you just want more.  She’s in this crazy place that looks like a nightmare inverse of the real world and I want to know more about it.  Then at the end, I have to go with the tragedy of Will’s body being fished out of the bottom of the quarry.  At this point, you want to believe Joyce is indeed talking to Will yet here is his body.  You can’t help but push play to watch the next episode.

80s Refs: Close Encounters of the Third Kind, Poltergeist, IT

 

Call to Action: I want to recommend revisiting Close Encounters of the Third Kind.  I was too young to “get” this movie as a kid but I think if I watched it now, I would appreciate it so much more.  I’ll see if I can track it down online.

Stranger Things: Rewatch of Episode 2

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Chapter 2: The Weirdo on Maple Street

Recap:

The boys bring Eleven out of the rain and into Mike’s 80s kid’s dream room basement.  The interaction is full of humor as the boys try to talk to Eleven and learn what they can.  While Dustin and Lucas think parents need to be brought into the loop, Mike has the decency and good sense to hold off on the notion, directing them all to the possibility that the inclusion of parents would get them all confined to their houses (isn’t it always the case) and no longer able to search for Will.

Also, we should be asking, “Why does Eleven have the tattoo of the number?  Are there ten others who have similar markings?  If so, where are they?”

The next morning Mike snags some Eggo waffles for Eleven, which becomes a staple for her and slightly reminiscent to E.T. and his love for Reeses Pieces.  Most of these interactions with Eleven early on are similar and pay tribute to E.T. with more to come in later episodes.  Mike’s plan to have Eleven sneak out and ask for help is shot down once Eleven convinces him that bad people are looking for her, making the universal gun hand sign very clear to him that she must remain hidden.

This leads to Mike staying home from school where we once again get some great moments between him and Eleven as their friendship grows.  He introduces her to the norms of life and she struggles to understand.  Mike shows Eleven his awesome 80s action figure collection.  These were the best growing up.  Quality, lol, and I was a fan of 80s action figures.  Don’t judge.  When Mike’s mom shows up, he hides her in a dark space which she’s not a fan of and leads to a freaky flashback of her in the Hawkin’s Lab hallway dragged and thrown into a dark room with no explanation while a white-haired Matthew Modine looks on.

Poor Jonathan.  You really start to feel for the kid as Joyce falls deeper into hysteria and what some might call frantic frenzy.  Our favorite Police Chief, Hopper the Copper, shows up with no Will and no belief that Joyce actually heard Will on the other end of the zapped phone.  Tensions rise when she jabs him with another reference to his deceased daughter that hits him hard.

Good Jonathan.  He takes it upon himself to go to his estranged father’s house in search for Will, not wanting the cops to show up, knowing Will could bolt if he sees a black and white pull up.  But first, he goes to school to put up some posters.

Nancy and Barb are at the school and get invited to a party (always a bad sign in 80s slasher flicks) by Stevo.  He and his friends notice Jonathan and prove their cliché douchery by making fun of him while he puts the posters up.  We’re all thinking it: “Let Stevo and his goons be the next victims of the monster!”.  Nancy, however, has a heart and goes to assure Jonathan that everyone wants Will to be found (duh, Nancy, duh).

So, is Jonathan the “Weirdo on Maple Street”?  You get that sense throughout the episode though I missed whether or not the Byers house is on Maple Street or not.  Yeah, he’s awkward and totally shoulders the brunt of responsibility helping his family with finances, going to school, and helping take care of his little brother.  We get another flashback where he is showing Will the Clash’s “Should I Stay or Should I Go”.  Once again, this show (if you haven’t noticed so far) does a great job of establishing characters and their relationships.

Meanwhile Joyce will not be swayed.  She heard Will on the other end of the phone before it was zapped and will do everything she can to make the connection again.  She goes to get a new phone and we find out the Lab folks have been eavesdropping on phone call and get a lead to go to the Byers’ residence where they do shady government work in their trusty HAZMAT suits and are led by Ghostbusters technology to the shed to get positive readings.

(Yeesh… there’s a lot that happens in this episode!  Almost done)

Hopper the Copper and his deputies find Benny’s body in what looks like an apparent suicide (shady Lab folks pulling no punches!) but Hopper’s not convinced Benny would off himself.  After some interviews, he finds that some kid was found stealing food in Benny’s diner kitchen and automatically wonders if it was Will.  It’s inconclusive but Hopper seems convinced Will was there and things just got more drastic.  Eventually, the search party leads them to Hawkin’s Lab.

Back to the boys and while they think Mike is nuts for believing Eleven, they realize she’s more than what she seems when she closes a door with her telekinesis.  Freaked out now, they decide to tread lightly around her but do explain to her what friends are as she continues to try to understand the norms.  This all leads to what is my favorite part of the episode.  She goes to the table where the D&D board sits with their figurines scattered about.  She flips the board over and places Will’s wizard figurine on the black surface of the board and then places the figurine of the Demagorgon alongside Will’s.  I can’t explain the significance of this yet but we will be getting there.

The great intensity and creepy factor of this episode comes full throttle as we return to Joyce, having installed a new phone, gets a call from who she thinks is Will again and is confirmed when he says, “Mom?”.  But then the dang phone gets zapped again!  The Clash goes on full blast in Jonathan’s room which leads Joyce to do what you don’t do in horror movies: investigate the strange thing or sounds coming from another room in the house!  All the while, lights are going nutty in the house and once in Jonathan’s room, something presses against a wall and we’ve got a Freddy Krueger moment!!!  She freaks and runs outside, ready to drive off, but when the music starts up at full blast, Joyce goes full crazy mom and heads back inside.  Fate unknown (for now).

Nancy being the great friend that she is convinces Barb to tag along to Stevo’s totally rad party (come to think of it, there’s only five people at this party so…not really a party).  Shenanigans take place with what you would expect.  We’ve got loud music, shotgunning beer from cans, and jumping in the pool fully clothed.  These 80s good times draw Jonathan to the unfenced yard of Stevo’s house while he is out in “Mirkwood” looking for Will with his camera (why he has a camera in the dark taking pictures, I’ve yet to figure out but you know, be the weirdo, Jonathan.  Embrace it.).

Barb is not having the time of her life and cuts herself badly while taking part in a shotgunning of her own.  Nancy is drenched from the pool and decides to go upstairs with Stevo and partake in some underage coitus.  Jonathan exemplifies his weirdo creeper vibe by taking pictures of all this (why, man, why?!).  Barb is alone and sitting on the diving board of the pool, still dealing with the cut she suffered.  A droplet of blood hits the water which is far too reminiscent of Jaws for my liking.  Something approaches from behind, the Monster, and snatches Barb away.  Jonathan is messing with his camera while this goes down, hears a sound but doesn’t see Barb anymore.

This show is going to end on creepiness every episode, isn’t it?!

Reaction: So my reaction to this episode was vamped to an 11 (no pun intended, lol).  So many great moments for the characters and understanding them better in light of the tragedy of Will’s disappearance.  More mystery enshrouds Eleven, the Hawkins Lab, and whatever else is happening in rural Indiana.

The moments with Joyce and Barb at the end of the episode totally freaked me out.  If you’ll remember from my “Why I Watched IT” blog post, I’m not drawn to horror but man there were some scary intense moments in this episode.  Things pressing against the wall, trying to push their way out are not something I want to see.

 

Best 80s References: Title similar to The Nightmare on Elm Street, Eleven is like E.T., The Clash send us a message.

Great Storytelling Moment: The moments with Eleven and Mike were my favorite in this episode.  Her innocence and naivety are done so well by Millie Bobby Brown and you see the world through her eyes in a way that tugs at the heart.  She has no one and you want to see her protected, while at the same time wondering if she can protect herself with her telekinesis abilities.  She needs friends and family.

Call to Action: Go back and watch E.T.  I admit I haven’t seen it since I was a kid and I need to revisit it.  I do remember the relationship between Elliot and E.T. and the love between them.  True friendship!

Stranger Things: Rewatch of Episode 1

posted in: Fantasy, Film/TV, Review | 0

Chapter 1: The Vanishing of Will Byers

Oh happy day!  We’re here in October with Fall on the horizon and Stranger Things happening.  So here’s how it will go down through the month here on my blog.  I will give a recap of the episode that should not read like a play by play but a “what’s going on here” portion with plenty of my thoughts mixed in.  Then I’ll give an overall thought of the episode followed by a list of my favorite references and maybe even some trivia if its warranted.  The Call to Action will be the last bit of the post.  Hope you enjoy and thanks for reading!

Recap:

We start with some “no namer” running through a creepy lab/hospital-like hallway which makes me think of a scene from Joh Carpenter’s “Halloween” where masked-killer Michael Myers is casually in pursuit of one of his victims.  Our “no namer” gets to an elevator safe and sound about to get away from whatever he’s running from.  We learn quickly what this show is going to be when we hear creepy sounds of what makes me think of gremlins above him.  Then…no more “no namer”.

Strange and creepy.  Here we go!

Meet the boys.  They’re the Goonies, the boys of Stand By Me, the Losers Club, etc.  Except not.  Mike, Dustin, Lucas, and Will are in a basement playing Dungeons and Dragons.  Now, I was not allowed to play D&D growing up.  By the time I could even conceivably sit at a table surrounded by Coke and Dorritos for twelve plus hours rolling dice and collecting hit points, D&D was of no interest to me.  As I grew up, I was told it was forbidden to play for “religious” reasons.  I don’t blame my parents for this line of thinking.  It was pretty common if you were a church-goer in the 80s/early 90s.  (That’s okay, my role playing experiences came later with RPG video games and I preferred those to any game board experiences I’ve had as an adult.)

However, the use of D&D in the show is essential which we will see throughout the series.  There are elements that act as allusion and metaphor but we’ll pause on that for now.  Just remember the name, “Demagorgon”.  It’s important.

This first episode introduces a lot of characters and sets up relationships.  I’ll try to hit on all these as best as I can without becoming droll.

Keeping our focus on the boys (they don’t have a name like the Goonies so I’ll be calling them “the boys” throughout these posts).  The D&D game ends without a resolution to the attack by the Demagorgon and they all leave Mike’s basement to return home for the night.  Things get creepy as Will takes a route home through the woods the boys call “Mirkwood” (Lord of the Rings reference!) but he doesn’t encounter Legolas or some other elven character.  Instead, something tall and lithe is in the road and causes him to crash his bike and run for home.

Whatever the “thing” is, it follows Will and a whole bunch of creepiness happens.  Lights are affected by the presence of the thing (let’s just call it a monster) and Will does the only thing a twelve year old boy should do in this situation: run to the shed and grab a rifle.  However, the monster gets in somehow and the next thing we know, Will is gone.  No scream or nothing.  Just gone.

Cue perfect title sequence! (The synth music here is reminiscent of Carpenter’s iconic Halloween theme.)

More introductions happen after this.  We get our favorite police chief. Hopper. who shows us plenty of things: he likes pills and beer in the morning.  We also get to meet Will’s mom, Joyce (Wynona!), and brother, Jonathan, who realize Will’s gone and that’s not good.  Mike’s older sister, Nancy, and her best friend Barb (#savebarb) let us in on the high school scene and all those fun instances of angst and conformity (I blame the clothes and hair styles personally).

We also see that Nancy, the smart girl, is in a budding relationship with Steve Harrington (whom I will call Stevo), the popular boy, reminding us of John Hughes and most notably “Sixteen Candles”.  More or less, we get a pretty picture of fictional Hawkins, Indiana where things are peachy keen until strange things start happening.  Typical but nostalgically amazing!

Nefarious dealings are happening in the lab we first see at the beginning with the “no namer” as we go back to the Hawkins Laboratory.  HAZMAT wearing dweebs (these guys are always at fault) go to the basement and find spores in the air and nasty, gross fungus-like growths on the walls.  One of these is extra big and pulsating looking far too much like an infected wound.  Gross.

Police Chief Hopper does the appropriate police work and begins to investigate Will’s disappearance at the frantic request of Joyce (she and he have obvious history together).  It takes a while but Hopper eventually realizes this is not a kid who ran off and is hiding somewhere.  He’s gone without a trace.  The search commences and the town begins to band together to find Will.  Also, we are told Hopper had a daughter who died but that remains a mystery.  Joyce and Jonathan do their best to console one another and when the phone rings, Joyce hopes for good news.  Instead, she hears weird sounds, which includes breathing she believes is Will, but before she can get an answer, the phone gets a level-10 electric zap.

And now your star of the show arrives walking through the woods shoeless and in a hospital gown.  Eleven!  This girl’s got spunk.  One kid vanishes and another appears.  We know things are not good for her as she steals food and can unabashedly stop an annoying floor fan with her mind.  Telekinesis powers is always bad-ass.  I don’t care who you are, it would be an awesome super power to have.  Suffice to say, someone, Benny the diner owner, tries to help her and dies in the process but at least she gets away, forced back into the woods while the appropriate 80s cliché of a rain storm hits the night.

Back to the boys and they want to find Will, thinking like boys do, and wonder if the previous night’s D&D game had something to do with his disappearance.  Will had a choice to cast a protective spell against the Demagorgon or cast a fireball.  He chose fireball but his di roll was inconclusive.  This comes off as strange but this is how boys think (trust me).  They go full Goonies and hit the night, enduring the storm on their bikes to look for their lost friend in “Mirkwood” where they eventually run into Eleven!  Episode over.

Reaction: I remember first watching this episode last year and being gripped by it immediately.  There was so much of my childhood wrapped into those 50+ minutes that I had to keep watching.  Also, the music is perfect.  You have to watch the episodes a few times but you truly appreciate the tone of scenes when you focus on the crazy synth sounds produced.

Best 80s References: X-Men 134 (First appearance of the Phoenix that takes over Jean Grey who is a telepath like Eleven), Mirkwood, Goonies, Sixteen Candles, E.T.

Great Storytelling Moment: It won’t come into full affect until later episodes but the use of D&D in Stranger Things Season 1 actually plays important roles as a foreshadowing device.  As a writer, these are the things I love to see utilized and done well.

Call to Action: Here’s the first 8 minutes of the episode for your enjoyment!  If it’s not your cup of tea, then I’d advise against watching the show but you can definitely keep reading my episode rewatch posts!  Far less creepy but plenty strange.

Stranger Things Are Coming

posted in: Film/TV, Review | 0
We’re almost there!  We’re a month out from Stranger Things Season 2 and I have been so excited!  I figured I would take a moment to explain how this is going to work.  Here’s the schedule:

Stranger Things: Rewatch of Episode 1 – 03 Oct

Stranger Things: Rewatch of Episode 2 – 06 Oct

Stranger Things: Rewatch of Episode 3- 09 Oct

Stranger Things: Rewatch of Episode 4 – 12 Oct

Stranger Things: Rewatch of Episode 5 – 15 Oct

Stranger Things: Rewatch of Episode 6 – 18 Oct

Stranger Things: Rewatch of Episode 7 – 21 Oct

Stranger Things: Rewatch of Episode 8 – 24 Oct

Stranger Things: Rewatch Final Thoughts- 27 Oct

Each post will cover my impressions of the episode from a few perspectives: as a nerd, 80s kid nostalgia, and a writer.

I’ll say here that I love this show.  It hit me in so many ways and I truly felt it was a show made for me and my generation.  I was born in ’84 but watched so many of the movies and tv shows referenced that I completely related.  I remember the technology, music, and culture of the US.

What’s funny is there are elements to the show that I did not understand or experience in that time period growing up but was later drawn to just because I naturally drifted towards those influences by some way or another.  I’ll go more in depth in the episode reviews, of course.  You’ll learn more about me from these blog posts.  That’s for certain.

If you have not watched Stranger Things, then I encourage you to give it a try.  It has some creepiness and definitely crosses into horror/sci-fi at times but overall, the show is a cross between The Goonies/E.T./Alien with many shades of other 80s films.  If it’s not your bag, I don’t blame you.  To each their own.

Call to Action: Brush up on your 80s pop culture!  So many of the references in the show depend on that (at least in my opinion).

Why I Watched IT

posted in: Film/TV, Review, Storytelling | 2

I will start by saying this is not an open endorsement to go and watch Stephen King’s “IT” in theaters.  Instead, I want to explain why I had the desire to watch it.I watched the 1990 miniseries (more like two made-for-tv movies to be honest) back when I was probably close to ten years old.  At the time, it was creepy and definitely had moments that scared me.  However, this was back in the time when tv would edit out a lot of mature things, which is no longer the case.  Nevertheless, the miniseries still had its moments.

The book of “IT” is extremely violent and has some very mature themes that could not be put on tv.  Looking back now, the miniseries has various levels of campiness and the acting is subpar save for Tim Curry’s performance as the iconic clown, Pennywise.  His performance has remained a staple of his career and also in the horror genre.

Twenty seven years later, we are introduced to the film adaption of the novel and it is more true to the book despite many liberties being taken.  The horror and gruesome imagery in the book translate to an R-rated film much easier and the director, Andy Muschietti, did not hold back.  Believe it or not there are scenes in the book that even by today’s standards could not be filmed and put on the screen.  I won’t go into the details but King introduced some troubling things and to this day people are not keen to (as well they shouldn’t).

Now, why did I want to watch this film?  I am in no real way a horror fan.  I have tons of memories of scouring the tv as a kid and finding horror movies (all edited for general viewing, of course) and daring to watch them even though I was not allowed to.  Why?  Mostly because I was curious.  I never had nightmares from doing this but those images do stick with you.  Part of me definitely did it to get the rush of adrenaline one gets but I’m not a junkie for that sort of thing.  I’m more a fan of suspense than horror.

For “IT”, my draw was partly due to nostalgia because I remembered the mini series and I also remember reading in-depth synopses of the novel (I never dared to read it) so I was curious as to how this film was going to turn out.  I paid close attention to the trailers and tv spots whenever they were released and watched them on YouTube and I even watched the breakdowns of these clips.  Again, all out of curiosity more than anything else.  After listening to reviews from multiple critics, I gauged their response to the film as well and the high regards for it tugged at my interest more.  If they had all said it was crap and not worth their time or money, then I’d probably be like, “Eh, maybe I won’t see it then.”  Alas, that was not the case.

When it came time to watch the film, I was apprehensive but knew plenty about the source material and even heard some spoilers that I felt prepared.  Hahaha, I know, I know.  Why watch it then?

I have to say the film is well made and the acting performances by the young actors are spot on great.  Bill Skarsgard’s portrayal of Pennywise the Clown was different than Tim Curry’s previous portrayal and every bit intense and scary.  A very good job.  The creepiness factor is there throughout and at times so subtle that I only knew what to look for because of some of the reviews I listened to.  Some seemed specifically aimed at the theater goers.  Was it scary?  Yes and no.  Was it violent?  Yes and yes.  Was it worth my time?  I think so.

Let me explain why.  As I’ve done this whole writing thing, I’ve been drawn into storytelling no matter the medium.  Whether its movies, television, comics, video games, etc.  If there’s a great story with even better characters, I am interested.  It doesn’t matter the genre either.  I kind of equate my experience watching “IT” to my experience of playing “The Last of Us” which I reviewed in a prior blog post.  “The Last of Us” was an intense experience!  There are so many moments where the intensity of the environment and situation have my adrenaline up and flowing.  If you’ll recall, I loved the experience of the gameplay but even more so the characters of Joel and Ellie.

For “IT”, the kids make the movie.  Yes, Pennywise and all of his eerie creepiness are more spectacle than anything else because he’s a shape shifting other worldly entity of evil that feeds on the fear of children.  What they fear, he becomes, which as you can imagine produced some frightening things.

I think what draws myself and audiences to “IT” is essentially the kids and their banding together to beat this evil that adults cannot see or even sense.  And this threat is very real since we see at the beginning that it preys on children, feeding on them once their fear meets its needs.  There is a very real sense of danger to them and we cannot help but root for their survival and defeat of evil.

Call to Action: Don’t watch “IT” unless it’s your brand of entertainment.  I can honestly say that while I enjoyed the film for some reasons, I don’t feel the need to see it again.  One and done until the sequel comes out (yeah, I forgot to mention it’s a two-parter film as well).

On This Day – 22 Sept 2004 – Premier of Lost (TV)

posted in: Film/TV, On This Day, Review | 1
Wow!  On this day, thirteen years ago, I sat in front of a tv at my parents house and watched the Lost premier!  Amazing how much time flies by.  I can’t believe it.  If you want to read about my review of the series of Lost, go here:

What I didn’t know at the time was what Lost would become: a phenomenon.  All I knew of the show was that it was about a plane crash and the survivors were stuck on a strange island.  Below is the promo trailer:

 

I wish I could say I was hooked from the beginning but I quickly forgot about the show and didn’t watch it again until the second season began to air.  From there, I never missed a week, and I became a bit obsessed with the theories of the show and all its mysteries.  I remember so vividly as I was right out of high school and taking classes at the local community college.  I worked in the computer lab and had several websites I would visit throughout the week to read about theories or go over screen caps of things showcased in the show, hoping these items like numbers, historical events, and books would shed light on the secrets.  Let’s just say I was a committed fan.

I remain a fan to this day and while there are plenty of things wrong with the show, I choose to love it for the good things it did.  Many great characters and fun, memorable moments, twists, and surprises keep me enthralled by the awesome show.  Many other shows have come and gone trying to recreate the enthralling experience of Lost.  They all fell short.

For myself, Lost opened some doors in my own creative mind that has definitely paved the way towards story structure.  As I said before, there were many times in the show where it seemed like the writers were writing as they went, answering questions but then opening the doorway to two or three more mysteries.  This was not the best method because by the end of the show, some of the answers to the mysteries were not truly satisfactory.

However, I believe that the serial structure of the show is far more superior to the otherwise opposite procedural in that continuous story lines help keep characters grounded but also available to grow.  I’m not saying a procedural cannot bring character growth (many do) but these lingering story lines help us look back at the beginning to see how far the character has come once they reach the end.

Case in point, Jack Shepherd (played by Matthew Fox) is one of the main protagonists in the show and the focus of the pilot episode.  The show opens with his eye opening (a common theme in the show with many characters) and he finds himself surrounded by trees in a jungle.  He then proceeds to discover the plane he was on has crashed and he has to act instantly (that’s the doctor in him) to start helping the other survivors.  That’s his sole goal throughout the first season and onwards in the series: to help people.

I won’t spoil it but to consider the character of Jack from the beginning and to see his journey until the end of the show (minor spoiler but, yes, he survives the entirety of the series), you can truly appreciate the writing.  There were missteps along the way but my love for the show can easily be captured in the overall arc of Jack who is a tormented, broken man but one of quality and ability that supersedes his faults.

Call to Action: To watch Lost is an endeavor.  It’s a long show with all kinds of twists and turns and highs and lows.  I still think the two-part pilot is one of the greatest episodes of television to date and always recommend watching it.  Do you agree?  Tell me what you thought about Lost when you first saw it.  I can always talk about it and watch it no matter what!

Book Thoughts: Ready Player One by Ernest Cline

Something I rarely do (pretty sure I’ve never done it in fact) is finish a book of decent length in a week.  It helps to have 16 hours of driving shotgun from Colorado to southern California though.

Initially, getting in to Ready Player One was easy.  The main protagonist, Wade Watts, introduces himself in first person and quickly begins to describe the world in which he lives and his personal struggles.  Not to get into the weeds of specifics, he lives in a dystopian future that has resolved itself to log into a virtual world called the OASIS.  Here in this virtual world, people forget the trials and hardships of their real life and become whatever they want by creating an avatar and remaining anonymous by using an alternate user name by which celebrity can be attained.

Wade or Parzival (a play on the name Percival), is what is called a gunter (fun word), which stands for egg hunter.  Already, you’re thinking, “Does that mean he’s some kind of chicken farmer in this virtual world?”  No, unfortunately, that is not what he is.  Gunters are those OASIS users who are searching for three keys (copper, jade, and crystal) which will open three gates that will eventually lead them to the Easter Egg hidden within the vastness of the OASIS by its creator.  Whoever finds it, inherits the creator’s wealth and more.  The problem is, it’s been years since the contest to find the Easter Egg was announced and no one has made headway to discover the location of the first key (copper).

There, I have to stop because otherwise we get into spoiler territory.  Honestly, the book is a fun read with plenty of sub context our society can grab a hold of as we become more advanced in our technology and move into this virtual otherworld.  VR technology for video games is getting better by the year and soon enough, I would not be surprised to see us “plug in”.

A major plus in the book for me is the references to late 70s and 80s pop culture.  The creator of the OASIS was a teenager during the 80s and therefore his difficult home life was medicated through the movies, music, video games, and comics of that decade.  I was born in the mid-80s but I have held onto that decade more than I did the 90s when I was an adolescent/teenager.  So many of the 80s references in the book hit home for me.  From classic arcade games to Rush lyrics, I found myself trying to decipher the clues to the keys and gates, thinking of the 80s and what they could mean.

Ultimately though, the characters were spot on.  Wade and his friends were strong and fun to go on the adventure with.  Anonymity is a huge theme in the book.  People perceive avatars through the OASIS but personality comes through despite appearances.  Wade learns this along the way.  There’s this desire to know who his friends are in reality but the fear that to do so might affect their relationships after being “exposed”.  How much do we see in our society today people striving to fix imperfections and form their identity by any means possible?  Identity is a major theme in the book and by the end, I really felt I understood it and was able to think about it on a deeper level.

In closing and here’s your “Call to Action”, give Ready Player One a read.  If your a fan of the 80s and all things pop culture, you’ll get a kick out of the references.  Plus, Steven Spielberg is directing the film adaptation and I can’t wait to see how the movie turns out!

2nd 2017 Newsletter Coming Soon!

posted in: Newsletter, Review, Writing | 0
Shameless plug time.  The second newsletter of the year will be sent out the 31st of August.  If you haven’t signed up, I hope you will.  Like last time, it will follow the same format sharing where I’m at in the progress of the Ravanguard series, book reviews, and best of all: a short story from the Shoals to the Hallowed series.

Just to reiterate, if you’re caught up on the Shoals to the Hallowed flash fiction posts at the end of each month, this short story will take place in the same timeline.  It will feature the Wielder, Delya Glassene, who was introduced in the “Binding Sleight” flash fiction post back in February.  As I write the short story, I am excited to say that it will give some context to the world and main plot points.  I’ve enjoyed writing these stories and plan to continue to do so for all of you.

If you know others who might like the series, then feel free to share the previous posts.  It won’t take long to catch up and there’s plenty of time to sign up and receive all the content so you don’t miss any of the story.  I make no promises to release the short stories from the newsletter any time soon.  I’d like to keep and maintain some exclusivity.

So, if I’ve intrigued you at all, hopefully you will sign up when prompted on the website.  You can also go to the contact form and request to be added to the newsletter list there.

Another quick little tease for you.  I will be announcing a big thing I’ll be doing with the blog for the month of October.  Let’s just say it will be strange but an awesome thing for me to write about for that month that will require preparation but full of good stuff.

If you did not receive the first newsletter but signed up, please let me know and I’ll get that out to you.  As always, thanks for dropping by and reading!

Call to Action: For anyone who has received the first newsletter, feel free to leave a comment here if you have any feedback.

On This Day: 17 July 2006 – Mistborn: The Final Empire First Published

posted in: Fantasy, On This Day, Review | 3

This month’s “On This Day” post is one I’ve been looking forward to writing for awhile.  I learned of Brandon Sanderson back when I was living in Seattle and going to school.  I learned that my favorite author Robert Jordan had succumbed to his life-threatening sickness and passed on.  While it was horrible news and I felt the pain in my heart at such a tragedy to the fantasy and literary world, I also learned that another author would be finishing Jordan’s grand fantasy masterpiece, The Wheel of Time series.

I reviewed the first WoT book, The Eye of the World, back in January for my first OTD post if you recall or are new to my blog.  Jordan managed to write up to book 12 of the series before he passed.  He wanted to write one more book to close the series but it was quickly realized that final book would need to be three books to do the end justice.

After learning Sanderson would be taking the helm and finishing the series based on in depth notes provided by Jordan and the aid of Jordan’s widow who served as his editor for decades, Sanderson undertook the great effort.

This allowed me time to get to know the unknown writer who would be finishing what I considered the greatest fantasy series ever (part of me still believes this).  So, I went to Sanderson’s book, Mistborn: The Final Empire, and was thrust into a world that I could not step away from even if I tried.

The brilliance of Sanderson’s writing and skill is often found in the originality of his magic systems which I will be focusing on for this post.  Without delving into spoilers for the book (yes, if I went into the fullness of the magic system, I’d be spoiling things), I will cover the basics.

In Mistborn, the main magic system explored and focused on is called Allomancy.  Here’s how it works: men and women, called Mistings or Mistborn depending on their ability, can use types of metals to enhance themselves physically and mentally.  Below is a table with a basic description:

PHYSICAL Pushing Pulling Pulling Pushing MENTAL
External Steel

Pushes on Nearby Metals

Iron

Pulls on Nearby Metals

Zinc

Enflames Emotions

Brass

Dampens Emotions

External
Internal Pewter

Increases Physical Abilities

Tin

Increases Physical Senses

Copper

Hides Allomantic Pulses

Bronze

Detects Allomantic Pulses

Internal
ENHANCEMENT Pushing Pulling Pulling Pushing TEMPORAL

I understand that just looking at this is difficult to understand, which is why I would highly encourage reading this book.  The best I can explain it here is that an Allomancer uses small amounts of these metals (kept in glass vials) and swallows the contents.  Depending on the type of Allomancer and what metal they are able to utilize, they can internally “burn” the metal inside them and carry out any of the functions listed in the table.One great example in the book is the pushing and pulling of metal.  Mistborns are able to launch themselves up into the air by pushing on a piece of metal on the ground and then pull themselves to another piece of metal like an iron bannister of a balcony.  The image truly allows for some amazing action sequences.

I truly do not know if I can do it justice in explanation but this type of magic system upon first reading was mesmerizing.  The creativeness involved (remember, I am simply going over the basics of the system) and the deeper layers explored by Sanderson through the characters inspires me as a fantasy writer.

Magic systems are one of the main attractions for readers of the genre.  Some are extremely creative while others are more arcane and not completely explored as a whole because they serve almost as ancillary roles in the main narrative of the story.  What Sanderson offers (he has a bevy of books, novellas, and short stories to his name now) is a well-thought out system that affects the culture, economy, and other ways of life.  This is not always the case in most fantasy books but Sanderson follows this model in such a way that you cannot help but be entertained by how it’s used and plays a role.

Call to Action: Give it a read!  The world is rich and the action is fast and engaging.  Best of all are the characters who I did not spend any time exploring in this post but they are just as in depth as the magic system.

Recommended: The Last of Us

I’m not the biggest gamer nor would I consider myself well-informed on the great selection of games out there nowadays.  That’s not to say I haven’t wasted many a days staring at a screen and directing an avatar through a dangerous, violent adventure pursuing the ultimate goal or an achievement/trophy.  I won’t be going into a lot of detail about my experience with video games today but I do want to shine some light on a particular game that has impacted me the most in my 20+ years of playing video games across many consoles.

The Last of Us is in my opinion the best narrative of a story in video game form (based on what I’ve experienced; there could be others).  I won’t be getting into gameplay or mechanics of the game itself because I know some readers will not be familiar with that aspect (so let’s keep it general).  However, I think everyone can admire and stand with me when it comes to enjoying a well-told story.  The Last of Us does this.

The game follows Joel–one of our main protagonists–in a future that is decimated by a disease that affects people’s brains and bodies, leading to eventual violent tendencies.  He’s a survivor, suffering demons from the first days of the outbreak.  This leads to his eventual goal for the game.  His task is to escort a young girl, Ellie, to a location across the country where she can be safe from would-be antagonists who seek to do her harm.

Without going into spoilers (just in case any readers have yet to play the game and are planning to), it’s not the most embracing of relationships as Joel is worn down by the world and carries the pain of losing his own daughter years prior.  Ellie is a girl who was born into a broken world and her wonder about the world lost leads her to ask Joel lots of questions and be what a teenager might be in those circumstances: curious.

From setting to setting, the game pits Joel and Ellie against enemies in various forms and they have to do whatever they can to survive and find safety.  Woven throughout this drama and the intense gameplay, you as the player are privileged to be part of the relationship that grows between them.  Joel is a father without a daughter and Ellie quickly becomes the potential surrogate despite his wanting to be done with the mission at hand, struggling to bond with what he thinks might be stolen away from him yet again.

My love for this game comes from the dynamic between the two characters.  I have a soft spot when it comes to stories that involve a parental figure and a child who rely on each other and come out changed for the better in the end (see my review of Logan).  By the end, both Joel and Ellie are different, experiences real growth.  I can admit, but there’s a point in the game that is so emotional that I definitely teared up a little.

A minor narrative detail throughout the game is when the game slows down and Joel and Ellie are going from one place to another (or from conflict to conflict).  Here is where the casual conversations take place.  Ellie will see something or you can direct Joel to look at something in the environment and Ellie will react, asking questions that explore her thoughts, Joel’s thoughts, and end with the two talking as if the world has not gone toes up.  It’s a small detail strung throughout the game but adds a layer no other game has taken advantage of to my knowledge before it.  It’s a genius character element!

Yes, The Last of Us is a video game and while a great many lack in great storytelling, this one sets the standard.  It was funny, I found out a friend of mine recently started the game and I told him I would come and watch him play to witness his experience with the game.  It’s something I cannot go through for the first time again but I love that others can.  Even if they do not feel the same way as I do about it, to me it’s worth experiencing just as much as I think some films or TV shows should be experienced.  It’s storytelling done right and I will always be drawn to those examples.

Call to Action: It’s not a simple, “Oh you should go out, buy a Playstation and the game, and play!”  No, that’s not feasible.  Instead, I’ve attached a non-spoiler review video for your viewing pleasure.  There’s some in-game language and violence in the video so you’ve been warned.

On This Day: 27 June 2006 – The Lies of Locke Lamora first published

posted in: Fantasy, On This Day, Review | 2

This month’s OTD post will focus on Scott Lynch’s “The Lies of Locke Lamora” which is the first of the “Gentleman Bastard Sequence”.  It’s a novel that follows the main character, Locke Lamora, who alongside his best friend, Jean Tannen, get caught up in a caper-like story that they must survive after would-be allies turn on them.

As always, no spoilers will be found here.

While the characters and action are captivating, I want to focus a bit more on the setting.  The story takes place in a Venice-like city called Camorr.  Lynch does an amazing job of thrusting the reader into this new and interesting place.  The world feels expansive beyond this one city but unexplored beyond minor mention.  The layers of world building can be felt in the dialogue/language, history, and religions.  The weaving of these elements are everything a fantasy story needs.

As I’ve explored in past blog posts, fantasy can be a difficult genre to write both in creation and holding a reader’s attention.  There is little familiarity except in more generic of terms.  Elements of culture and society have to be infused within the narrative through observation and understanding possessed in the point of view offered.  Some writers are vague in this exploration while others like Lynch dive deeper in the ocean of world building and succeed!

More to the story itself, Locke and Jean belong to a lesser, smaller gang of thieves surrounded by danger at every turn.  This takes the form of secret police and larger gangs that all have collective agendas of their own.  Throw in the threat of a Bondsmage (a warlock for hire) bent on killing them and you’ve got quite a thrill ride to enjoy!

What I enjoyed most upon reading this book is that it is actually pretty straight forward.  I kept expecting crazy twists that knocked me backwards but instead, there were subtle actions that were consistent and reasonable within the world.  There’s absolutely surprises and double-crosses that will keep you reading but you truly stay engaged in the story because you want to see how Locke and Jean will make it to the end of the book.  Each are skilled in their own right but neither possesses magic or has an ally that does.  They must rely on their wits and knowledge of the culture and city to survive.

It’s a rich world with so many interesting ideas that are fresh.  The technology is advanced to a point where chemistry serves as an almost societal magic embraced by all where the more mystic of arts has to be purchased as I stated before.  For a fantasy novel, it does not have an epic magic feel and those who actually practice magic–the Bondsmage–serve as more a background entity.  It’s a controlled approach that doesn’t spread across the entirety of the narrative.  This is a very cool idea and one I enjoyed.  It put constrictions on what to expect from a fantastical stance.

Totally recommended.  I’ve read the first three books of the series so far and enjoyed each as they explore new places and characters, expanding the world in a way that I really enjoyed.  My only gripe (I realize I probably don’t do that enough in any of my reviews of things) is that I felt like some of the exposition was unnecessary.  I get why Lynch added it (as a fellow writer, exposition is tough to navigate and probably more of a preference thing on my part).  However, in this instance, it’s hard to go into more detail without spoiling anything.  So, I’ll leave it at that.

Call to Action: Read it of course!  (Click on the pic of the book above to purchase.)  Or let me know what you thought about it if you have read it.

Wonder Woman: Thoughts and Impact

posted in: Fantasy, Film/TV, Review, Writing | 2

I’m juggling and shifting my blog post schedule around to bring you all my take on the film, Wonder Woman, which Leesie and I went and saw this last weekend.

This is not a review but rather an initial impact on me as a writer and storyteller.  Have no fear, there will be no spoilers shared here!

I went into the movie expecting it to be good based on reviews I’ve come across.  I have not been the biggest fan of the DC comics movies so far (I enjoyed the first halves of Man of Steel and Suicide Squad) but I have held out hope that the trailer I saw for Wonder Woman would hold up for the entire film.

We watched the movie and my first comment to Leesie afterward was, “I am amazed that it took until 2017 for us to get a movie like that.”  Now, what I meant was, “Holy crap!  Why have we not had a movie centered on a woman super hero?!”  Seriously, I loved the film.  It had so much good in it that I’m still processing everything to this day.

What’s more is I truly loved hearing Leesie’s take on it.  In case you all don’t know, I’m a straight white male and that has…interesting connotations in today’s society (let’s leave that ditty for another day though).  My wife’s opinion means a lot to me as a storyteller and I often expose her to movies or shows that impact me as a writer and I want her take on it.  This doesn’t always go over well though because she doesn’t see what I see but that’s not really a bad thing.  I’m just a nerd who gets inspired by things not everyone else does lol.  So, not a knock on her, I just really like to hear her reaction.

But for Wonder Woman, I absolutely wanted to hear her reaction.  To listen to her talk about how it evoked emotion in her to witness a woman who was both powerful and compassionate lead the charge (not a spoiler since it’s in the trailers but that “no man’s land” scene was one of the best I’ve ever seen) tore at me.  As a man, and I like to think I value women pretty well (all thanks to my mom), I don’t know what it’s like to be a woman.  I don’t know how women feel or think.  I don’t know what their experiences are in the workplace and other social constructs.  I just don’t but I love that I can talk to my wife and listen to her talk about these things that are inspiring to her and for different reasons than they are for me.

One other aspect she brought up to me (after reviewing this blog post) was the fact that Diana did not devalue the men she encountered (for the first time mind you) but came alongside them, learning about them as people and valuing what they had to bring to the table.  This idea of co-value is what seems to be missing in a lot of the discussion between men and women’s roles in society.  We are different.  Biologically and mentally there are differences but in action we can carry out the same goals.  I am always thinking about this as a writer and even putting it up against other stories in any medium of media.

Already, my mind is going back to the female characters of my stories.  I’ve never wanted to write ones that feel inferior for the sake of a plot device.  I truly don’t want to tell the story of a damsel in distress who can only be saved by the knight in shining armor.  It’s been done to death and it’s not an interesting story to tell (at least not to me).

As I write and revise the first book of the Ravanguard series, I’m reassessing my main female protagonist’s scenes in which I explore her thoughts and actions in the conflicts she faces.  Yes, she has help from both male and female counterparts but I truly desire to write her stronger than I previously had.  Will she make mistakes?  Yes, because that’s believable and makes her grow as a character but I don’t have to write her into corners or the tallest, darkest tower with way to escape lest their be some chiseled Fabio chump to scale that tower to free her.

Wonder Woman was an amazing film to experience and I highly recommend it to everyone.  I came away extremely impressed with the direction of the film by director, Patty Jenkins (keep an eye on her as a director) and Gal Gadot’s performance as Diana aka Wonder Woman.  Gadot was mesmerizing and embodied a hero with a clear vision of purpose and power.  Ignore the naysayers and pompous twits who feel the need to gripe over sensitivity issues (most of these are results of their own biases).  Form your own opinion and let that be enough.

Call to Action: Go see it.  In fact, if you’ve already seen it, go see it again.  I don’t often watch movies twice in theaters but I would absolutely jump at the chance to see Wonder Woman again.

My Cup Runneth Over

posted in: Fantasy, Film/TV, Music, Review, Writing | 2

Couple of things to go over first before I get into the trappings of my mind today.  This is going to be kind of subject to subject type of post but a good overview of the happenings in my fun-filled life.

Business first.  There may be some changes coming to my blog posting schedule.  If you’ve paid attention, I post on every even day of the week (2nd, 4th, 6th, etc.) unless the “On This Day” post lands on an odd day.  Roughly, that means I’ve posted about 14-15 posts a month.  After five months of this, I’m beginning to wonder if I can keep up that kind content production for the foreseeable future.  So, starting in June, I’ll be switching it up.  My plan is to begin posting every three days instead of every other day.  That means blog posts will likely be on the 3rd, 6th, 9th, and so on of every month.  There will be variances of course depending on when the “On This Day” post falls (maybe that will be a bonus post for the month).  Everything else will stay the same though.

Still nothing on the book art for “Dim the Veil” but I’ll let everyone know once that happens.  No progress on the method for savings towards the professional edit either.  I’m going to be looking into some options soon though and hopefully come to a decision.  Again, I decided against gofundme and kickstarter because if someone decides to give anything over $5, I fear that I cannot offer them anything in return besides the novella once I release it and I don’t believe that’s ethical.

Viewing pleasures.  I recently watched the Guardians of the Galaxy Vol. 2 and I have to say I truly enjoyed the film.  It did not quite go in the direction I expected and I was pleasantly surprised by the more sentimental parts and its focus on family.  It hit the heart strings on a few occasions.  And the music was awesome of course!  No other movies I can think to bring up but I am watching the new seasons of Better Call Saul and Fargo.  Both are great television shows that continue to hold strong in their narratives and character explorations.  I’ve wanted to get into the American Gods show based on Neil Gaiman’s novel but I haven’t had the time yet.  I can’t say I loved the book so I’m not uber-drawn to the show.
Soothing Sounds.  As both a writer and musician, I’m naturally drawn to music.  My musical journey has been interesting to say the least.  I may have to do a separate blog post on that soon because I’ve gone from genre to genre over my life and settled recently on pretty much a place where I didn’t think I would.  One of my favorite bands is Cold War Kids and their latest album “LA Divine” has been a constant whenever I have music on in the background (heads-up, I’ll be working on a blog post soon going over some of the lyrics from that album in a sort of semi-review).  Also, freaking Paramore (probably one of my top-five bands ever) has released their fifth album “After Laughter” and that will be played out in no time between myself and my wife (her favorite band).

Bookworming.  Recent reads include a bevy of books.  A couple of fantasy tomes were “Heroes Die” by Matthew Woodring Stover and “Shadowmarch” by Tad Williams.  Both were good for what they were but did not blow my hair back.  “Heroes Die” was more an original idea with sort of a pseudo-sci-fi element to it.  “Shadowmarch” reminded me of “Game of Thrones” and some of the other books of that ilk.  I also finished Mark Haddon’s “The Curious Incident of the Dog in the Night-Time” which I will probably review in the next newsletter.  Definitely a fun “read” as I listened to the audiobook.  I’m a little behind in my reading challenge over at Goodreads so I need to get on it and read some shorter books I think.  It’s these 500-600 page fantasy epics that really slow me down :/

Fun Stuff!  So, we’ll be going to Colorado to visit family in September and I was lucky to find that my baseball team, the San Francisco Giants, will be in Denver playing the Rockies while we are there.  So, I jumped on the chance to see my team play  for the time live and bought tickets for one of the games!  Super excited!  I haven’t been to a baseball game since I was in my early teens.  Should be a great experience with my dad, uncle, cousin, and brother-in-law.  The great thing about baseball games if that they don’t cost an arm and a leg to go.

And that concludes your quick update of my life.

Call to Action: I’m curious to know if anyone has any thoughts on how often I post blog posts.  One every other day was really a challenge to myself to see if I could do it but also provide enough content to gain readers.  I can’t say for sure if this has really gained people interested in reading my content though.  I don’t get much feedback besides from friends and family (am I even doing this right? lol).  Maybe switching it up will help.

Recommended: Breaking Bad

posted in: Film/TV, Review, Writing | 4

Vince Gilligan’s “Breaking Bad” is by far one of my favorite television shows ever.  But not for the reasons people might think.  So, let’s jump into it.  I should note that this is not an effort to convince people to watch the show.  It is wonderfully written, acted, and produced in so many ways but it also deals with some very difficult subject matter.  I’m simply explaining why I enjoy such show.

For those who are unfamiliar or only slightly so with the show, I will try to provide a basic rundown.  It follows the transformation of chemistry high school teacher Walter White to the notorious meth cook, Heisenberg, who is diagnosed with lung cancer and sees the end of the tunnel, which would leave his pregnant wife, unborn daughter, and teenage son without much once he’s gone.  Working a car wash job in addition to his teaching gig, Walter is put up against a horrible situation and is desperate to not only pay for treatment but leave his family with more than debt and hospital bills.

By chance, his brother-in-law, a DEA agent, shows a video at Walt’s birthday party where the DEA has busted a meth lab where the evidence gathered reveals a stash of cash to which Walt instantly wonders about.  It’s this event that eventually leads to Walt’s being on a ride along with his brother-in-law to bust another meth lab where he sees one of his former students, Jesse Pinkman, avoiding arrest.  Yada yada, Walt and Jesse join together to go into business and embark on a whirlwind of danger that affects them all in sorts of ways that have them constantly making choices that would keep them safe and out of jail.  Unfortunately, they do not come out unscathed all the time and suffer both physically and relationally throughout.  Whether its the DEA or rival drug lords, Walt and Jesse have to trust each other and their wits to keep ahead of the danger.

Suffice it to say, this show is never dull (even the bottle episodes are great).  It explores characters and the transformation of said characters in ways most shows avoid or don’t know how to execute.  Obviously, no spoilers here but you will often be conflicted, not knowing who to cheer for from season to season.

The reason I love this show and recommend it purely from a storytelling aspect is that Vince Gilligan and his writing team are famous for stating that they purposely wrote Walt and Jesse into corners just so they (the writers) could find a way out for the pair.  Storytelling is the best part of the series while the characters are a close second.  (Aaron Paul’s performance as Jesse is amazing.  He is my favorite character throughout the show.)

Again, this is not an easy show to watch.  It deals with very real subject matter from family drama to the high cost of drug usage.  I do not take these things lightly and never want to insinuate that.  I have spoken with friends who have actually dealt with others in this regard and it’s sobering to hear the stories.  I am not disillusioned by this to say the least.

In my mind, compelling stories are best when they deal with true and difficult aspects of life.  Sure, a lot of the scenarios of “Breaking Bad” are embellished for the small screen to be dramatic and hold our viewership but in reality, life is not easy and we face difficult decisions every day.  I pray it not so for everyone but things happen and livelihoods are put to the test.  Walter White’s livelihood and that of his family are tested so much so that you truly wonder if his choices were worth it in the end.  He makes his choices in order to see his family taken care after he is diagnosed with cancer.  However, his dive into the criminal underbelly costs him a great deal and affects his personality in ways that make you wonder about his overall psyche.

There’s a quality of storytelling here that provokes me as a writer to not just be the gardener but push more towards being the architect when planning and writing my books.  Honestly, I’m drawn to great writing and it’s hard for me to stay away or ignore it when it’s in the form of a show like “Breaking Bad”.

Call to Action: If you’re willing, check out the pilot episode of the show.  If you get through it and are kind of interested to see where it will go, I’d recommend trying another episode and so on.

“Logan” Reaction

posted in: Review, Writing | 2

As I’m writing this, I have not seen the movie yet but I wanted to sort of provide this “before and after” approach.  Just as a heads-up, this is and will be a bit of a nerd post.  If you’re not familiar or care about the Marvel Comics character, Wolverine aka Logan, then I understand if you sort of gloss over it.  But, if you have time and want to just get my take on something relevant and entertainment related, keep reading!  Maybe I’ll peak your interest enough in the character that you’ll go see the movie.Some history first.

I’ve been a fan of the X-Men franchise/world ever since I can remember.  I grew up watching the early 90s cartoon that was on Fox.  This led to an interest in comics, video games and even collecting trading cards if I could find them.  Wolverine was always one of my favorites.  When you’re a kid, as I was, he’s a favorite because he’s cool.  Plain and simple.  He’s a brash brute with claws that pop out from between his knuckles and has a super healing power that means he can take a punch, kick, shot, stab, flying truck (whatever the bad guys want to try).  How can you not like that?!

It’s not until I got older that I understand the complexity of the character.  Without going into a long otherwise highlight reel of his history in the comics (I’ll point you to Wikipedia’s page for the long read https://en.wikipedia.org/wiki/Wolverine_(character) ), I’ll simply say he’s a tragic character who is a lone, tortured soul amidst the din of a chaotic world.  He’s faced hardship after hardship and continually battled his inner demons.  Never wanting to be the hero but led by a code that drove him to battle injustice.

Now, I’ve followed the films since 2000’s “X-Men” directed by Bryan Singer.  Back then, it was amazing to see this character in real life, portrayed by Hugh Jackman who I had never heard of but embodied the character of Logan perfectly (it never bothered me that we didn’t get to see him in his iconic yellow and blue costume).  Think about this.  He started in 2000 and we’re into 2017 now and Jackman has played the character in nine films (some only as a cameo).  That’s crazy to think about!

“Logan” is supposed to be Jackman’s last go of the character (that could always change so we’ll have to wait and see) and is supposed to be loosely based on the “Old Man Logan” graphic novel, which is not for kids (be advised).  There will be deep deviations from the graphic novel for various reasons but the film based on the trailers will be self-contained and a tribute to the character in all his glory.  Speaking of trailers, whether you’ve seen the film or not yet.  I admit, there was some man tears produced at the visuals accompanied by Johnny Cash’s cover of “Hurt” originally by Nine Inch Nails in the first trailer.  Haunting yet enrapturing.

This is the end of my pre-viewing of the film.  The following paragraphs are my initial thoughts:

They went full berserker!  Saw the movie yesterday and let it process overnight before I wrote up my thoughts.  I’ll preface this by saying this is more a reaction than review.  Reviews tend to be stuffy and sometimes technical whereas I want to give my impressions on the characters, themes, etc.

There will be no spoilers!

“Logan” was by far the most human X-Men/Wolverine movie yet and I hope it’s an upward trend.  For the first time, this felt like a real world where mutants actually lived in.  The past films have had this sort of “comic” motif (duh… but you know what I mean).  End of the world/big baddie bent on destruction sort of thing.

This film aimed for the heart and person of an aging, wounded Logan who was still led by his code, though he’s constantly fought it from film to film.  The relationships here are the prize.

It reminded me a great deal of the relationship explored in the Playstation 3 game, “The Last of Us,” where an older man is tasked to escort a young girl to a safe haven in a post-apocalyptic world ravaged by a virus that turns the infected into zombie-like creatures.  She’s immune and while he struggles to believe something greater could come of the journey, he eventually finds her to be hope for the future and a reason worth living.

We kind of get the same thing in “Logan” but like I said, this is about exploring relationships.  From Logan to Professor X to Logan and the young girl, Laura, we see the importance of family.

Now, this film is not for the squeamish.  It’s very violent unlike other X-Men/Wolverine films, which have more of the “comic” action.  I would not say that I am desensitized to violence, blood and gore.  I grew up during the days of violent video games being the trend (Mortal Kombat!!!!) and have seen my fair share of the ridiculous in films.  Still, there are some things I don’t particularly care to see when it comes to violence.

Logan’s healing ability makes him a prime candidate to have crazy violence committed against him to show the audience he can withstand whatever weapon may come against him.  I say all this because the violence in the film was crazy brutal but it felt warranted and necessary.  Throw the eleven-year old, Laura, into the whirlwind and you just feel your adrenaline rising.  Both my wife and I had to take a relaxing break afterwards because the intensity just rose and rose to the nth degree until the very end.

My overall impression and reaction to “Logan” was a metaphorical hard clap (never clap in the theater after a movie…seriously, we’re better than that).  X-Men: Days of Future Past has been my leading favorite X-Men movie but “Logan” jumps to number one.  This was everything I’ve wanted in a superhero movie.  Christopher Nolan’s “The Dark Knight” showed what a realistic, human superhero can be and few have tried to follow that model.  It took a few years but “Logan” did it, staying true to the character of Wolverine.  Highly recommended even if you’re not familiar or fan of the character.

Call to Action:  See the movie and share your thoughts in a comment.  The whole X-Men timeline confusion might leave you asking some questions but that is minimal at most.  This was a fantastic film and I truly hope we see more in the near future of this caliber.